Tag Archives: The Handmaid’s Tale

14 Science Fiction and Fantasy Shows I Can’t Wait to Watch This Season

When I originally started working on this post, I was planning to say that I don’t watch very much television. As you’re about to discover from this list, though, I was wrong about that. There are far more SFF shows that I enjoy than I originally thought!

Click on the titles of each shows to read descriptions of their plots. The premiere dates I’ve written down are valid for Canada, and they’re arranged chronologically.  I’m also sharing my spoiler-free reasons for anticipating them below the links.

 

The Orville

Season 1 premiered: Last night (September 10).

Other than the animated series that I’m still slowly working my way through, I’ve seen every episode of every Star Trek show that’s ever been made. I’m looking forward to watching this homage to this universe, although I’m still not sure what to expect from it yet. The previews for it make it sound like a comedy, but the reviews I’ve read say it’s mostly serious. It will be interesting to see what it’s actually like.

Since I don’t have cable I watch most of my shows a day later using iTunes season passes, so I’ll know more after I’ve had a chance to see the series premiere tonight.

 

 

People of Earth

Season 2 premiere: September 19.

Sentient aliens are real in this universe, and they abduct certain people regularly. Season 1 showed us why this happened, so I’m hoping season 2 will dig more deeply into what the aliens want from the people they capture. This is one of the funniest shows I watch, although it did take an episode or two for me to get to know the main character well enough to find all of the humour in his reactions to the strange things that happen to him.

The Good Place

Season 2 premiere: September 20.

All of the characters in this show are either dead, robots, or angels. This isn’t your typical version of the afterlife, though, and the hijinks they all got into last season made me laugh so hard that I felt like I couldn’t breathe. Without giving away any spoilers from season 1, the afterlife is a far more complicated place than one might imagine. They explored that beautifully in the beginning, so I can’t wait to see what they do with these characters next.

 

 

Star Trek: Discovery

Season 1 premiere: September 24.

As with The Orville, I’ve heard a lot of different theories about what Star Trek: Discovery will be like. I’m excited to see how the Stark Trek universe will be revisited regardless of which theory turns out to be true. For the time being, I can’t even begin to guess what I’ll think of it or whether anyone has made correct predictions about its theme.

Lucifer

Season 2 premiere: October 2.

Imagine what it would be like if the Devil developed a crush on a human woman and began helping her solve criminal cases in an attempt to grow closer to her. (No, none of this is a spoiler. It was all revealed in season 1, episode 1 of this series). I absolutely love Lucifer’s witty, charming, and slightly dark personality. There are other sides to him that are completely unexpected as well, although I’ll leave it up to you to discover what they are.

The Shannara Chronicles

Season 2 premiere: October 11.

The first season started off a little slow, to be honest with you, but I really came to enjoy the world building. There was a lot of it once the audience got into the second half of the season, and it all fit together incredibly well. Give this one a chance if it doesn’t appeal to you right away. It has a lot of creative spins on the typical fantasy universe.

 

 

Stranger Things

Season 2 premiere: October 31.

I couldn’t believe how much the standards for childhood supervision, nutrition, and discipline have evolved since the 1980s. What many people would consider semi-neglectful these days was apparently par for the course for the 1980s (as far as not supervising children goes. There was no graphic child abuse here, only kids being left to their own devices for hours on end every day). The plot itself was also complex and written wonderfully. Season 1 was wrapped up beautifully, but it also left plenty of unanswered questions for season 2.

Marvel’s Runaways

Season 1 premiere: November 21.

I’m not generally a fan of the superhero genre, but I really enjoyed the Runaways graphic novels when they first came out years ago. I will be giving this series a try this November. Only time will tell if this story translates well to the small screen for my tastes.

 

 

Glitch

Season 2 premiere: November 28.

This is a show that I actually convinced my zombie-hating mother to watch! The characters were zombies in the sense that they came back from the dead and no longer exhibited many of the same life signs that normal people do. They weren’t violent or scary in the least, although I’m really hoping that the plot will dig more deeply into what exactly is going on with their physiology in season 2.

