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A Spoiler-Free Review of Season 2 of The Handmaid’s Tale

Those of you who have been following me on Twitter these past few months have no doubt noticed my occasional tweets about the latest episode of The Handmaid’s Tale. This year I decided to combine all of my thoughts on this show into one long post instead of blogging about each episode individually.

The cast of characters for this show is large. As you scroll through my review, you’ll see photos and names of most of them. I did leave out some minor characters in order to avoid giving away spoilers for later developments in this season, but I included nearly everyone who appeared at least semi-regularly in the plot.

There was only one exception for the spoiler-free rule, and it is something I’ll briefly mention in the section underneath Commander Waterford’s picture. I felt the need to include that sentence because the storyline does involve some common topics that some people find triggering.

 

Elizabeth Moss as June/Offred.

 

When season one of this show ended last year, Offred discovered she was pregnant shortly before being lead out of the Waterford’s home and into one of the vans that was owned by the Eyes, the government-authorized spies in Gilead. Whether the van was meant to deliver her to a life of freedom in Canada or take her someplace else entirely was left to be seen.

The pursuit – and loss – of freedom was one of the major recurring themes in season two of The Handmaid’s Tale. As a member of a totalitarian society who only valued her for her reproductive capabilities, Offred should have been resigned to the loss of her husband, daughter, and freedom by now.

She wasn’t.

 

Yvonne Strahovski as Serena Joy Waterford.

 

Life as a Handmaid in general or with the Waterfords specifically had never been pleasant for Offred.

Since Offred had done it once before, the Waterfords held high hopes that her latest pregnancy would have an equally happy ending. I had strong opinions about the most likely outcome of this pregnancy when season two began.

Offred had something that Serena Joy desperately craved: the ability to conceive and bear a healthy child. The jealousy in this household was palpable, and it only grew stronger as the season progressed. As someone who has never felt the urge to be anyone’s mother, I appreciated the fact that the storyline spent so much time exploring what it means to be a parent and what it feels like when someone is stripped of the ability to decide when, whether, with whom, or how often to reproduce.

While being biologically related to a child can be part of parenthood, this theme was much more complex than who shared DNA with each other. I’d be wandering into spoiler territory if I said much else about this idea, but do pay close attention to how all of the characters on this show react to children and the concept of being a parent in general.

Joseph Fiennes as Commander Waterford.

 

Speaking of Commander Waterford, I liked the fact that this season spent so much time exploring how a man who claimed to be doing God’s work could authorize so many things that no loving deity would ever command anyone to do. He was also one of the least paternal characters I’ve ever known.

If you need a trigger warning for rape or abuse, know that these are two of the many horrible things this character does in the second season. This is all I will say on this topic, but I would be happy to privately go into more detail for anyone who needs to know what to expect ahead of time.

The thought of Commander Waterford possibly raising a baby was a frightening as it was bizarre. He seemed to have no interest in children outside of their ability to elevate his status in society, and that’s never a good reason for anyone to have a child.

The tension between the wholesome image this character wanted to project to his neighbours and who he genuinely was when the doors were closed was as frightening as it was thought-provoking. Anyone might notice slight discrepancies between who they would ideally like to be and who they actually were, but when the gap between the two is this gigantic it becomes impossible to ignore.

Amanda Brugel (left) as Martha.

 

This is even more true for people who interacted with Commander Waterford on a daily basis.

I appreciated the fact that Martha, the cook/housekeeper, was given extra screen time in season two. Her character shared enough tidbits in season one from her previous life  – including the fact that she had a son who died in the civil war – that I was hoping we’d learn more about what sort of person she was.

As is often the case with secondary characters in this series, I didn’t get as many details about Martha as I would have liked to receive. There simply wasn’t enough time to tell me everything I wanted to know about this character, but my appetite has been whetted for more. I hope she gets even more attention in season three.

 

Max Minghella as Nick.

 

Nick, the Waterford’s driver, Guardian (bodyguard), and biological father of June’s baby, did get his fair share of development, however. Based on the way he behaved in season one, I was not at all prepared for what would happen to him in season two. It was really nice to dive into this character’s point of view so deeply, especially once certain things began happening that he hadn’t planned for or desired.

