Wednesday Weekly Blogging Challenge: Musicals I Liked

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When I was a kid, I loved Chitty Chitty Bang Bang because I was fascinated by the flying car and the child catcher in the other world the characters ended up once their magical flight ended. I desperately wanted to ride in that car. While I didn’t want the child catcher to steal me away, I did understand his desire for peace and quiet and wished he’d make an exception to his child-stealing ways for kids like me who could silently amuse themselves for hours as long as there were plenty of books to read.

For a long time, I thought that was the only musical I liked, but I eventually found a few more of them that appeal to me.

The sorts of musicals I enjoy these days are generally the ones that are aware of how silly it is to suddenly burst out into song in the middle of conversation and that either poke gentle fun at that aspect of this genre or purposefully lean into the oddness of it all.

Let me give you two examples of what I like.

Schmigadoon!, which was about a couple who accidentally end up stuck in an overly-cheerful musical after going out for a hike in the woods,

and

Avenue Q, which was about muppets and humans who are friends and who all have real-life problems that a lot of adults have. It was sort of like a PG-13 version of Sesame Street.

Another musical I liked that did not follow this pattern was Hamilton because it tapped into my love of two topics that aren’t mixed together very often: history and rap music.