Category Archives: Science Fiction and Fantasy

October 22, 2018 · 1:00 am

10 Things That I Won’t Read About

This Thursday I’m planning to write a follow-up post to this one to discuss the themes and topics in books that I’m always interested in reading about. Since I’ve made several past references here to the sorts of stuff I dislike, I thought it would be a good idea to share the full list of things I won’t read about before diving into everything I love.

I’m the sort of reader who gleefully jumps from one genre to the next based on everything from the recommendations of certain people in my life to what I stumble across in the new arrivals section of my local library.

This list is going to do the same thing. No one genre can contain it, and any genre I read will occasionally include titles that fit one or more of the points on this list.

1. Sexy, Sparkly Monsters. 

I will happily read all sorts of stories about vampires, zombies, werewolves, and unnamed creatures stitched together by Dr. Frankenstein so long as these characters are not romanticized or de-fanged in any way. While I might feel other emotions ranging from compassion for them to concern for their future, monsters are first and foremost supposed to be frightening. If they don’t give me that initial jolt of fear, I won’t be very interested in them.

I know I’m in the minority here, but I also don’t find monsters sexually appealing in any way. This is even more true for the dead, and therefore possibly rotting, ones.

2. Sympathetic Portrayals of Bigotry.

There’s a massive difference to me between writing about a character who is deeply prejudiced against specific groups and the author or narrator working – consciously or unconsciously –  to make bigoted ideas themselves more palatable to the audience.

I believe that it’s a good thing to create three-dimensional characters, protagonists and villains alike. In no way would I expect every bigoted character to only be represented by their worst flaws. That isn’t how prejudice works in real life. Someone can be perfectly charming to friends or relatives while still doing and saying terrible things to the objects of their hate.

The juxtaposition of these personality traits can make excellent fodder for a story, but I still don’t believe it’s ethical to ever make excuses for the existence of hate or for the people who spread it.

3. Graphic Violence.

Occasional references to rape, torture, murder, and other acts of violence are okay with me, especially if they were integral to the development of the plot. However, my imagination is far too vivid for me to read detailed descriptions of these things without them coming back to haunt me later on.

I prefer types of conflict that don’t do that to me. This photo of a woman who dropped her ice cream cone is only tangentially related to this point, but the distraught expression on her face is about as much despair as I can handle before needing to move onto more cheerful subject matter.

4. Deus Ex Machina.

That is, I don’t like contrived endings or when characters who have been wrestling with a complex problem for hundreds of pages suddenly realize that the solution to their conflict was a simple fix a few sentences before the final scene.

I’d much rather have a sad ending than a happy one that doesn’t fit in with the tone of the rest of the tale.

5. Inspirational Fiction.

After multiple failed attempts to get into this genre, I came to the conclusion that it was never going to be my cup of tea no matter who wrote it. It is the only genre I’ve permanently given up on, and I felt a little sad about that for a long time.

6. Sermonizing. 

This rule definitely isn’t limited to religion in general, and it kicks in even if I happen to completely agree with the author’s point of view. Any topic can be sermonized if it is written by someone who is more interested in pushing a specific agenda than telling a satisfying story.

There’s a huge difference between writing a story that was influenced by your worldview and allowing your worldview to dictate how a story is told. I don’t have much patience for the latter at all.

7. One True Love Personality Transplants.

Okay, so this one might take a little explaining. I have no problem reading books that include romantic elements as a minor or major part of the plot. This isn’t an anti-romance rant at all.

What bothers me about certain characters falling in love, though, is when those experiences erase their personalities and identities.

Years ago I read a series about a character who had decided early in life never to have children. They had excellent reasons for that decision, and they stuck to it until the very end when they fell in love and suddenly changed their mind about having kids despite the fact that none of their reasons for making that choice had or could ever change.

This isn’t a type of storyline that I’m inherently opposed to, by the way. Not everyone knows what they want out of life when they’re a teenager, and I don’t think there’s anything wrong with showing how a character changes their mind about a major life decision like this. It can be a fantastic way to demonstrate genuine character development when done properly.