Honestly, he wasn’t someone I liked or trusted all the much in the first season. Throwing Nick into situations he found unnerving was the best possible thing that could have happened to him. I learned so much about his moral code and what  he wanted out of life based on his reactions to all of the life changes that Gilead thrust upon him.

Yes, I know I’m being quite vague in this section. It’s something I’m doing on purpose in order to avoid sharing a major plot twist from one of the early episodes of season two. Just know that Nick’s life is about to be turned upside down in season two if you’ve just begun watching it.

Ann Dowd as Aunt Lydia.

Aunt Lydia was as insufferable as ever.

When I first met her in season one, I couldn’t tell if this character was a true believer in the unbearably strict religious mores of Gilead or if she’d always been a sadist. The things she did to the handmaids she trained and kept in line were disturbing on a good day.

When she felt threatened or like her handmaid’s weren’t being obedient, Aunt Lydia was quick to slide past disturbing and into much darker corners of the human mind. I can’t imagine mistreating anyone the way she did, so it was hard to understand where she was coming from.

Other than Martha, Aunt Lydia is the character I’d like to see fleshed out the most in season three. The audience had so little information about what makes this villain tick that her violent choices only lowered my opinion of her more this season.

 

Alexis Bledel as Emily/Ofglen.

 

Offred wasn’t the only Handmaid in this society. Some of the most memorable scenes this year explored the fates of the other Handmaids in Gilead. None of them could be said to be having a positive experience, but certain ones were treated worse than others.

Emily/Ofglen’s fate was of particular interest to me due to how much I could relate to her as a fellow member of the LGBT community and lover of knowledge. In a slightly different set of circumstances, I could have easily walked a mile in her shoes. That’s frightening.

Madeline Brewer as Janine/Ofwarren.

 

Janine was another Handmaid whose storyline was developed nicely in season two. Once again, I can’t say a great deal about her life with giving away spoilers, but I did find it interesting to see how someone as fragile and emotionally unwell as this character has managed to stay alive in a society where either of those “flaws” could so easily lead to a quick death for anyone unlucky enough to develop them.

O.T. Fagbenle as Luke, June’s husband.

One of the things that first pulled me into this book before it became a TV series was June’s relationship with her husband.

The Luke in the book annoyed me in the beginning due to his unwillingness to empathize with June’s fears about living in a society where women were so quickly losing their rights and his stubborn determination to ignore every red flag until it was too late for him to get his family out of the country safely. I didn’t blame him for failing to understand what it’s like to be a woman. However, I did blame him for refusing to take his wife seriously when she opened up to him about how women were really being treated.

Getting to know a little more about the assumptions Luke made about others helped me to understand why he messed up so terribly in the beginning. I still wish he’d listened to his wife the first time she shared her concerns with him, though!

Jordana Blake (left) as Hannah Bankole, daughter of June and Luke.

 

There is very little I can say about Hannah without giving away spoilers, but her emotional bond with both of her parents has been a beautiful part of the plot since the first scene of season one. June’s second pregnancy was made even more poignant because she’d already had years of parenting experience under her belt. She knew exactly what it was she was going to be giving up after her pregnancy ended and she was moved on to the next childless household.

Samira Wiley as Moira.

 

I do wish Moira had been given more opportunities to shine in season two. We got to know her so well in the first season that I would have relished the opportunity to see how she was adjusting to life outside of Gilead after her daring escape at the end of season one.

Only time will tell if season three dig more deeply into the lives of Moira, Martha, and Aunt Lydia.

If you’re a fellow fan of The Handmaid’s Tale, what did you enjoy the most about season two?

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Saturday Seven: Series That Should Be Turned Into TV Shows

Saturday Seven is hosted by Long and Short Reviews.

A friend of mine is absolutely obsessed with Game of Thrones. I’d guess that at least a third of the conversations we have somehow include a reference to this show. Even though I’ve never actually watched Game of Thrones, I’m beginning to understand a lot of her references to it because of how much she talks about it.

The more she gushes about it, the more I think about all of the series that I’d love to see brought to the small screen. All of them are so full of dazzling details about their worlds that it would take a few seasons of a TV show to even begin to fully explore what they have to offer.

