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My Review of Fitness Blender’s Brutal Butt & Thigh Workout

From the Brutal Butt and Thigh Workout


Disclaimer: 
I am not a doctor, and this post is in no way intended to give out medical advice. Please seek the advice of a qualified medical professional before beginning this or any other type of workout routine. 

In addition, I’m not receiving any kind of compensation for this post, I’m not affiliated with anyone at Fitness Blender, and there is never affiliate marketing of any sort on my site in general. I’m reviewing this workout simply because I loved it and think some of you might, too.

Wow, it’s been a long time since I’ve reviewed a workout video here. it’s time to change that.

Fitness Blender creates the videos I use for the vast majority for my weightlifting workouts. Kelli and Daniel are the couple who created and own this brand.  Their Youtube channel and website offer free workouts for every fitness level.

About the 30 Minute Brutal Butt & Thigh Workout

This workout consists of 5 groups of 2 different exercises. There are ten repetitions of each exercise before you move onto the next one, and all of the exercises are done in the AB/AB format. For example, Kelli’s movements looked like this in the first section:

  • Traditional Squats
  • Deadlifts
  • Traditional Squats
  • Deadlifts

Between each muscle-building exercise, she spent 20 seconds jogging in place.

This is a good routine for more experienced weight lifters. I would not recommend it to beginners due to the intensity of the moves.

All of the videos from Fitness Blender that I use require a minimal amount of equipment. For this particular one, you’ll need a barbell or dumbbell. If you happen to own a yoga mat, that extra cushioning can be useful for the cardio portions of this routine. It’s not strictly necessary, however.

The last five minutes of this video are dedicated to cool-down exercises, but it doesn’t have any warm-up activities. I’d recommend warming up on your own before beginning it.

 

Brutal Butt and Thigh Workout

My Review

This is one of my all-time favourite workouts, so you’re going to hear a lot of complimentary things about it today.

The lack of background music was one of the first things I noticed about it. While I like background music when I’m doing a dance video, I find it distracting for most other types of exercise. It was nice to not have to think about it during this video.

Instead of instruments or the sound of people singing, the only noises you hear on this video are of the narrator explaining which moves are coming up and discussing how they affect your body. There were alternatives suggested for people who couldn’t do the full range of motion for certain moves which was helpful. It was also interesting to hear Daniel talk about how your muscles will react if you’re able to do the moves the way Kelli was in this workout. I only ever felt encouraged by his descriptions. It was fascinating to hear how the human body works and how it can adapt to new challenges over time.

While Kelli did jog in place between all of the exercises, I appreciated the fact that participants were encouraged to find their own level of activity between sets if they weren’t able to jog every time. Honestly, I can’t jog in place for the entire workout every single session. There are times when I need to walk instead, especially at the end, and that’s perfectly okay.

The Cool Down Portion of This Workout

One of the unique features of the Fitness Blender brand is an icon on the right hand side of the screen that shows you how much of the workout you’ve currently completed as well as how much of it you still have to go.

It looks sort of like a thermometer, and the color of it changes from green to yellow to red as you progress further into the routine. I can’t tell you how many times I’ve used this feature to see how long I have left to go and to find another burst of energy when I know we’re getting close to the end.

The weightlifting exercises themselves are challenging for me in a good way. When I first began using this video, I was a little sore the next day. While my body has grown stronger and adjusted since then, this routine is by no means an easy one for me. I enjoy being challenged in this way, and I can see myself going back to it over and over again for quite a while yet to come.

I also enjoy the cool down portion during the last five minutes. By the time it comes up, I’m usually covered in perspiration and totally ready to take a break from exercising. All of the stretches in the last few minutes are a nice bridge between weightlifting and the quieter portions of my day that are soon to follow.

Honestly, the thing I’d change about it if I could would be to include a short warm-up at the beginning. I find that I am more diligent about warming up properly when I have someone else telling me which body parts to stretch and for what period of time. Going to the trouble of actually warming up for it is well worth the effort, though!

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Echoes of the Past: A Review of The Little Stranger

Earlier this year, I blogged about my to-watch list of science fiction and fantasy films. Since then, I’ve been periodically reviewing certain films that I enjoyed and thought you all might like, too. Previous instalments in this series include Into the Forest, Annihilation, Coco, and Winchester

This is a spoiler-free review. 

The Little Stranger is the 2018 film adaptation of a book by the same name written by Sarah Waters, one of my favourite authors. This story was set in 1948, and it followed about a year in the life of Dr. Faraday, a middle-aged man who was one of only two doctors in his rural community. He grew up in a low-income family at a time when the vast majority of children did not move into higher social classes as adults than the ones they were born into, so he was still adjusting to the changes that higher education had brought to his life when this mystery began.

In one of the earliest scenes in the plot, Faraday revisited Hundreds Hall, a mansion that his mother once worked in, after one of the servants who worked at that estate came down with a mysterious illness. The last time he’d visited it had been nearly 30 years ago when he was a young boy and his mother brought him to a public celebration there after the end of World War I.

Hundreds Hall was crumbling by 1948, and the family who lived in it had isolated themselves from the surrounding community to an alarming degree. It was nothing at all like the glamorous, well-kept home that Faraday recalled from his childhood, and the Ayers themselves didn’t seem to be doing well either. After a brief encounter with Roderick, Faraday asked to come back again to see if he can treat some of the pain and muscle stiffness that Roderick had been dealing with since he was wounded in the war. (I’ll give you more details about these characters in a moment).

While he knew that the Ayers have lost much of their wealth over the past few decades, Faraday was still shocked by how much the property has deteriorated since he last saw it. Could their inability to pay for necessary repairs explain what is going on, or was there something else afoot in this once-stunning mansion?

 

The Characters

Domhnall Gleeson as Dr. Faraday

Dr. Faraday, the protagonist, was a middle-aged bachelor whose days are generally spent holding office hours at his clinic and doing home visits for patients who were too contagious, sick, or frail to come see him. Most of his patients were poor, so he didn’t make a great deal of money for someone in his position despite his prestigious title and the long hours he worked.

Charlotte Rampling as Mrs. Ayres

Mrs. Ayers was the matriarch of the Ayers family. Her life had changed dramatically since Dr. Faraday first met her in 1919, from the births of Caroline and Roderick to the steep decline in her fortunes and social standing. She had once hosted grand parties in her home, but she now hid away from the community she’d once embraced. Even her own children didn’t seem to spend a great deal of time with her despite the fact that they all lived in the same home.