Beyond

Season 2 premiere: February 2018 (tentative).

The first episode of this show reeled me in immediately. While there were a few times when my attention lagged later on in season 1, I’m still extremely curious to see what happens to the characters next. The main character was someone who spent many years in a coma after an accident when he was a kid, so there is still a lot of stuff he hasn’t figured out yet about adulthood and what happened to him while he was comatose. That’s about all I can say about this one without giving away spoilers, but it was thought-provoking for sure.

 

Westworld

Season 2 premiere: Spring 2018 (tentative).

If the science fiction and western genres had a love child, they’d name it Westworld. Basically, it’s about a group of highly unusual people who are living in a violent, wild-west-themed amusement park that wealthy folks visit. I hate to be so vague about this show, but many of the plot twists later revealed in it contain major spoilers. This isn’t the sort of thing to watch if you’re triggered by include rape, murder, or assault, but the storytelling is incredible for anyone who doesn’t mind those kinds of themes.

 

The Handmaid’s Tale

Season 2 premiere: April 2018 (tentative).

Anyone who has followed this blog for more than a few months knows how much I adore this series. I can’t wait to see what the writers do with universe next, especially since the novel it’s based on left so many unanswered questions for the audience. All of my theories about what will happen next are full of spoilers for later episodes of season 1, so I won’t go into any detail about them here.

Timeless

Season 2 premiere: Summer 2018 (tentative).

Time travel isn’t something I typically seek out in science fiction shows, but this one takes a smart and sensible approach to the topic. I especially loved the fact that the characters who weren’t white men acknowledged the often serious difficulties they faced when the group visited certain times and places. Many eras were downright dangerous for people who were black and/or a woman.

 

The Magicians

Season 3 premiere: 2018 (tentative).

The best way I can think of to describe this series is to say that it’s Harry Potter for grown-ups. Magic is real, and adults who have the natural ability to perform magic are sent to a special boarding school to learn how to control and use their powers. Given that they’re all healthy, young adults, there’s plenty of sex, drugs, alcohol, and dangerous hijinks along the way. I wasn’t a big fan of the first few episodes on my first attempt at watching them, but the plot dramatically improves as you move into season 1. I’m hoping to finish season 2 by the time season 3 airs.

What science fiction and fantasy shows are you looking forward to watching this season?

How Social Media Is Changing the Rules About Spoilers

Those of you who have been following me for years might remember my post from 2014 about hating spoilers.

Since then I’ve been paying attention to how social media – especially Twitter – has been changing the rules about if, whether, and when it’s okay to share spoilers.

It was especially interesting to see how people reacted to The Handmaid’s Tale a few months ago because of how much faster that show was released in the U.S. than it was in other parts of the world.

Canada was always one or two episodes behind the United States depending on which day of the week you were on. Other countries were even further behind us.

People in the States were sharing spoilers before or right after the latest episode there ended. Even mainstream news sites were leaking plot twists as they discussed what had currently happened and what was going to happen next. I had to mute the hashtags for that show and avoid reading all news articles about it until I’d finished the whole series.

While I still believe that it’s rude to share spoilers for a show that has just aired, not everyone agrees with me and not everyone who does agree with me has the same rules about how to go about sharing them after a certain amount of time has passed.

The Old Rules

This varied according to which parts of the Internet you spent time in, of course, but I remember the old rules being as follows:

  • Always put a spoiler warning before sharing anything that mentioned even mild plot twists.
  • Don’t discuss the latest episode of your favourite show with people who haven’t seen it yet unless they tell you they don’t mind.
  • When in doubt, don’t mention it.

I do not remember the mainstream media releasing spoilers back then the way they do now. To be fair, I don’t know if that’s because I watched fewer shows at that point or if the rules have since changed for the media as well.

The Controversy

If cats knew what spoilers were, they’d disapprove of them.

I’m going to be doing some generalizing and simplifying here for the sake of brevity, but people who have an opinion on this issue seem to fall into one of two camps.