 

1. The Earths’ Children series by Jean M. Auel. 

This series has it all: adventure; action, mammoths, romance, unsolved mysteries, Neanderthals, and even a stubborn pet wolf that occasionally refuses to do what he’s told.

Ayla, the main character, was a human who was orphaned at the age of five in an earthquake. She was discovered and raised by Neanderthals. The Clan of the Cave Bear told the story of her highly unusual childhood. The sequels showed what happened after she was disowned by the folks who raised her and forced to eke out a living alone while she searched for signs of other humans.

Without giving away any spoilers, I was not happy with how the final book ended due to how many conflicts were still left unresolved in the last scene. If this were made into a TV show, we’d have another chance to resolve those issues for the characters.

 

2. The Neanderthal Parallax trilogy Robert J. Sawyer.

If only all of you knew how tempted I was to talk about nothing but Neanderthals today! I love stories about them, and there are a lot of great ones out there. I might just have to blog about them on a future Saturday Seven post.

The unusual thing about this series is that it’s set in the present day. Ponter Boddit, the main character, accidentally pierced the veil between his Earth and our own early on in the plot and ended up accidentally getting transported to our universe. On his alternate version of Earth, humans died out tens of thousands of years ago while Neanderthals like him had become the dominant species.

I can’t tell you anything about the Neanderthals’ version of Earth without giving away major spoilers, but I was fascinated by all of the cultural and physiological differences between them and us. Some of them were things that I never would have thought of as a possible difference between our two species.

 

3. The Mars trilogy by Kim Stanley Robinson.

This series immediately came to mind when I saw the film The Martian a few years ago. Colonizing Mars would be an incredibly expensive and difficult endeavour for the first few generations to do it.

Based on how much audiences loved watching Matt Damon’s character figure out how to survive alone on such a harsh planet, I think there would be an audience out there who would like to see Nadia Cherneshevsky and her team struggle to create the first Martian settlement.

Future generations in this trilogy even eventually terraformed Mars into something very Earth-like with lakes, forests, and everything else you’d expect from a habitable planet. How cool would that be to see on the small screen!

 

4. The Xenogenesis trilogy by Octavia E. Butler.

This series began with a massive nuclear war that (supposedly) killed every last human on Earth. The main character’s husband and son were among those dead.  When she woke up in an unfamiliar place hundreds of years later, she had no idea why or how she was still alive. It turned out that an alien species called the Oankali had intervened at the last possible moment and saved a small percentage of humanity from certain extinction.

That paragraph alone could provide enough fodder for the first season of a TV show, and that barely scratched the surface of everything that happened in this trilogy. Not only did the main character have to grieve the loss of her family, she had to figure out why the Oankali had saved a small percentage of humanity and what they wanted from us in exchange.

 

5. The Quintaglio Ascension trilogy by Robert J. Sawyer.

I have five words for you: intelligent dinosaurs who can speak.

Afsan, the main character, was about to go through a rite of passage that would make him an adult in the eyes of his society when this tale began. His species worshipped a heavenly body known as the Face of God. Every Quintaglio (which is their name for their reptilian species) must go on a quest to observe it when they become an adult.

The problem was, Afsan noticed something about the Face of God on his journey that contradicted a major tenant of his religion. He then had to decide whether to reveal this knowledge or keep it to himself.

The world building was extremely well done. Afsan had a deeply reptilian understanding of the world, and it showed in how he responded to all kinds of situations that a human would have a completely different response to. For example, the way his species treats their young is nothing at all like how humans treat their young. He would be as horrified by some of our practices as we would be of his, and that would make for must-watch television in my opinion!

 

6. The Avalon series by Marion Zimmer Bradley. 

I was never particularly into any Arthurian legends, but I loved this series immediately. The Mists of Avalon retold the legend of King Arthur from the perspective of his sister Morgaine. While The Mists of Avalon was technically made into a mini-series many years ago, the next six books in the series have never received the same treatment as far as I know.