Ruth Wilson as Caroline Ayres (right)

Caroline Ayers was Mrs. Ayers daughter. She was by far the most intelligent and resourceful member of the Ayers family, and there were several intriguing references to the things she’d accomplished before her brother’s terrible injuries happened in the war.

Will Poulter as Roderick Ayres

Roderick was Mrs. Ayers son. He was badly injured during World War II. When the events of this book began, he was still dealing with both the physical and psychological effects of his wartime experiences in a time when mental health issues were not well understood and when doctors had far fewer treatments for the serious burns and other injuries he’d survived.

My Review

One of the things I’ve always loved about Sarah Waters’ writing style is how adept she is at giving evidence that can support multiple interpretations of a scene or plot. Most of her books don’t have the strong mystery elements in them that this one does, so the fact that she was able to pull this off while writing in a genre I haven’t seen her spend much time in before was impressive.

Dr. Faraday was a character I had mixed feelings about from the beginning. In one of the earliest scenes, the audience saw him visiting Hundreds Hall in its heyday and purposefully breaking off an ornamental acorns from one of the walls in this home. The reasons why he did that were explored later in the storyline, but they didn’t give me a good first impression of this character.

Getting to know him as the adult he was a few decades later softened my opinion of him. As I mentioned earlier, he’d grown up in a time and place where it was nearly impossible to escape the social class one was born into. The fact that his family had scrounged up enough money to get him through medical school was amazing, and I did admire the determination and grit he must have needed to get through such an experience when his family had so little money to spare.

As intrigued as I was about the Ayers, I didn’t feel like I got to know them quite as well as I could have. I appreciated the fact that Faraday was given so much time to shine, but I would have liked to know a few more details about who Roderick, Caroline, and Mrs. Ayers were as individuals before they began experiencing so much misfortune. The little pieces of their pasts that were shared were well done. I simply needed a few extra scenes describing how and when things had gone so terribly wrong for them.

With that being said, this was something I also noticed in the novel. Explaining why these characters weren’t quite as open with Faraday or the audience as I would have preferred them to be would be wandering dangerously close to spoiler territory, and I do understand why they were written that way even though I wish they could have been a little more forthcoming in the film.

What I did love about the storyline was the way it encouraged the audience to ask questions. It wasn’t immediately clear what was really going on at Hundreds Hall. The servant that Faraday was called to treat was quite spooked by living in there, but she refused to tell him who or what had frightened her. This pattern of dancing around the question of whether what was happening in this mansion was supernatural in origin or had a purely rational explanation occurred over and over again.

Just like when I read the book, I formed my opinion about what was going on pretty early on. I won’t tell you what it was, but I will say that I really enjoyed the process of weighing the evidence and coming up with the most likely explanation for all of the strange, and sometimes violent, occurrences at Hundreds Hall before the final scene was revealed.

This is something I’d strongly recommend checking out to anyone who likes any of the themes or genres I mentioned in this review. I liked this adaptation and thought it complemented the original story nicely.

Speaking of Violence, Is It Gory?

I definitely wouldn’t call this a gory film, but there were a few scenes in it that involved a little blood. If anyone would like more information about this, know that I’ll have to share some mild spoilers in order to go into detail about it. For what it’s worth, I wasn’t bothered by these scenes even though I strongly dislike gore in general. They were brief and fit the tone of the storyline well.

The Little Stranger is available on iTunes.

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Hopeful Science Fiction: Semiosis

Last June I blogged about my desire to read more hopeful science fiction. Since then I’ve talked about Woman on the Edge of Time and The Lovely Bones. Today I’m back with another suggestion.

If you have recommendations for future instalments of this series, I’d sure like to hear them. Leave a comment below or send me message about it on Twitter.

Semiosis

Sue Burke’s Semiosis is a 2018 hard science fiction novel about colonists from Earth who travel to a distant planet in hope of making it their permanent home. The storyline followed the original group of explorers as well as their descendants for several generations. They knew almost nothing about the planet they named Pax  before they arrived there, so preparing in advance for what they were about to experience wasn’t easy.

Nearly every chapter in this book showed how the most recent generation in this timeline adapted to the many challenges they faced while attempting to survive on a planet where RNA, not DNA, was the building block of life. Generally, one chapter was assigned to each new generation as they came of age and began making decisions for their community.

Th experiences of the first generation were promising. The land was covered in vegetation, much of which their scans showed was safe and nutritious for humans. They quickly began attempting to build shelters and adjust to the many differences that came with living in such an alien environment.

Plot-Based, Not Character-Based

As you might have already guessed, this was a plot-based novel. Since each section more or less introduced an entirely new cast of characters (based on how many members of the previous generation had managed to live to see old age), there wasn’t a great deal of time for any one character to steal the spotlight.

I normally have a strong preference for character-based stories, so I did need some time to adjust to the fact that I would only have a short amount of time with any of the fascinating people I met as one generation was slowly replaced by the next.

Given how long it took the original group of immigrants to realize that many of their assumptions about what life on a distant plant would be like were completely wrong, it made sense for the whole adventure to unfold slowly over the courses of multiple lifetimes as new generations built on the knowledge their parents and grandparents had painstakingly put together. No individual human could ever live long enough to gather all of the clues they did over such a long period of time.

However, I would have liked to see more continuity between the generations. I understood why the lifespans were shorter for humans, especially in the beginning, but I spent so little time with the many characters that I didn’t feel like I bonded with any of them. They were there in one scene and then sometimes gone in the next.

Persistence

There are many details about the plot that I can’t share with you without giving away huge spoilers. Needless to say, the characters in this book were surprised over and over again by what life was really like on their new home in just about every way you can imagine. The food obviously didn’t taste anything like food does on Earth. Calibrating what was and wasn’t dangerous on this planet was hard for them, too, as well due to how little they knew about life on it ahead of it.

All of their previous training was useful, but it couldn’t have possibly prepared them for everything they were about to experience. They had no way to contact Earth, leave Pax, or receive any additional supplies, so they had to figure out ways to keep going no matter what happened to them.

The first generation had some really rough experiences due to a string of bad luck and not having the right types of supplies at critical moments. It wasn’t all doom and gloom, though. There were conversations about ordinary things like unpacking the ship or how to decide when to switch from the food they brought with them to scavenging for a fresh dinner. I especially loved the characters’ contagious excitement at finally getting to explore the land without having any idea what they might find there.

Mixing those moments of grief in with all of the other emotions they experienced was a nice touch. It reminded me a lot of what happens in real life when someone is dealing with a difficult problem but also still has to do totally mundane things like sweep their floor, plan dinner, or take their pet for a walk. Life is hard sometimes, but it still goes on.