The first camp believes that everything is up for discussion the second a show has finished airing in their time zone. While some of them do warn everyone about their discussion of spoilers ahead of time, many others don’t bother to mention it at all.

Interestingly enough, my own mother belongs in this group. If I read a book or watch a movie that she hasn’t tried yet, she genuinely doesn’t mind hearing spoilers about it. This blows my mind sometimes, but I’m much less cautious about discussing how stories end with her than I am with almost everyone else I know.

The second camp is against all spoilers. We want to be warned of potential spoilers well in advance so we can avoid them. We often also want everyone to use the official hashtags for that show or movie so that we can mute them before any of the plot twists are revealed.

The New Rules

  • Always use the appropriate hashtags when discussing your favourite shows on social media.
  • Give people fair warning if you will be sharing spoilers.
  • Find likeminded people to discuss (or avoid) spoilers with.
  • Respect the rights of others to make different decisions.
  • When in doubt, don’t mention it.

From what I’ve seen, the Internet hasn’t yet come to a conclusion about how long everyone should wait before spoiler tags are no longer necessary.

I take a conservative approach and add spoiler tags to almost everything. Just because a book was released a few decades ago doesn’t mean that everyone has read it. While I do occasionally share spoilers about old movies, TV shows, and books, I warn people first in case they don’t want to know what happened.

It’s going to be interesting to see how all of this plays out over the next few years.  Is giving spoiler warnings for everything no matter when it was released the best way to handle it? I honestly don’t know. This is something I do as a courtesy for others, but I don’t think it’s currently realistic to expect everyone to follow this rule given how unwilling they are to wait even a few days to dissect current shows.

With that being said, I would like to see people become more aware of the fact that their favourite shows have global audiences and that not every country or time zone gets the latest episode simultaneously.

The Handmaid’s Tale: Night


This post includes spoilers for “Night”
 (Season 1, Episode 10) of The Handmaid’s Tale. As usual, the link on the left has full summaries of all of the episodes.

Wow.

Just wow.

It took me longer than usual to write this post because of how much I loved the season 1 finale of The Handmaid’s Tale. It set up so many possible storylines for season 2 that I don’t even know where to begin.

First of all, I never expected Offred and the other handmaids to refuse to stone Janine/Ofwarren for attempting to murder her child in the previous episode. Aunt Lydia’s horrified, angry expression was priceless when she realized that the handmaids weren’t willing to murder someone who had clearly been pushed past the breaking point a long time ago.

It’s going to be interesting to see what the punishment is for that for all of the handmaids. I’ve heard rumours that Janine is going to be back next season, but I have no idea if that is true or how it might happen.

The only spoiler I’d accidentally read for this episode had to do with Moira making it safely to Canada. At first I was a little disappointed that we barely saw any of her journey north, but there were so many other things going on in the plot that I understood why that part had to be shrunken down so much.

It was fun to see her brush snow off of the license plate of a car and realize that she’d made safely it to Canada! I’m going to assume that the people who owned that car found her, treated her kindly, and gave her a nice, hot meal before letting the authorities know that another refugee had made it across the border.

Moira’s reaction to being given simple life choices in Canada was heartbreaking. She couldn’t handle the thought of being allowed to read a book, decide what to eat, or choose what she wanted to do in general. The only thing I enjoyed more than seeing her realize how much freedom she had was watching her reunite with Luke after she told her social worker that she didn’t have any family in Canada.

The fact that Luke has marked her down as a family member really brought their friendship full circle. They’ve had more than their share differences in the past, but I’m pleased that she’s going to have someone looking out for her as she deals with all of the emotional fallout from her experiences in Gilead. The way Moira was acting reminded me of many of the symptoms of PTSD, so I can’t imagine that she’ll have an easy adjustment to life in Toronto.