The thing is, anyone who writes this sort of tale really should show how and why someone would change their mind about something so important to them. When such an important mind-shift is brushed away as a sign of True Love ™ five minutes after someone falls in love, I can’t help but to wonder how soon that character is going to deeply regret having kids (or moving thousands of miles away, or giving up their career, or making any other sort of drastic lifestyle change when there was no foreshadowing of them wanting those things for the vast majority of the plot).

8. Love Triangles.

If this wasn’t such a common trope in the romance genre, I’d probably read way more romance novels.

As someone who is polyamorous, I always hope the main character gets to keep dating both of the people they’ve fallen for. Why make them choose? They can love more than one person at a time and therefore free up the plot for more interesting types of conflict.

9. Needles, Blood, and Surgeries. 

Kudos to those of you who enjoy very detailed descriptions of what goes on in an operating room or doctor’s office, but this is something that makes my stomach turn.

I’d prefer to continue to know as little as possible about how exactly medical professionals fix the human body when it gets injured or sick. The fact that they’re (often) able to help people feel better is all I need or want to know.

10. Very Long Books. 

Other than J.K. Rowling and J.R.R. Tolkien, I generally don’t read a lot of long-winded authors. Two or three hundred pages is more than enough space for me to get into a story in the vast majority of cases, so it would take something really special to convince me to jump into a very long read.

What topics are on your Do Not Read list?

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October 15, 2018 · 1:00 am

Reader Question: Should I Read Science Fiction or Fantasy?

Someone recently found this blog by googling the following question:

Should I read science fiction or fantasy?

I thought it was a great prompt for today’s post. Just like apples and pears are both types of fruit, fantasy and science fiction are part of the wider speculative fiction universe that also includes sub-genres like horror, dystopian, utopian, supernatural, science fantasy, and superhero fiction. Science fiction and fantasy share a lot of similarities, but they aren’t identical by any means.

On the off chance that they ever see this post, I’d be happy to give the person who did this search some personalized reading recommendations if they’re interested in such a thing.

Since I don’t know that person or what their tastes in reading material are like, I’m going to keep my advice as general as possible. The only assumption I’ll be making is that you were interested in exploring both of these sub-genres and are wondering which one you should dive into first.

Like most children in western cultures, fairy tales were my first taste of speculative fiction in general. I quickly developed a preference for the original, and often surprisingly macabre given the age group they were marketed to, versions of classic fairy tales, so I was soon introduced to the horror and supernatural genres as well through my insatiable appetite for as many new fairy tales as I could find at our local library.

There is so much overlap between the science fiction and fantasy, though, that I quickly found myself wandering deeper into the science fiction end of the spectrum. I now have a preference for hard science fiction, but I’ll never forget my love of fantasy or many of the other sub-genres under the speculative fiction umbrella.

The question of whether you should read fantasy or science fiction really depends on the sorts of stories you enjoy versus the ones that you don’t find so alluring. I’m going to be making some broad generalizations here that definitely won’t apply to every book or author out there. They may be helpful in steering the original visitor and everyone else reading this towards a specific section of the library or bookstore as you decide what you want to read next.

Science Fiction tends to be:

  • Realistic.
  • Related to what is, or could be, scientifically possible. For example, the discovery of a vaccine for AIDS or a cure for cancer.
  • Set in the present or future.
  • Rational. When someone weird happens, there is generally a logical reason for it.
  • More political (in many cases).
  • Interested in exploring specific ideas, ideologies, or conflicts. These themes can often be traced back to controversial subjects that are or were hotly debated when that specific book was first published.

Fantasy tends to be:

  • Imaginative.
  • Related to things that will never be scientifically possible. For example, the existence of Hogwarts (*sob*) or a pet dog that suddenly begins speaking plain English.
  • Set in the past.
  • Supernatural and/or magical. When something weird happens, it is not generally explained rationally to the reader.
  • Less political (in many cases).
  • Interested in world-building. You stand a good chance of meeting dozens of characters and many different fictional cultures when reading fantasy, so their page counts can be dramatically bigger than a science fiction novel.