This feeling returned once they realized there was an intelligent life form on that planet that all of their previous scans of it had failed to pick up. I couldn’t stop reading once I reached this section, and it only got better from there.

The Big Picture

There are two reasons why I’m recommending this as a hopeful science fiction read.

Number one, we’ve all had days that were so frustrating or painful they felt like they’d never end.

This book could describe a day like that and then zoom out and see how that experience mattered (or didn’t matter) in the longterm. There were questions asked early on that didn’t receive answers until decades or even generations later.

There’s something comforting in seeing that pattern play out over and over again. What doesn’t make sense to us now might make sense years from now. Alternatively, it might fade away and not be meaningful at all after enough time has passed.

Number two, things did improve for the characters over time. The tragedies they experienced were real, but so was the hope they found as they adjusted to the challenges they faced and figured out how to look after themselves long after all of their Earth supplies had run out.

What hopeful science fiction stories have you been reading recently?

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The Unforgiving Dead: A Review of Winchester

Film poster for Winchester. Image on poster is of Mrs. Winchester wearing a black mourning veil and staring straight ahead. Winchester was originally mentioned in my to-watch list in this post. So far, I’ve also reviewed Into the Forest, Annihilation, and Coco from that list. A content warning for anyone who is sensitive to this topic: this film does contain a few brief references to the death of a child, but I will not be discussing that part of the plot in this post. This will otherwise be a spoiler-free review. 

The real-life Sarah Winchester lived from about 1840 to 1922. (The exact year she was born is unknown, but it is generally thought to have been between 1835 and 1845). She was the heiress of the Winchester Repeating Arms Company. I’ve long been interested in the story of why she began adding so many rooms to a mansion that eventually had seven floors and a couple of hundred rooms.

Some people have speculated that she was expressing an interest in architecture in the only way she could at a time when such a career was forbidden to women. Others have passed around legends about Mrs. Winchester believing she was haunted by the ghosts of people who were killed by Winchester rifles. They’ve wondered if Sarah’s mansion had so many staircases that lead to nowhere, hidden rooms, and other architectural oddities in order to confuse the spirits and prevent them from harming her.

We’ll never know for sure why she spent so many years building and tearing down sections of the Winchester mansion, so this film took these nuggets of truth and spun them into a full-fledged ghost story that is only somewhat related to the actual events of this woman’s life. I only knew a few details of the original legend when I first heard that this movie was being made, but it was more than enough to convince me to watch it.

If you’re interested in learning more about the real Sarah Winchester, the links above will give you factual information about her life. There are a few plot points from the film that ended up mirroring the truth, though, so be cautious about clicking on those links if you’re a stickler for avoiding all spoilers ahead of time.

The Characters

 


Jason Clarke (left) as Dr. Eric Price

Eric Price, the protagonist and a medical doctor who lived at at time when psychiatry as a distinct type of medicine was still in its infancy, was hired by the Winchester Repeating Arms Company to determine whether or not Mrs. Winchester was mentally fit to continue running the company she’d inherited.

Some of the other stills featuring this character reveal huge plot twists, so be cautious about googling him before you watch Winchester.

Helen Mirren as Sarah Winchester

Sarah Winchester owned half of the Winchester Repeating Arms Company. This character lived with an overwhelming sense of guilt over the deaths of all of the people who had been fatally shot by Winchester rifles. She used some of the profits she earned from her successful business to add, renovate, and remove rooms from her massive mansion twenty-four hours a day in an attempt to help those restless spirits find peace.

Sarah Snook as Marian Marriott and Finn Scicluna-O’Prey as Henry Marriott

Marion Marriott was Sarah Winchester’s loving, protective niece. Marion had been recently widowed, and her son, Henry, was still grieving from the loss of his father when the events of this film began.

My Review

Originally, I was quite excited to watch Winchester. There’s something about knowing that a film was inspired by the lives of real people that makes it even more appealing to me than it might otherwise be. (I should warn you again that the screenwriters took a lot of liberties with the original story, though! This wasn’t a biography by any means, but given how many contradictory facts there are about Sarah Winchester’s life and unusual hobby that ended up being a good thing).

The Winchester Mansion

With that being said, there were some pacing problems. The Winchester mansion filled with restless, angry spirits, but there weren’t quite as many scenes about them as I was hoping to see. Yes, the setting itself was incredibly spooky. There were multiple times when the Dr. Price took a wrong turn and suddenly realized that the architecture of the house lead to quite a few dead ends. I was creeped out at the thought of trying to open a door that wasn’t actually meant to open or climb a staircase that didn’t go anywhere after all. It would have been nice if such a scary setting had been matched by ghosts who were a little more active in the beginning and middle of the plot.

It was nice to have hauntings that weren’t gory, however. It’s been my experience that many modern ghost movies assume the audience want to be frightened by dumping a lot of gory scenes into the plot regardless of whether or not such a thing actually makes sense for the characters or storyline. This is appealing to some viewers, of course, but I prefer a less bloody approach to the horror genre in general. The fact that Winchester relied on building a deliciously creepy atmosphere and asking the audience to silently dread what might happen to the characters next without showing anything gruesome was refreshing.

I would have liked to see the characters behave a little more intelligently once they realized they were in danger. Yes, horror movies do depend on their characters making terrible decisions in the beginning for the sake of giving the plot an adequate amount of time to put them in mortal danger and frighten the audience, but I kept shaking my head at the silly choices Dr. Price and the other members of the household made after they realized just how much they’d underestimated their foe.

There were several subplots dealing with grief and regret that I thought were handled nicely. While I can’t go into much detail about them without giving away spoilers, I will say that every single main character in this film was dealing with a loss of some kind. Most of them had not processed that grief, and the weight of those unexamined emotions was heavy. Watching for the gradual exposure of their backstories was rewarding. It was these subplots that kept me watching until the end. While I was curious to see if the ghosts would become more active, I was honestly far more interested in finding out how or if the characters would resolve their complicated feelings about their pasts.

Should You Watch It?

If you love paranormal movies that are loosely inspired by the lives of real people, go for it. This may not be so intriguing for anyone who isn’t already a huge fan of this sub-genre, however.

Winchester is available on Netflix and iTunes.

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Families Are Forever: A Review of Coco

This review is spoiler-free and suitable for all audiences. This was one of the films I talked about wanting to watch in this post. So far, I’ve previously reviewed Into the Forest and Annihilation from that original list. 