They really fleshed out this world, though, and I think it would be wonderful to finally see the entire story from beginning to end on the small screen. One of them, Ancestors of Avalon, even described how and why Stonehenge was created. Sadly, I’ve forgotten most of the plot of that book, but now I really want to reread it. I am just a little bit obsessed with Stonehenge in general, so it would be really cool to see those scenes come to life.

 

7. The Watership Down series by Richard Adams.

Anyone who has read this blog for a long time and remembers how much I love rabbits won’t be surprised by the final entry on my list at all. I can’t imagine many things more interesting than an entire TV show about a warren of rabbits who are desperately trying to find a new home.

While there were cute and fuzzy moments just like you’d expect from this species, there were also a lot of heart-pounding action scenes. Life is frightening and dangerous for prey species. This is even more true when a large group of rabbits are trying to move to a new home through completely unfamiliar and often dangerous territory. I think this book would make a fantastic TV show because of that.

Have you read any of the books on my list this week? What series do you wish would be turned into a TV show?

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How Social Media Is Changing the Rules About Spoilers

Those of you who have been following me for years might remember my post from 2014 about hating spoilers.

Since then I’ve been paying attention to how social media – especially Twitter – has been changing the rules about if, whether, and when it’s okay to share spoilers.

It was especially interesting to see how people reacted to The Handmaid’s Tale a few months ago because of how much faster that show was released in the U.S. than it was in other parts of the world.

Canada was always one or two episodes behind the United States depending on which day of the week you were on. Other countries were even further behind us.

People in the States were sharing spoilers before or right after the latest episode there ended. Even mainstream news sites were leaking plot twists as they discussed what had currently happened and what was going to happen next. I had to mute the hashtags for that show and avoid reading all news articles about it until I’d finished the whole series.

While I still believe that it’s rude to share spoilers for a show that has just aired, not everyone agrees with me and not everyone who does agree with me has the same rules about how to go about sharing them after a certain amount of time has passed.

The Old Rules

This varied according to which parts of the Internet you spent time in, of course, but I remember the old rules being as follows:

  • Always put a spoiler warning before sharing anything that mentioned even mild plot twists.
  • Don’t discuss the latest episode of your favourite show with people who haven’t seen it yet unless they tell you they don’t mind.
  • When in doubt, don’t mention it.

I do not remember the mainstream media releasing spoilers back then the way they do now. To be fair, I don’t know if that’s because I watched fewer shows at that point or if the rules have since changed for the media as well.

The Controversy

If cats knew what spoilers were, they’d disapprove of them.

I’m going to be doing some generalizing and simplifying here for the sake of brevity, but people who have an opinion on this issue seem to fall into one of two camps.

The first camp believes that everything is up for discussion the second a show has finished airing in their time zone. While some of them do warn everyone about their discussion of spoilers ahead of time, many others don’t bother to mention it at all.

Interestingly enough, my own mother belongs in this group. If I read a book or watch a movie that she hasn’t tried yet, she genuinely doesn’t mind hearing spoilers about it. This blows my mind sometimes, but I’m much less cautious about discussing how stories end with her than I am with almost everyone else I know.

The second camp is against all spoilers. We want to be warned of potential spoilers well in advance so we can avoid them. We often also want everyone to use the official hashtags for that show or movie so that we can mute them before any of the plot twists are revealed.

The New Rules

  • Always use the appropriate hashtags when discussing your favourite shows on social media.
  • Give people fair warning if you will be sharing spoilers.
  • Find likeminded people to discuss (or avoid) spoilers with.
  • Respect the rights of others to make different decisions.
  • When in doubt, don’t mention it.

From what I’ve seen, the Internet hasn’t yet come to a conclusion about how long everyone should wait before spoiler tags are no longer necessary.

I take a conservative approach and add spoiler tags to almost everything. Just because a book was released a few decades ago doesn’t mean that everyone has read it. While I do occasionally share spoilers about old movies, TV shows, and books, I warn people first in case they don’t want to know what happened.

It’s going to be interesting to see how all of this plays out over the next few years.  Is giving spoiler warnings for everything no matter when it was released the best way to handle it? I honestly don’t know. This is something I do as a courtesy for others, but I don’t think it’s currently realistic to expect everyone to follow this rule given how unwilling they are to wait even a few days to dissect current shows.