Again, there is a lot of overlap between these sub-genres and these lists shouldn’t be taken as a strict interpretation of what you’ll find in either one. There are many speculative stories out there that combine elements from both of these sub-genres together (along with many other themes), but many of them do tend to lean one way instead of the other.

This isn’t even to mention all of the other genres, from romance to mystery, that are often swirled into these tales as well. Figuring out how to label books these days is so complicated, especially for fans who don’t always enjoy seeing their favourite genre being mashed up with other styles of writing, that I think I’ll save a more detailed discussion of that aspect of it for another day.

Readers, what would you recommend to this person? is there a specific fantasy or science fiction author you think would be a nice introduction to their genre? Which types of speculative fiction do you tend to gravitate towards most often?

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October 8, 2018 · 1:00 am

Characters I’d Invite to Thanksgiving Dinner

Happy Thanksgiving, Canadian readers! I’m enjoying a nice, quiet Thanksgiving this year while also wondering what it would be like to celebrate this holiday with characters from some of my favourite books.

If I could, I’d sure love to share this holiday with the following people:

1. Anne Shirley from the L.M. Montgomery’s Anne of Green Gables series.

She’d be welcomed to bring her legal guardians, Matthew and Marilla Cuthbert, along as well. As someone who is almost always quiet, I’d love to listen to her chatter about whatever it was that had happened to her recently.

It would also be interesting to get more details about her life before she was adopted if she was willing to share them.Some of my favourite scenes in this series were the ones that showed how they all enriched each other’s lives.

2. Afsan from Robert J. Sawyer’s Far-Seer trilogy. 

Not only would it be cool to see what a Tyrannosaurs would want to eat for Thanksgiving, I’d love to talk to this character about his impressions of human customs in general. (His species was sentient and quite intelligent in this series). He’d almost certainly be as horrified and/or amused by some of the things we do as we would be by certain Tyrannosaurs customs.

3. Starr Carter from Angie Thomas’ The Hate U Give.

Starr was such an easy character to love. My sympathy for her only grew stronger after she watched a police officer kill her best friend in one of the earliest scenes of her story. I’d want to fix her a big plate of food and offer her any comfort I could over the holidays.

4. Anna from Claire Cameron’s The Bear.

Anna was a six-year-old girl whose family went on a camping trip in a remote section of a national park. After her parents were killed by a bear, she had to figure out how to get her younger brother and herself to safety.

This was one of the most intense things I’ve ever read. I wish it were possible to catch up with characters years later to see how they’re doing. She was so young when the attack happened that she didn’t understand what was going on. While I would never ask about the deaths of her parents specifically, I’d love to know what her life was like after the events of the final scene.

5.  Patricia Cowan from Jo Walton’s My Real Children. 

Patricia might have lived in one of two different timelines during the course of this book depending on which memories of hers you tend to believe are the genuine ones.

Not only did the course of her life take radically different turns in each timeline, the course of human history did as well. I can’t say much else without giving away spoilers, but I’d sure like to talk to this character so I could find out which version of the events she remembered actually took place.

6. Hattie Shepherd and her descendants from Ayana Mathis’ The Twelve Tribes of Hattie.

The first chapter of this tale showed Hattie desperately attempting to save her first two children, a set of twins who were dying from pneumonia in 1923 when such a disease was much harder to treat than it is today. The rest of the storyline showed what happened to this woman and the nine other children she had after the deaths of her first two babies.

Her extended family as a whole wasn’t a particularly emotionally healthy one. I believe that Hattie would have been diagnosable if she’d lived in a time and place where seeing the doctor for mental health concerns was socially acceptable. As it was, her undiagnosed illness damaged her relationships with all of her surviving children and their families.