Coco is a 2017 film produced by Pixar Animation Studios and released by Walt Disney Pictures. It followed the adventures of a young boy named Miguel who dreamed of becoming a musician one day against the wishes of his parents, grandparents, and other elders.

They wanted him to follow in their footsteps and become a cobbler instead. This conflict between Miguel and his elders not only provided the catalyst for his adventures in the Land of the Dead, it asked a lot of thought-provoking questions about how far someone should go to pursue their dreams and what sorts of things it should be okay for a family to ask one member to give up for the sake of everyone.

(Some of the) Characters

This movie had an incredibly large cast of characters in large part because Miguel was part of a massive extended family that included generations of people who died long before he was even born. Mentioning certain characters would also make it difficult for me to avoid spoilers, so I will only be talking about the most important ones who can be discussed with giving away any plot twists.

The introduction to this film did an excellent job of explaining who everyone was and how they were related to each other, though, so you shouldn’t have any problems catching up on the secondary characters I didn’t include in this post.

Anthony Gonzalez as Miguel Rivera

Miguel, the protagonist, was a 12-year-old boy who was caught between his dreams and what his elders wanted him to do with his life. On Dia de Los Muertos (Day of the Dead), when the dead are allowed to come visit loved ones who remember them during this Mexican celebration of loved ones who have died, Miguel accidentally crossed from our plane of existence to the Land of the Dead. In order for him to return to the Land of the Living, he had to receive the blessing of one of his dead relatives before the sun rose again. If he failed, he’d be trapped there forever.

Dante

Dante, Miguel’s dog, was his mischievous and occasionally silly pet who accompanied him to the Land of the Dead. This character was responsible for almost all of the humorous moments in the plot thanks to the fact that he wasn’t a particularly bright dog and he didn’t always think through his choices ahead of time. I’d love to see a sequel starring him someday.

 

Ana Ofelia Murguía as Coco Rivera (right)

Coco was Miguel’s great-grandmother and the oldest living member of their family. She’d been abandoned by her father, a musician, as a small child, and the pain of that experience was something she’d carried with her for her entire life. It was this story that made the rest of Miguel’s family so opposed to his desire to become a musician.

Renee Victor as Abuelita

Abuelita was Miguel’s grandmother, Coco’s daughter, and the head of the family in the Land of the Living (or what we would think of as our world). No one made any major decisions without getting her blessing first.

 

Alanna Ubach as Mamma Imelda Rivera

Mamma Imelda was Miguel’s great-great grandmother. Coco was the daughter she’d been left to raise on her own after her husband went away and never came home again. She still resented her husband for that decision when Miguel met her in the afterlife and asked for her help to get home again.

Gael García Bernal as Héctor

Héctor was a friend Miguel made in the Land of the Dead. He lived in a section of the afterlife that was reserved for people who were no longer being honoured by the living on Dia de Los Muertos. If he couldn’t find a way to get the living to remember him before the last person who had known him in life died themselves, he would disappear from the Land of the Dead forever. What happened to dead people who were completely forgotten was unknown.

Benjamin Bratt as Ernesto de la Cruz

Ernesto was the man Miguel believed to be his great-great grandfather. He was never honoured, remembered, or even mentioned by the Rivera household due to how poorly he’d treated his wife and child, but the songs he sang while he was alive ensured that other people remembered him on Dia de Los Murtos and kept him going in the Land of the Dead. Ernesto was a talented musician whose songs were still sung decades after his death in our world, The Land of the Living.

My Review

Everything I’m about to say about Coco will be complimentary. I normally try to sandwich my criticisms between compliments, but in this case I wouldn’t have changed a single thing about this film. It was exactly what I was hoping it would be.

The storytelling was beautiful. While this was marketed as a children’s movie, I’d honestly recommend it to adults just as much, and maybe even a little more, as I would to the age group it was actually intended for. Miguel’s family was large, but I felt like I got to know each character in it well due to how much time they spent exploring their complicated relationship with each other and their shared pasts. They dealt with serious issues that many people face.

There were a few emotional scenes about death and regret that would almost certainly fly over the heads of the youngest viewers, but they meant a lot to me as an adult who has faced similar conflicts myself. One of the things I love the most about Pixar films is how well they straddle the line between appealing to adults while also writing something that children will find meaningful. Once again, they did a fantastic job of speaking to both groups without talking down to the kids or simplifying anything for older viewers.

Mama Imelda, Coco, and Coco’s father in a family picture.

I didn’t grow up in a family or a culture that observes Dia de Los Muertos, so I really appreciated the attention to detail when Miguel and his family were preparing for and then later celebrating it. There was something beautiful about seeing the alter Miguel’s elders had set up with photos of their deceased relatives and offerings of food and other things that the dead would have enjoyed. Yes, there were moments of grief, but there was also a lot of love and joy in that tradition. It seemed to me that it was about remembering the good times with people who have passed on and sharing your happy memories of them with the next generation.

Some of the elders in my family have historically been a bit resistant to the idea of telling stories like this as a coping mechanism for grief, so I found it refreshing to see a family speak so openly and fondly of the dead. It struck me as something that could be much more emotionally healthy for people who found themselves missing a parent, grandparent, or other relative who is no longer part of the Land of the Living no matter how many years ago they’d crossed over.

The conflicts in this story were written in such a way that I could sympathize with both sides. Of course Miguel wanted to explore his musical talents and learn how to be a better musician. On the flip side, of course his elders would be horrified at the thought of another family member abandoning them to make music. This was a case when there was no right or wrong answer and I could imagine Miguel and his elders changing their opinions if their places could somehow be reversed.

The best scenes happened after Miguel crossed into the Land of the Dead and finally met the relatives there he’d been honouring his whole life but had never actually known when they were alive. I enjoyed seeing the tension build between this character’s individualism and his ancestors’ collectivistic understanding of how a life should be lived. It was a nice reminder of how a culture can change from one generation to the next, and it also provided a lot of fodder for conflict as Miguel tried to figure out how to get home before sunrise.

I was also impressed with the music. Every single song was something I’d love listen to again, especially when it came to “Remember Me.” For those of you who have seen a lot of animated films, the music in this one reminded me of classic Pixar songs like “You’ve Got a Friend in Me” from Toy Story. Not only were they meaningful for the storyline, they were nice pieces of music in and of themselves. I could see myself adding several of them to the list of songs I listen to every day, and that’s not something I do very often.

Should You Watch It?

Yes, you absolutely should. I’d heartily recommend Coco to audiences of all ages with no caveats.

Coco is avaliable on iTunes and Netflix.