It was Offred’s storyline that kept me on the edge of my seat this week, though. The revelation of her pregnancy was a bit of a surprise. The final scene of the book mentioned it as a possibility, but I wasn’t sure if the creators of this show were planning to explore that part of the plot so early on. At this point, I’m going to assume that the pregnancy goes full term and she has a healthy baby. This show doesn’t seem to be willing to harm babies that come from main cast members, so I’m guessing that trend will  continue despite the fact that 80% of pregnancies in this universe don’t turn out that way.

The last thing I was expecting was for Offred to see – but not touch or speak with – her daughter again this episode. How did Serena Joy figure out where Hannah was? I was surprised that she’d threaten to harm Hannah if anything happened to the fetus Offred was carrying. Serena Joy has done abusive things in the past, but this seemed beyond the pale even for her.

This did give me hope that we’ll see Hannah again next season. It will be fascinating to see how much she remembers about her parents and what the authorities told her about what happened to them. I have plenty of memories from the age of five, but three years is a long time for a child to be separated from her family. Who knows how much she’s changed since then!

I was thrilled to see that the last scene in this show was exactly the same as it was in the book, from Offred’s thoughts about what would happen to her to the description of her climbing out of the light and into the dark shadows in the van. The fact that Nick whispered, “just go with them. Trust me.” to her before The Eyes lead her into the black van was taken straight from the book as well.

I think I trust Nick on this one, although I’m not too sure that this is going to be how Offred gets out of Gilead. It seems too simplistic after all she’s been through.

Final Thoughts on Season One

While there were a few minor things I would have tweaked in season one of The Handmaid’s Tale, I was thrilled with  it overall. The writers clearly understood the source material incredibly well, especially when it came to Offred’s quiet grief and desperation in a household that denied her the ability to ever express those emotions openly.

One of my biggest questions when I first heard that this series was going to be made was, “how will they flesh this world out?” The book itself didn’t always explain how certain parts of Gilead like the Colonies worked because they weren’t things that Offred had seen and her perspective was so limited.

It was wonderful to see this world expanded. I loved almost every single change the writers made in order to expand the original material. It was especially nice to learn what happened to Luke as this was one of the biggest unanswered questions in Offred’s life.

The people who made this show couldn’t have done a better job at bringing Offred’s story to the small screen. I am incredibly happy with their work, and I can’t wait to see what happens in season two next year.

In the meantime, posts here will go back to their regular rotation of topics. If you haven’t read the book or seen this series yet, I highly recommend doing so.

Previous posts in this series:

5 Things I Want from The Handmaid’s Tale

Introducing Offred’s World

Gender Treachery

Nolite Te Bastardes Carborundorum

Faithful

A Woman’s Place

The Other Side

Jezebels

The Bridge

The Handmaid’s Tale: The Bridge

This post includes spoilers for “The Bridge” (Season 1, Episode 9) of The Handmaid’s Tale as well as for the book this show is based on. As usual, the link on the left has full summaries of all of the episodes that have aired so far. 

Wow, this week was intense! I think it’s my favorite episode yet in this series because of how beautifully everything is coming together.

I’m going to discuss “The Bridge”  by breaking it up into the experiences of certain characters. This is something I did a few weeks ago for “A Woman’s Choice,” and I think it’s a good way to gather my thoughts about everything since there were a lot of exciting and scary things happening.

Aunt Lydia, Ofwarren, and Angela

Aunt Lydia, the woman in the picture on the left who ran the Red Center where Offred and the other Handmaid’s were trained before they were sent out into the world, showed up again this week.

I’ve spent the last eight weeks not having any sympathy for Lydia at all. She has always come across to me as a true believer, and that makes her much scarier than she’d be if she were simply sadistic.

One of the things I’m hoping we get in season two is an exploration of her background. I want to know what could make an ordinary person cling so tightly to a belief system that they know is destroying people’s lives. This happens all of the time in real life, too. It wasn’t something that Margaret Atwood or the other writers had to make up to help the story flow. People behave that way sometimes for their entire lives without ever choosing – or being able to, if you don’t think it’s a choice – to ask hard questions about the things they see going on around them.