Sometimes dysfunctional ways of interacting with the world can be passed down for generations when people either can’t recognize the harmful patterns in their family or aren’t willing to try to change them. I’ve seen it happen both in real life and in fiction. It’s as sad as it is fascinating. I’d love to invite different combinations of people from this family to various dinners to see if I could figure out how they’ve changed over the years.

Which character would you invite to your Thanksgiving dinner?

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October 4, 2018 · 1:00 am

Hopeful Science Fiction: Semiosis

Last June I blogged about my desire to read more hopeful science fiction. Since then I’ve talked about Woman on the Edge of Time and The Lovely Bones. Today I’m back with another suggestion.

If you have recommendations for future instalments of this series, I’d sure like to hear them. Leave a comment below or send me message about it on Twitter.

Semiosis

Sue Burke’s Semiosis is a 2018 hard science fiction novel about colonists from Earth who travel to a distant planet in hope of making it their permanent home. The storyline followed the original group of explorers as well as their descendants for several generations. They knew almost nothing about the planet they named Pax  before they arrived there, so preparing in advance for what they were about to experience wasn’t easy.

Nearly every chapter in this book showed how the most recent generation in this timeline adapted to the many challenges they faced while attempting to survive on a planet where RNA, not DNA, was the building block of life. Generally, one chapter was assigned to each new generation as they came of age and began making decisions for their community.

Th experiences of the first generation were promising. The land was covered in vegetation, much of which their scans showed was safe and nutritious for humans. They quickly began attempting to build shelters and adjust to the many differences that came with living in such an alien environment.

Plot-Based, Not Character-Based

As you might have already guessed, this was a plot-based novel. Since each section more or less introduced an entirely new cast of characters (based on how many members of the previous generation had managed to live to see old age), there wasn’t a great deal of time for any one character to steal the spotlight.

I normally have a strong preference for character-based stories, so I did need some time to adjust to the fact that I would only have a short amount of time with any of the fascinating people I met as one generation was slowly replaced by the next.

Given how long it took the original group of immigrants to realize that many of their assumptions about what life on a distant plant would be like were completely wrong, it made sense for the whole adventure to unfold slowly over the courses of multiple lifetimes as new generations built on the knowledge their parents and grandparents had painstakingly put together. No individual human could ever live long enough to gather all of the clues they did over such a long period of time.

However, I would have liked to see more continuity between the generations. I understood why the lifespans were shorter for humans, especially in the beginning, but I spent so little time with the many characters that I didn’t feel like I bonded with any of them. They were there in one scene and then sometimes gone in the next.

Persistence

There are many details about the plot that I can’t share with you without giving away huge spoilers. Needless to say, the characters in this book were surprised over and over again by what life was really like on their new home in just about every way you can imagine. The food obviously didn’t taste anything like food does on Earth. Calibrating what was and wasn’t dangerous on this planet was hard for them, too, as well due to how little they knew about life on it ahead of it.

All of their previous training was useful, but it couldn’t have possibly prepared them for everything they were about to experience. They had no way to contact Earth, leave Pax, or receive any additional supplies, so they had to figure out ways to keep going no matter what happened to them.

The first generation had some really rough experiences due to a string of bad luck and not having the right types of supplies at critical moments. It wasn’t all doom and gloom, though. There were conversations about ordinary things like unpacking the ship or how to decide when to switch from the food they brought with them to scavenging for a fresh dinner. I especially loved the characters’ contagious excitement at finally getting to explore the land without having any idea what they might find there.

Mixing those moments of grief in with all of the other emotions they experienced was a nice touch. It reminded me a lot of what happens in real life when someone is dealing with a difficult problem but also still has to do totally mundane things like sweep their floor, plan dinner, or take their pet for a walk. Life is hard sometimes, but it still goes on.

This feeling returned once they realized there was an intelligent life form on that planet that all of their previous scans of it had failed to pick up. I couldn’t stop reading once I reached this section, and it only got better from there.

The Big Picture

There are two reasons why I’m recommending this as a hopeful science fiction read.

Number one, we’ve all had days that were so frustrating or painful they felt like they’d never end.