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My Review of Bipasha Basu’s 30 Minute Aerobic Dance Workout

Disclaimer: I am not a doctor, and this post is in no way intended to give out medical advice. Please seek the advice of a qualified medical professional before beginning this or any other type of workout routine. 

Before I dive into this review, let me also note that I’m not receiving any kind of compensation for this post, I don’t know Ms. Basu personally, and there is never affiliate marketing of any sort on my site. I’m reviewing this workout simply because I loved it and think some of you might, too.

Now that we have the disclaimers out of the way, let’s talk about dancing.

When I was a kid, I was a member of a church dance team for a little while. The style of dancing we did was much slower than the one I’m about to share with you, but I loved every second of learning the various moves we did together. There’s something so energizing and exciting about practicing this sort of routine over and over again until everyone is moving in perfect sync with each other.

That experience ignited a lifelong love of this form of exercise. While I’ve yet to join any other dance groups, I still smile every time I get the chance to learn a new move.

About the 30 Minute Aerobic Dance Workout

This Bollywood dance routine includes warmup and cool-down sections, so I’d estimate that it’s closer to a 20-minute workout without those things added in. Nearly all of the moves in the warmup were repeated and combined in different ways later on, so there was a lot of overlap between one section and the next. There was also a short water break included a little over 20 minutes into the session before the dancers put everything they’d been practicing together into a fun, fast-paced routine at the very end.

I’d especially recommend this video to anyone who doesn’t have a lot of experience with dancing in general. Since all of the moves were repeated multiple times and in various combinations,there were plenty of opportunities to practice anything that might have seemed complicated at first.

However, this doesn’t mean that more advanced viewers won’t enjoy it as well. The music made me want to jump up and keep dancing long after the 30-minute session ended. This is still something I fall back on when I have one of those days when I don’t feel like exercising at all. That’s how much fun it is!

No special equipment is needed for this workout. All you’ll need is a flat, even area to dance in that has been cleared of any tripping hazards.

If the embedded link above doesn’t work, click here instead.

My Review

Bipasha Basu

I originally discovered this dance workout about four years ago. During that time in my life, I had recently begun exercising regularly again. I’d never been the sort of person who thought of myself as athletic, so I was still figuring out what I did and didn’t enjoy as I attempted to get back into shape.

Bipasha Basu’s dance routine quickly became my favourite way to get moving on days when I honestly didn’t want to do anything at all. As I mentioned above, I still feel the same way about it.

First of all, dancing is a great deal of fun. There were times when I forgot I was technically exercising at all because of what a good time I was having learning the moves and enjoying the cheerful music everyone was moving their bodies to. This was especially true during the warmup and cool-down portions due to how nicely the background music was matched to them.

Speaking of warmups and cool-downs, I appreciated the fact that they were built into this workout. To be honest with you, I get awfully tempted to skip this kind of stuff when I need to do it on my own even though I know how important it is. The more vigorous portions of any exercise session generally appeal to me more, so it’s nice to be encouraged to remember to stretch, breathe deeply, and ease myself into and out of a workout as well.

Basu’s friendly and encouraging reminders throughout this routine made me smile. She did everything from talk about what moves were coming up to cheering her audience on to reminding us to love ourselves at the very end of the workout once the cool-down was finished.

Ms. Basu even reminded everyone to pause and drink a little water if and when they felt thirsty. I appreciated all of her kind words and good advice. It almost felt as though she was standing in the room next to her audience while gently cheering us on on to do our best and not worry if every single move was perfect the first time.

I don’t know about you, but I respond really well to this form of “coaching.” There’s something to be said for framing exercise as a cooperative experience instead of a competition for those of us who want to worry about winning or losing while getting fit. (Kudos to those of you who are energized by competition, but I’m simply not wired that way at all…..well, unless we’re talking about certain board games).

It sure isn’t easy to determine how difficult a workout is. If only there were some sort of universal scale for such things!  I did find the last ten minutes challenging when I first began doing it, but the earlier sections were easy once I memorized all of the different moves. Obviously, your experiences  of the same routine could be quite different from mine based on what kinds of activity you’re currently used to.

If you’re brand new to working out in general, I would recommend giving the first ten minutes a try and seeing how challenging you find it.

One Minor Criticism

There was only one thing I would have liked to see being done a little differently with this video, and it had to do with what Basu’s female backup dancers were wearing. While her male backup dancers wore loose, comfortable clothing, nearly all of her female dancers wore much tighter and ab-revealing clothing that honestly didn’t look ideal for all of the shimmying and moving around they were doing.

Bipasha and her backup dancers

This has nothing to do with modesty or body shaming. I would have preferred to see all of the dancers wearing loose and comfortable clothing for this routine from a purely practical point of view given how much bending and twisting was involved in it.

Yes, I know that sex sells, but I don’t think it’s necessary to mix that into what was otherwise a wonderful workout. This is even more true since only the women were expected to wear such skimpy outfits. If everyone had been wearing more or less the same types of clothing, I wouldn’t have had the same feelings about it.

Don’t let this discourage you from trying it, though. Everything else about it was really well done.

Have you all ever tried a dance workout? if so, what did you think of it?

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Hopeful Science Fiction: The Lovely Bones

This past June I blogged about my desire to read more hopeful science fiction. Last month I reviewed Woman on the Edge of Time as my first selection for this list. Today I’m back with a review of Alice Sebold’s The Lovely Bones.

If you have recommendations for future instalments of this series, I’d sure like to hear them. Leave a comment below or send me message about it on Twitter.

As I mentioned last month, the books I include in this series don’t have to start off in a hopeful place, and I don’t require them to shy away from difficult topics. I’m including a trigger warning for today’s review because The Lovely Bones does begin with a teenage girl being raped and murdered by someone who lived in her neighbourhood.

The story briefly discussed the end of this character’s life without going into any graphic details about it, and I will be talking about it even less than the narrator did. However, I want everyone who reads the rest of this post or check outs this book for themselves to be fully aware of those potentially upsetting references ahead of time.

The Lovely Bones

Alice Sebold’s The Lovely Bones was first published in 2002. The story it told began in the 1970s with the disappearance and violent death of the protagonist, a fourteen-year-old girl named Susie. Her parents and siblings struggled to move on with their lives without knowing for sure what had happened to her, and the main character found it equally difficult to say goodbye to a life that had only just begun for her.

Interestingly enough, the plot had much less to do with how Susie died than what she decided to do with her time after her death.

The afterlife Susie was welcomed into was everything anyone could hope for. There were no harsh judgements awaiting her or anything like that. She was loved, cared for, and reassured in a safe, happy place as she adjusted to the thought of a future she could have never predicted ahead of time.