With that being said, I would like to see people become more aware of the fact that their favourite shows have global audiences and that not every country or time zone gets the latest episode simultaneously.

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5 Reasons Why You Should Read Science Fiction and Fantasy

This past weekend I tried to remember the first science fiction or fantasy book I ever read. After a lot of deliberation, I believe that traditional fairy tales were what originally drew me into this genre.

Some of my earliest memories about books in general involve borrowing fairy tale collections from my local library. After I’d read all of the sanitized versions of them, I moved on the dark and often gory originals.

My second clear memory of the sci-fi genre was watching reruns of Star Trek: The Next Generation. There were two episodes of that show that I wanted to watch over and over again because of how much they blew my mind: Genesis and Sub Rosa. Before seeing them, I never would have imagined that people could evolve backwards or that an entity could need a candle to survive.

I don’t know how many of my readers are already fans of science fiction or fantasy, but there are several reasons why you should give them a chance if you’re not currently reading them.

They Ask Questions Without Always Answering Them

One of the things I found soothing about fairy tales when I first began reading them is how predictable they were. It was common to have three tasks to perform, a talking animal to guide you on your journey, an old woman who would help or hinder you depending on how kindly you treated her, and a happy ending for everyone who had a pure heart.

It came as a surprise to me, then, to move into older, darker fairy tales where these things weren’t necessarily true. Sometimes the protagonist ended up with the prince, but in other stories she before they could be reunited. As I gradually switched to reading and watching more science fiction and contemporary fantasy*, this unpredictable nature of the plot only grew stronger.

I love the fact that these genres don’t always tie everything up into a neat, little bow. Sometimes the good guys win. At other times, they might lose or the line between good and evil could be drawn in more than one place depending on how one looks at the facts. The open-ended nature of what it means to be a good guy and why bad things happen to good people appeals to me quite a bit.

*See also: Buffy the Vampire Slayer and many other of Joss Whedon’s TV shows.

They Teach You Important Life Lessons

Not everyone is who they appear to be.

Always overestimate how much time you need to do something. It’s better to impress others by finishing it early than it is to disappoint them.

If you’re able to help someone in need, do it. You never know when your fortunes might reverse and you might be the one who needs help next.

Equality is for everyone.

Don’t wear the colour red if you’re out on a mission.

Dragons and old, tired arguments with the people you love must never be roused from their slumber for no good reason.

These are only a few of the life lessons I’ve learned from fantasy and science fiction. I could have easily filled this entire blog post with nothing but a list of the things I’ve learned from sci-fi. It’s not just entertainment. It can also teach you things that will last an entire lifetime.

They Introduce You to New Ideas

The sci-fi genre is the perfect place to explore things you’ve never thought about before and imagine how our world could be different than it currently is.

Xena: Warrior Princess and Buffy the Vampire Slayer not only introduced me to the idea that a woman could save the day, they didn’t make the genders of their heroines a big deal.

Xena and Buffy were both too busy fighting monsters to worry about whether or not other people approved of them being heroic. That was something I rarely got to see as a little girl, so I relished those glimpses of worlds where your gender didn’t affect what role you’d play in an adventure.

They Imagine the Best and the Worst Case Scenarios

At various points in my life I’ve drifted back and forth between preferring utopian and dystopian sci-fi stories. There have been times when I’ve craved the hope that can be found in imagining a world where prejudice and many other forms of inequality no longer existed.

Watching Captain Picard and his crew explore the galaxy was magical. Here was a world where your gender, race, and species didn’t have any affect at all on what jobs you were allowed to do from what I could see. Was it perfect? No, but it was whole lot better than our current world.

On the flip side, sometimes it’s interesting to explore a future version of our world where everything has fallen apart. One of the things I enjoyed the most about the first six seasons of The Walking Dead was seeing how Rick reacted when every attempt he made to keep his children and community safe eventually fell apart in the most dramatic ways possible. At what point should someone try something completely new? Is it okay to stop admitting newcomers to your safe area once they’ve betrayed you a few times?

They Prepare You For Uncertainty

Will the future be paradise or a post-apocalyptic hellhole?

