The original topic for this week was “Books or Covers that Feel/Look Like Summer.” I followed the prompt exactly last year, so this time I’m going to be a little creative with it.
There may not be any real mermaids in Lake Ontario, the Pacific Ocean, the Atlantic Ocean, or any other large bodies of water, but it’s always fun to stare out at those endless waves and imagine what might be swimming around happily just out of sight on a warm summer day.
Being an adult doesn’t mean you have to stop imagining beautiful things after all, and now is a great time to do it.
Here are ten books with mermaids or mermen on their covers.
If Greg @ Book Haven happens to read this post, answer #7 reminds me of the kind of stuff you blog about. I included it specifically to amuse you.
For years, Ula has been content to hide behind her reputation as the sea queen’s quirky, loner sister.
Isolation and mistrust are her shields, protecting the secrets of her past from resurfacing.
When the sea king offers her the position of court sorcerer, Ula sees an opportunity to reclaim what had been stolen from her.
How could she anticipate it would cost her everything?
The Sea Witch is a villainous short story inspired by The Little Mermaid.
Content Warning: Blood and death of a parent. I will not be discussing these topics in my review.
Villains come in all shapes and sizes.
I enjoyed seeing how the world building unfolded. There was just enough of it in this tale for me to develop a good sense of what this mermaid society was like and why Ula was so frustrated with her lot in life. The smallest changes in a mermaid’s life could lead to radically different outcomes years later, so it was important to put all of these pieces together during the short time I had with her. If the author ever decides to write a sequel, I’d sure like to take a deeper dive into this society and the unique mermaids who are part of it.
It would have been helpful to have more character development, especially when it concerned Ula. She was such an intelligent and resourceful individual that I found it difficult to understand some of her choices. I could think of so many other ways for her to resolve the conflicts in her life and achieve her goals. It puzzled me to see how often she skipped ahead to more drastic measures when she had so many other options to choose from. I would have liked to get to know her better so that these decisions and her thought processes behind them would make more sense.
Magic was both an art and a science in this universe. It’s effects could generally be predicted in advance, but any mermaid worth his or her fins knew that it was impossible to predict every possible outcome if one ventured down this path. It was amusing to see how Ula had learned to cope with the unpredictable elements of her occupation while also doing everything she could to get the desired results when she cast a spell. The author struck a nice balance between describing how all of this worked and allowing readers to fill in other pieces of puzzle for ourselves.
Yetu holds the memories for her people—water-dwelling descendants of pregnant African slave women thrown overboard by slave owners—who live idyllic lives in the deep. Their past, too traumatic to be remembered regularly, is forgotten by everyone, save one—the historian. This demanding role has been bestowed on Yetu.
Yetu remembers for everyone, and the memories, painful and wonderful, traumatic and terrible and miraculous, are destroying her. And so, she flees to the surface, escaping the memories, the expectations, and the responsibilities—and discovers a world her people left behind long ago.
Yetu will learn more than she ever expected to about her own past—and about the future of her people. If they are all to survive, they’ll need to reclaim the memories, reclaim their identity—and own who they really are.
Inspired by a song produced by the rap group Clipping for the This American Life episode “We Are In The Future,” The Deep is vividly original and uniquely affecting.
Content warning: Death of a parent and death of a child. I will not be discussing these things in my review. The quotes below were taken from the book.
Some types of pain echo through many generations.
Yetu was an amazing protagonist. Her struggles with acting as the Historian for her community made perfect sense. That burden had been placed on her shoulders at a tender age, and it honestly wasn’t something she was prepared to handle. While I can’t go any further into her backstory without giving away spoilers, I appreciated all of the work that had clearly been put into describing her personality, why she was given this role, and how it affected her both mentally and physically.
“Living without detailed long-term memories allowed for spontaneity and lack of regret, but after a certain amount of time had passed, they needed more.”
One of the things that I wish the blurb had made clearer was how the Wanjinru processed memories, especially since the plot wasn’t shared in a chronological order. Their minds didn’t work exactly the same as a human mind does for reasons that I’ll leave for future readers to discover, so Yetu often needed to repeat things to the audience as she remembered them again or thought of a detail she hadn’t included before. I liked this device a lot, but it wasn’t something I was expecting when I started reading.
The character development was quite well done. This was even more impressive given how Yetu’s memory worked. It’s definitely not easy to show someone growing and changing when they forget certain details over time, but the author pulled it off beautifully.
“We are not Wanjiru if being Wanjiru means distancing ourselves from pain.”
I do wish this book had been longer so that more time could have been spent on the world-building. Yetu both experienced and remembered some amazing events, but she needed to spend so much time repeating certain memories and making sure they were told in the right order that she simply didn’t have as much time as she needed in order to explain those events the way I wish they’d been shared with the audience. Another 50-100 pages of writing would have given me the clues I needed.
“Forgetting was not the same as healing.”
This is also something that could easily be fixed with a sequel if the author ever decides to revisit all of the incredible characters she created here. My fingers are crossed that this might happen one day.
With that being said, the ending couldn’t have been written more beautifully. I adored the way all of the important loose ends of the storyline were tied together while still leaving room for either a sequel or lots of fodder for the the imaginations of everyone who reads it.
I’ve decided to end this review with a link to the song referenced in the blurb. Comparing its version of events with what happened in the book was fascinating, especially since the song came first! It does contain spoilers, so keep that in mind while deciding when to listen to it if you’re like me and prefer to avoid spoilers.