Yet she still wanted to return to the life she’d once had. This yearning that Susie felt to reconnect with her loved ones was overwhelming at times, and it made her an incredibly sympathetic character. Anyone would have felt the same way in her shoes. I wanted her to find a way back home more than anything, but I couldn’t imagine how the plot could ever bend in that direction.

Grief

One of the things I wish I could change about western culture is the way it reacts to grief. There’s an expectation in many western societies that one should grieve quietly, briefly, and in private. I’d like to make it clear that there’s nothing wrong with this kind of grief, but it’s not the only way to respond to loss.

The Lovely Bones showed characters who grieved in many different ways. Some of them spent years trying to figure out what happened to Susie. Others moved as far away from the town where Susie had lived as they possibly could or buried themselves in various projects as a way to cope with the past. Even Susie herself had to figure out how to say goodbye to the life she expected to have so she could embrace the (after)life she was experiencing instead.

There’s no shortcut through grief. As hard as it was at times to watch the characters mourn everything they’d lost, I appreciated their realistic responses to the days, weeks, months, years, and decades that followed after the heartbreaking opening scene. These were some of the best portions of the book. I’m not embarrassed to admit that they occasionally brought a tear to my eye.

Acceptance

Pain is unfortunately a part of life for every living thing. While some know more of it than others do, no one that I’ve ever met has been able to escape it entirely.

What The Lovely Bones did exceptionally well was to show how someone can accept what has happened to them without anyone making excuses for the perpetrators or calling those experiences good ones by any stretch of the imagination.

It’s been my experience that some well-meaning people will do both of those things in an attempt to help the person who was hurt begin to heal. They almost always have no idea they’re actually making the problem worse, but it was still refreshing to read about characters who tried to find acceptance without downplaying what happened or pretending like it had some mystical or uplifting purpose that Susie needed to discover in order to move on with her (after)life.

One of the few criticisms I have of this tale has to do with Susie’s multiple attempts to accept what had happened to her. The plot went into a lot of detail about her resistance to this idea early on, but it wasn’t quite as thorough in later chapters once her siblings grew up and began to find their own sense of peace. I can’t say much else about this without giving away spoilers, but the ending would have been even better if the audience could have seen more examples of Susie’s later reactions to this topic.

Hope

The hope in this story arrived gradually. Don’t look too hard for it in the first few scenes or chapters. Just like what often happens in real life, it will take time for everyone to adjust to their new reality and for certain parts of the plot to be set into motion before you begin to realize what will await Susie and everyone who loved her.

You see, hope isn’t something you get one dose of and then are set for life. There’s nothing delicate or whimsical about this emotion.  It also won’t magically appear and make every problem in your life disappear in a puff of smoke. (If only life worked that way!)

To see the true effects of hope over a long period of time, one often has to look at the longterm evolution of a person, memory, idea, or wish. What will happen to this individual in ten years? How does someone live with decades of unanswered questions? What might be waiting for you on the other side of unimaginable grief?

The beauty of this tale comes in how it defines and describes this concept for people who aren’t interested in pat answers or ignoring the types of pain that make hope so meaningful for those who seek it.

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Hopeful Science Fiction: Woman on the Edge of Time

Last month, I blogged about my desire to step back from the dystopian genre and read hopeful science fiction instead.

The rules were simple. I didn’t require a story to start out in a hopeful or happy place, but I did want to read scifi that ended that way.

Since then, I’ve started to compile a list of books that fit this description. I’ll be talking about one of them today and plan to gradually blog about the rest in the future. If you have recommendations for this series, I’d sure like to hear them. Leave a comment below or send me message about it on Twitter.

Woman on the Edge of Time

Marge Piercy’s Woman on the Edge of Time was first published in 1976. It was about Consuelo Ramos, a woman whose life had been forever changed by poverty, mental illness, prejudice, and violence.

Nothing I’m about to say is a spoiler. All of it was mentioned in the blurb for this book, and there are many plots twists and important details from later chapters that I’ll leave up to you to discover for yourselves.

I should warn you that the beginning of this book was filled with a great deal of pain. Consuelo’s life had been incredibly difficult for many years before the audience met her. She’d made choices that seriously harmed other people, and she’d been on the receiving end of other people’s terrible decisions as well. There were times when it read much more like a dystopia than anything else before the plot veered into other directions.

If you press forward through the dark beginning, though, you’ll begin to see what I’m talking about when I refer to this as a piece of hopeful science fiction.

Shortly before involuntarily committed to a psychiatric hospital early on in this story, Consuelo began telepathically communicating with Luciente, a person who was living in an utopian society in 2137.

As their unlikely friendship blossomed, Consuelo eventually travelled through time to visit Luciente and see how people lived in the 2100s. It was like nothing Consuelo had ever seen before.

In Luciente’s world, there was no poverty, racism, sexism, or violence. No one ever went hungry or was denied urgent medical treatment due to their lack of ability to pay for it. Everyone was given the opportunity to chart the course of their own lives regardless of who they were or what they’d previously decided to do with their energy and time. As long as it didn’t harm anyone else, you could do virtually anything you desired with your time, from raising a family to making art to experimenting with new ways of growing crops.

This wasn’t the only future world Consuelo visited, however. She later saw a dystopian society where the bodies and minds of poor people were used as a commodity by the wealthy. It was the opposite of the place Luciente lived in every way you could imagine. Roles were rigidly determined by who your parents were, and there was no way to switch from one part of that society to another. A person’s time was never their own. There was always someone looking over your shoulder and telling you what you must do next.

Which Future Will Be Ours?

One of the things I enjoyed the most about this tale was how much time it spent explaining why Consuelo had been chosen to see and interact with these two very different versions of the future of humanity. She wasn’t a passive player in these trips by any means. Her presence made a difference in ways she couldn’t even begin to imagine so long as she was stuck in the psychiatric facility.

As Luciente would tell her over and over again, the decisions Consuelo made in 1976 were going to play a critical role in which version of the future came to pass. The thought of someone as socially marginalized and powerless as Consuelo actually being the key to changing the fate of the entire world tickled my imagination. I’ve almost never seen anything like it before.

Most science fiction and fantasy heroes that I’ve read about have had at least a few advantages in life, whether it’s through being born with special powers or being apprenticed to someone who could teach them the skills they needed to defeat even their most powerful enemies.

The fact that Consuelo was expected to save the world without any magical abilities, mystical objects, all-knowing mentors, trusty sidekicks, or any other real sources of help in her battle made it impossible for me to stop reading. I had to know which version of the future would come to pass and if Consuelo would be able to improve the circumstances of her own life in the 1970s as well.