Will Aunt Lydia suffer this same fate? She’s a character that I like even less than I do Serena Joy or the Commander, but I still want to see if she ever wakes up and realizes how many lives she’s helped to destroy. Aunt Lydia was present when Ofwarren ceremoniously handed baby Angela over to Warren and his wife before being transferred to a new home. She also showed up later on in the episode after Ofwarren ran away from her new home, kidnapped baby Angela, and stood on the edge of a bridge threatening to jump into frigid water to both of their deaths.

Angela died in her early infancy in the book, so I was genuinely expecting her to meet the same fate once I saw her mother holding her and deciding whether or not to commit suicide. It would have been a darkly appropriate plot twist given how easily people die in this show, but I was glad to see that Angela survived that scene. Whether Ofwarren will be okay depends on how you interpret the final scene she was in. I’m guessing that she’ll live, but it’s honestly hard to say what will happen to her next or whether Aunt Lydia will soften her views at all as a result of this near-tragedy.

How can she deny just how traumatized Ofwarren has been by all of this? We’ve all seen this character’s mental health decline severely over the course of the show.

Moira

Moira’s fate seems much more certain to me at this point.

I was shocked and thrilled to see her again this week.This was something I wasn’t expecting to see until season two, if it even happened at all. I loved the fact that Offred convinced her to stop giving up and start fighting for her freedom again. Those two are platonic soulmates. They are so good for each other in every single way.

I silently cheered at the final scene of this episode, too. It was wonderful to see how quickly Moira came up with a plan to escape Jezebels. Here’s hoping that the final episode of this season will show her arriving in Toronto or some other safe place. Moira’s suffering hasn’t been shown on camera as much as Offred or Ofwarren’s has, but there’s no doubt in my mind that she’s had some horrifying experiences.

Offred

Offred’s development this week wasn’t quite so interesting to me. Of course I’m glad that she’s decided to join Mayday and fight back, but that’s something that’s been building since the first episode. I’d argue that we all knew it was coming. I’m only surprised that it didn’t kick off a lot sooner.

What I was expecting to learn about Offred this week was that she was pregnant. There was a short conversation between the Martha of the house and Serena Joy about her monthly cycle, but it’s still too soon to say if Offred is expecting. When I wasn’t grossed out at the thought of people paying that much attention to something so personal and private, I was wondering if this wasn’t foreshadowing for episode 10.

Offred does wonder if she’s pregnant at the end of the book, so there would be canonical reasons to follow the same path. Then again, baby Angela is still alive and will presumably remain that way. It is possible that the writers decided to wait until a later season to dig up this part of the original plot. We’ll have to wait and see.

Next Monday can’t come quickly enough!

Previous posts in this series:

5 Things I Want from The Handmaid’s Tale

Introducing Offred’s World

Gender Treachery

Nolite Te Bastardes Carborundorum

Faithful

A Woman’s Place

The Other Side

Jezebels

The Handmaid’s Tale: The Other Side

This post includes spoilers for “The Other Side” (Season 1, Episode 7) of The Handmaid’s Tale. It also includes spoilers for the book. As usual, the link on the left has full summaries of all of the episodes that have aired so far.  One of the things that always bothered me about the original version of The Handmaid’s Tale… Read More

Why I Love to Read Speculative Fiction

Speculative fiction is an umbrella term for everything from science fiction to dystopians, fantasy to horror. I’ve been thinking a lot about speculative fiction in general since The Handmaid’s Tale began last month. This specific storytelling style has appealed to me for as long as I can remember for several different reasons. Honesty Books like 1984, Animal Farm,… Read More

The Handmaid’s Tale: Nolite Te Bastardes Carborundorum

This post includes spoilers for “Nolite Te Bastardes Carborundorum” (Season 1, Episode 4) of The Handmaid’s Tale. As usual, the link on the left has full summaries of all of the episodes that have aired so far.  While this episode included several important world-building moments, it wasn’t as action-filled as the previous episodes have been. The picture… Read More