Nobody knows, so we must prepare for both possibilities. I love the fact that sci-fi is so focused on showing where we’re headed as a species and how small changes in our society today could have a massive affect on whether future generations will bless or curse our names.

A few years ago I underwent some testing for a possible medical problem. (Spoiler alert – it ended up being nothing to worry about at all).

While I was waiting to hear whether or not the abnormality my regular doctor had discovered was actually something to be concerned about, science fiction and fantasy showed me how to exist in that narrow space between health and sickness.

I hope I won’t have to walk down that dark passageway again for decades to come, but I know that my stories will be there to comfort and distract me if I do.

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The Handmaid’s Tale: Introducing Offred’s World

This post includes spoilers for “Offred” (Season 1, Episode 1) and “Birth Day” (Season 1, Episode 2 )of The Handmaid’s Tale.

As I mentioned last month, I’ll be blogging my thoughts about this show. New episodes air on iTunes five days after they do on Hulu, so this series will be published about a week after each episode is released unless or until iTunes changes this schedule.

The first link above provides excellent plot summaries, so I’m going to use this post to focus on my analysis and reaction to what has happened to Offred so far.

“Offred” 

The opening scene of the first episode made me blink back tears. June – the woman we now know as Offred who is wearing the white bonnet in the image above-  attempted to escape what was formerly known as the United States with her husband and their young daughter. There was so much emotion packed into that scene: terror; love; hope; fear. I was so pleased with how it was put together. It was the best possible introduction to the characters and the totalitarian regime that had suddenly taken over that country.

What I found most interesting about this episode was how smooth the transitions were between Offred’s attempt to flee the country, the time she spent being brainwashed in the Red Center, and her repetitive but still frightening days as a handmaiden who has just moved onto her second placement.

Every setting was terrifying for a different reason. Watching her scream as her daughter was ripped out of her arms was heartbreaking. I couldn’t help but to wonder if the TV show would mirror what happened in the book when it came to the daughter’s fate. This is one of the biggest questions I carried with me through the first two episodes. I really hope it is at least somewhat answered in this season, although I won’t say anything else about it until I know where this storyline leads.

What stuck out to me the most about the Red Center was how effective The Aunts were at forcing the handmaidens to obey. Let me put it to you this way:  there are plenty of ways to hurt someone that will in no way affect their chances of getting pregnant in the future. As Offred and the other handmaidens are only prized for their reproductive capabilities, everything else doesn’t matter so much. I am very glad that these scenes weren’t shown to the audience outright. Seeing the characters react to the aftermath of them was more than enough.

The Ceremony was brutal as well. The book described it in much fuzzier terms, but what happened to the handmaidens each week was rape. This had been something that bothered me about the original plot, so I was glad to see it clarified for the small screen.

“Birth Day”

While both of these episodes do have independent story arcs, I strongly recommend watching them as closely together as possible because of how well they introduce the audience to the most important parts of this world. Gilead has a beautiful and mostly peaceful facade, but the things that happen behind closed doors in it are sickening.

For example: what do you do with all of the repressed anger that handmaidens carry with them? All of them were and are being abused. They are not allowed to defend themselves or protect themselves from future harm.

The Salvaging itself was shot nicely, but I would have loved to see more character and plot development happening before Offred and the other handmaids were told that the bound man before them had raped a pregnant handmaid and caused her to miscarry her child. The audience knew why they were viciously beating him, but they knew nothing else about what was going on there.

This scene happened much later in the book. It’s the only thing I’d change about the beginning of this show because new fans won’t know why it’s so significant to the plot. I can’t say anything else without possibly giving away spoilers if the show decides to follow the same plot as the original story.

With that being said, “Birth Day” also contained my favourite scene in this series. As I mentioned earlier, June/Offred gave birth to a daughter several years before the Republic of Gilead was formed. At the time, newborns were being diagnosed with serious birth defects at an alarming rate…if they were born alive at all. Out of all of the women giving birth in the hospital ward that day, June was the only person whose baby was perfectly healthy.