Hope Is the Thing with Feathers

With apologies to Emily Dickinson, I loved this story’s approach to the concept of hope.

When I first began researching possibilities for this series, I wondered how easy it would be to find hopeful examples in a genre that has so often assumed the worst case scenario is the one worth writing and thinking about. The dystopian sub-genre has become so popular these days that I knew I’d have to do some digging to find characters who didn’t live in that kind of world.

Since I’m also not the kind of reader who usually seeks out tales that attempt to be hopeful by brushing over – or even simply ignoring-  difficult topics like racism and sexism, my other concern was that I’d be left with stories that were hopeful only for readers who were able to suspend their disbelief and enter an imaginary world where no one ever dealt with serious, real world issues.

The beautiful thing about Woman on the Edge of Time was how it found hope even in the midst of all of the prejudice Consuelo fought against during her life. Her determination to radically improve the future for the sake of every person who had been or will be born was rooted in part in her hope that all forms of bigotry could be vanquished for good if she made the right decisions.

Final Notes

There are so many other things I want to say about this book, but I don’t want to give away spoilers about it for anyone who hasn’t read it before. If you have read it, I’d be happy to discuss it in much greater detail somewhere other than the comment section of this post.

Do keep in mind that this tale has many twists and turns along the way to the final scene. It’s not something I’d recommend to anyone who needs to avoid any references at all to complex topics like abuse or how destructive habits can be passed down from one generation to the next. Consuelo and many of the other characters had many difficult experiences in their lives. This wasn’t the sort of universe where someone swoops in and saves the good guys in the nick of time before anything terrible happened to them.

These characters knew more than their fair share of pain, but all of the hope they found along the way more than made up for it in my mind.

What hopeful science fiction stories have you been reading recently?

 

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Dangerous Mutations: A Review of Annihilation

This review is spoiler-free. As always, the only time I’d share spoilers in a review would be if I needed to warn my readers about potentially triggering themes or scenes in the source material. This was one of the films I talked about wanting to watch in this post. So far, I’ve also reviewed Into the Forest from that list.

Edited on August 31, 2019 to include a link to Joy V. Spicer’s review of this film. She chose to watch and review it after reading this post. 

Annihilation is a 2018 film based on a book by the same name by Jeff VanderMeer. It’s about five military scientists who travel into the heart of a rapidly-expanding anomaly called “The Shimmer” in order to discover what caused it and why every other team of explorers who had been sent into it had disappeared without a trace.

There were a large enough group of characters that I feel the need to introduce all of them in some detail before diving into my thoughts on the story itself. I’m discussing everyone in the past tense in order to avoid accidentally giving away any hints about what happened to them or who may or may not have made it to the final scene.

 

The Characters

Natalie Portman as Lena.

 

Lena was a biologist, professor at Johns Hopkins, and former soldier. Her husband, Sergeant Kane, had disappeared on a top secret mission about a year before the events of this story took place, and she was still overcome with grief over her loss due to the fact that the military refused to tell her anything about where he’d been or what might have caused him to go missing.

She was a brave person who knew how to react quickly and appropriately in a crisis. Most of the scenes in this film were shown from her perspective.

 

Gina Rodriguez as Anya Thorensen.

 

Gina was a paramedic from Chicago.

She was an intelligent and cautious person who always put safety of herself and her crew first. I also enjoyed her subtle sense of humour.

 

Jennifer Jason Leigh as Dr. Ventress.

 

Dr. Ventress, a psychologist, was the team leader of this group. She had been responsible for performing psychological evaluations of and assembling all of the previous groups that had been sent into “The Shimmer.”

She was a stubborn, serious, and determined person. Once she set her mind to accomplish a goal, no one could dissuade her from pressing forward to achieve it. At times, she did come across as ill-tempered to me because of how unwilling she was to listen to the concerns of the other women in her group when their mission started to go awry.

 

Tessa Thompson as Josie Radek.

Josie was a physicist.

She was an intelligent and trusting woman whose natural inclination was to assume the best of everyone she met. If you forced me to pick a favourite character in this story, Josie would be it. I only wish the adventure had been told from her point of view instead.

 

Tuva Novotny (in centre) as Cassie “Cass” Shepherd.

 

Cass was a  geomorphologist. Her responsibility on this mission was to test the magnetic fields around the boundary to determine why drones, cellphones, and other types of technology malfunctioned so often within “The Shimmer.”

She was a quiet and hardworking person who seemed to have no interest in drawing attention to everything she did for the group. There’s something I admire about that.

My Review

One of the biggest reasons why I was so excited to see this film had to do with the fact that it had an all-female cast. I have never watched anything in the science fiction genre that was so centred on the experiences of women in an unfamiliar and dangerous environment. At most, I would have expected to see two women in this sort of tale. It was thrilling to have an entire team of women hiking into “The Shimmer” to discover its secrets. If you’re listening, Hollywood, we need many more stories like this in the future!

The beginning of the mission.

 

The diversity of the cast only drew me into the plot more. From age to race to sexual orientation, these characters were from a wide range of backgrounds.  It was a breath of fresh air to see them working together to reach a common goal without any of these labels being a source of conflict for the plot.

The beginning was a little confusing to me due to how much it jumped around from one time period to the next without much explanation about how all of the pieces fit together.  This is the only negative thing I’ll be saying about this film, and I’m mentioning it because it’s a storytelling device that I don’t generally find appealing. The writers did an excellent job of framing all of these seemingly-disparate scenes in ways that grabbed my attention, though, and I soon decided that I simply had to know how everything fit together.

In some ways, this wasn’t necessarily a typical science fiction movie. The pacing always remained steady, but the storyline was far more interested in encouraging the audience to ask probing questions about what was really happening to the characters as they marched deeper into “The Shimmer” than it was in surprising the audience with jump scares. I loved the fact that I was expected to think instead of bracing for the next monster leaping out of the shadows.

The apprehension I felt while watching this tale grew slowly. I wasn’t as frightened as I’d normally be while watching something from the horror genre, but I was more scared than I’d typically feel in a normal science fiction environment. With that being said, I’d still hesitate to include it in the horror genre despite what I’ll say about the gore in the next section of this review. The vast majority of the plot was centred on science fiction themes instead.

“The Shimmer” was not a safe place to visit regardless of how strong one might be or how many pieces of equipment they brought in to study this phenomenon. As beautiful as this area of land was at times, it was also full of dangers that could not always be predicted or avoided. The conflict between the peaceful setting and the anything-but-peaceful things that happened in it fascinated me.

The preview at the end of this post will show you a few examples of the types of things the characters experienced once they entered “The Shimmer”. Combining the DNA of species that would normally never be combined created all sorts of living beings that have to be seen to be believed. I was fascinated by how all of this worked and how far the storytellers ran with this concept.

I can’t go into any further details about what else the characters discovered without giving away spoilers, but I will tell you that it was quite creative and like nothing I’ve ever seen before. This was one of the major reasons why I’d recommend Annihilation so highly to anyone who has the slightest interest in checking it out.

The metaphors in this story were well written. I adored the fact that it could be interpreted from so many different angles, especially since the writers didn’t feel the need to nudge the audience in any particular direction. There was material to support multiple interpretations of what “The Shimmer” could be. One of the most popular theories about what it meant isn’t actually something I thought of when while I watching it, but it made perfect sense in retrospect.

I can’t say much else about this without giving away spoilers, but I would strongly encourage everyone to pay close attention to what is happening in the plot so you can come up with your own theories before wandering around online later on to see what other people thought.

A Note on the (Brief) Gore

There were two short but graphic scenes in this film. I was glad I’d been warned about them ahead of time so I could avert my eyes once they began. As I believe I’ve mentioned in previous posts, I’ve been losing interest in violence and bloodshed in fiction this year.

I’d be happy to privately share more information about when these scenes occur with anyone who would like to watch Annihilation but who might be hesitant about the gore factor. This is something I can discuss without giving away major spoilers, although I would have to share minor ones with you.

Should You Watch It?

Yes! I would heartily recommend watching Annihilation. It was a thought-provoking film that refused to spoon-feed its audience. I loved the process of figuring out what was really happening in “The Shimmer” and coming up with my own interpretations of how certain scenes should be understood.

Annihilation is available on iTunes.

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A Dangerous Shortcut: A Review of The Ritual

Arsher Ali as Phil, Sam Troughton as Dom, Rafe Spall as Luke and Robert-James Collier as Hutch.

The Ritual is a British horror film based on Adam Nevill’s book by the same name. It was released on October 12, 2017 by Netflix.

This review is spoiler-free. As always, the only time I share spoilers about a movie or tv show on my site would be if I needed to warn my readers about potentially triggering material in it. There was nothing like that in this film.

The premise of The Ritual is a simple one. After losing an old university friend to a random act of violence, Phil, Dom, Luke, and Hutch went hiking and camping in a remote corner of Sweden to spend time together and honour the memory of their deceased friend.

About a day into their trip, Dom tripped and accidentally injured his knee. The group still had many kilometres to go through the mountains on their hike, and none of their cellphones could get a signal in such a remote location. The four characters decided to take a shortcut through the woods so that he could rest and get proper medical attention as soon as possible due to these factors.

A violent thunderstorm began soon after they entered the woods, so the characters sought refuge in an abandoned cabin for the night despite their deeply uneasy feelings about the property. They broke up a piece of the house to start a fire, and then settled down for a good night’s rest before hopefully continuing their journey in the morning.

As they were about to discover, they should have listened to those feelings. The cabin wasn’t abandoned after all, and the person/entity/thing who lived there wasn’t pleased by their trespassing at all. (I must be purposefully vague on this point in order to avoid giving you too many hints about who or what these characters angered).

The Characters

My main criticism of this film has to do with how similar all four of the characters were. Phil, Dom, Luke, and Hutch all had fairly outgoing, sarcastic, and jovial personalities that tended to blend into one another.

There also wasn’t a lot of information given about their backstories.  What were their occupations? Were they married or otherwise in longterm relationships? If they weren’t single, were their partners men or women? Did they have kids? The references to their adult lives were so sparse that I still don’t know the answers to these questions for all four of the main characters in this storyline. As nice as it was to have some of these questions answered for some of them, I thought it was odd that such basic information wasn’t provided for everyone.

I had a difficult time thinking of them as individuals because of this. While I’d certainly expect such a tight-knit group of old friends to share many common interests, it would have been nice to have more character development before the plot picked up so that I could remember who was who when they did make rare references to their personal lives. Sharing details about who they shared their lives with and what occupations they had would have gone a long way to separating these characters in my mind.

There’s nothing wrong with a plot-driven storyline, but I do think this one would have been even better if it had taken more time to show who the characters were before putting them into terrible danger.

The Antagonist

There isn’t much I can say about the antagonist without giving away major spoilers, but I was much happier with how this portion of the plot was handled.

The backstory was well-developed and fit into the storyline nicely. I especially liked the fact that it took the characters as long as they did to learn anything at all about what was lurking in the woods. This wasn’t a case of characters knowing in advance that a particular spot had a bad reputation and deciding to explore it anyway.

They had no idea what they were about to stumble into after the thunderstorm began, and that made the later events of the plot even more exciting than they would have otherwise been. It also provided plausible deniability for why they didn’t immediately leave the cabin they were staying in the first time something frightening happened in it.

In my opinion, horror movies are most enjoyable when the characters genuinely had no idea what they were getting into before the first bizarre things happens to them.

The Horror

One of the things I always want to know before I watch something from this genre is what sort of horror we’re talking about.

Is the plot gory? Does the fear the characters and audience feel mostly come from anticipation, or will we actually see whatever it is that seems to be roaming around in the woods and hunting them down? Do the characters react sensibly the first time they sense something is horribly wrong?

Once again, I’m dancing around spoilers here, so bear with me if I don’t fully answer all of your questions.

The first thing I’d say about the plot is that it is firmly planted in the horror genre. If you love being scared, there are plenty of spine-chilling scenes to come when you begin watching The Ritual. I had to watch a couple of scenes from the corner of my eye because of how scared I was for the characters in them.

As far as the gore goes, it definitely existed. This isn’t something I’d recommend to people who have a phobia of blood or gore even though the scenes that included those things were only a small part of the storyline overall.

I don’t like slasher movies, and this wasn’t one of them. The build up to the moment the characters realize the cabin they’ve broken into had never been abandoned at all was handled nicely. Honestly, the storyline was just as much about that moment as it was about everything that happened afterwards.

This isn’t the sort of tale that has any sort of profound messages about death, grief, or friendship woven into it. I’m not criticizing it by saying that, either. Not everything in life needs to be deep in order to be enjoyable. This is a classic horror film in every way, and the characters fit into that genre beautifully.

Should You Watch It?

If you love the horror genre and are in the mood for a satisfying scare, I would recommend this film.

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