The nurse’s response to the birth was a strange one. Was the fact that she said “Praise Be!” a hint that she was a supporter of the religious movement that eventually brought about this dystopia? I doubt June noticed that phrase at the time, but once she was indoctrinated into using it that memory must have haunted her.

I am hoping to see more hints like this in future episodes. It was tantalizing to say the least.

How about you? What did you think of the first two episodes of this series? Are you excited that it’s already been renewed for season 2? Come let me know on Twitter.

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We Need Smarter Characters

One of the things that bothers me the most about modern fiction – especially when it comes to the horror and science fiction genres – is how little common sense and intelligence many characters seem to have in these stories.

Those of you who have known me for a few years might have heard me comment on this problem before, especially when The Walking Dead or Fear the Walking Dead are currently airing. I’m an intermittent fan of both of those shows. While I love their premises, the characters in them sure do make a lot of questionable decisions about who to trust and how to behave when they’re in immediate danger. At times that makes them extremely difficult to watch.

No, I don’t expect perfection from fictional characters anymore than I would from living, breathing people. There is definitely something to be said for showing exactly what happens to people when they make the wrong decision. You can learn a lot about someone based on how they react to things going horribly wrong in their lives.

There does come a point, though, when it’s hard to emotionally connect to someone who keeps making nonsensical choices. If there is a herd of zombies wandering around in the woods outside of your home, you really shouldn’t be going for a nature walk alone. If that new person you just met makes your skin crawl,  don’t ignore that feeling and tell him where you live when he asks.

These are the kinds of things that pull me out of the plot. If the protagonists were children or had unusual backstories to explain their naiveté, I’d completely understand. When seemingly normal adult characters do it over and over again in a violent and unpredictable setting, I start losing sympathy for them.

I’ve learned valuable lessons from my mistakes. Why don’t these characters apply the things the experienced in previous seasons to what’s currently going on with them?

What originally attracted me to these genres were the questions they asked about life. A good horror story peels back all of the social niceties to expose the grey underbelly of what frightened people the most in a specific era. Who do they trust? Who or what keeps popping up as the villain? You can learn a lot about a society based on who and what it fears!

Well-written science fiction asks questions that many people don’t otherwise think about. What does it mean to be human? How do we know if we can trust our governments? What kind of life might exist on other planets? What would happen if….?

These questions only work, though, if the characters that could ask them are aware enough to actually bring them to the audience’s mind.

Have you noticed this problem in the books you read or the shows you watch? Who are some of the smartest characters you’ve found recently?

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Why I’m Giving Up on The Walking Dead

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Warning: this post contains mild spoilers for season three of The Walking Dead.

When I first heard the announcement that The Walking Dead comics were going to be made into a TV show I was thrilled. Zombie movies always end just as the story begins to grapple with how one survives psychologically and physically in such a terrifying environment over the long term and this franchise was created specifically to answer that question. While I’d recently given up on the comics when they crossed the gore line I assumed the TV show would tone down the gross out factor and concentrate on the lives of the (un?)lucky survivors.

Growing up my church taught us to be selective about the types of media we consumed. My youth group leaders warned that some images are tough to get out of your mind. They were thinking of sexually explicit content, of course, but rarely violent video games or movies would be trotted out as examples as well.

As I slowly deconverted from Christianity I started testing all of the things I’d been taught about human nature and the world. Some assumptions turned out to be true, others didn’t.

It came as a surprise to learn that, at least for me, violent, gory content matters. Without giving away spoilers for fans of this show, seeing people tortured and killed every week – even if it’s obviously a situation that could never happen in real life – raises my adrenaline levels and provides fodder for vivid nightmares. Rather than marvelling at the special effects, makeup or stunt work that went into making that scene possible I imagine myself rushing to help the victim and watching them either die or recover slowly over several gruelling months. The ability to jump into what is in this case such a bloody narrative changes the way I interact with the world…and not for the better.

Incidentally I have no problem watching graphic sex scenes on shows but the despair these characters feel after months of ceaseless violence isn’t entertaining to this viewer.

So I will stop watching The Walking Dead this spring. They have a few more episodes to change my mind as I prepaid for the entire season but given the dark places the comic books have gone I don’t think the TV show is going to stray far from that path.

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