This book could describe a day like that and then zoom out and see how that experience mattered (or didn’t matter) in the longterm. There were questions asked early on that didn’t receive answers until decades or even generations later.

There’s something comforting in seeing that pattern play out over and over again. What doesn’t make sense to us now might make sense years from now. Alternatively, it might fade away and not be meaningful at all after enough time has passed.

Number two, things did improve for the characters over time. The tragedies they experienced were real, but so was the hope they found as they adjusted to the challenges they faced and figured out how to look after themselves long after all of their Earth supplies had run out.

What hopeful science fiction stories have you been reading recently?

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September 27, 2018 · 1:00 am

Popular Sci-Fi and Fantasy Authors I’ve Never Read

Anyone who has known me more than a few hours knows both what a bookworm and huge fan of the SFF genre I am, so it may come as a surprise to you to learn just how many well-known science fiction and fantasy authors I’ve yet to read.

At first I thought I’d already written a post about this topic, but I couldn’t find it in my archives anywhere. I think I misremembered that because I’ve spent so much time recently thinking about all of the authors I haven’t tried yet. If only we could live a few hundred extra years to get some more reading in, eh?

Honestly, I’m a little embarrassed by some of the entries on this list. I do keep meaning to give their work a try, but newer authors keep writing beautifully distracting stories that demand to be read. Before I know it, another year has passed and I still haven’t picked up the books I’ve been thinking about checking out for a long time now.

There’s also the issue of being in the right mood for certain types of writing. Just like it would be true for any other genre, older stories in this genre are products of the time they were created. This isn’t to say that I judge them by the standards of today, but sometimes I do need to be in the right frame of mind in order to read something that modern readers would find offensive for a wide variety of reasons.

I believe you can acknowledge the sexist, racist, homophobic or other prejudiced themes of an older work while also understanding how time and place in which they were written influenced what was and wasn’t acceptable to say in that era. It’s not a matter of throwing the baby out with the bathwater or ignoring the fact that a certain part of a famous book might be problematic. You can love something while also criticizing it when necessary.

Not all of the authors on this list are from eras when that was more common, of course, but it is something that crosses my mind every time someone mentions a well-known SFF author who published much of their work decades or centuries ago.

With that in mind, this is my list:

  • Iain Banks
  • Greg Bear
  • Jim Butcher
  • Orson Scott Card
  • C.J. Cherryh
  • David Eddings
  • Diana Gabaldon
  • Frank Herbert
  • Robin Hodd
  • Dean Kootz
  • N.K. Jemisin
  • Robert Jordan
  • Diana Winn Jones
  • Fritz Lieber
  • Anne McCaffrey
  • Michael Moorcock
  • Larry Niven
  • Andre Norton
  • Frederick Pohl
  • Patrick Rothfuss
  • R.A. Salvatore
  • Brandon Sanderson
  • James Tiptree, Jr.
  • Brent Weeks

I have no idea what I’d think of any of their work, but I’d like to find out someday.

hich Sci-fi and fantasy authors have you not read anything from yet?

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September 17, 2018 · 1:00 am

The Unforgiving Dead: A Review of Winchester

Film poster for Winchester. Image on poster is of Mrs. Winchester wearing a black mourning veil and staring straight ahead. Winchester was originally mentioned in my to-watch list in this post. So far, I’ve also reviewed Into the Forest, Annihilation, and Coco from that list. A content warning for anyone who is sensitive to this topic: this film does contain a few brief references to the death of a child, but I will not be discussing that part of the plot in this post. This will otherwise be a spoiler-free review. 

The real-life Sarah Winchester lived from about 1840 to 1922. (The exact year she was born is unknown, but it is generally thought to have been between 1835 and 1845). She was the heiress of the Winchester Repeating Arms Company. I’ve long been interested in the story of why she began adding so many rooms to a mansion that eventually had seven floors and a couple of hundred rooms.

Some people have speculated that she was expressing an interest in architecture in the only way she could at a time when such a career was forbidden to women. Others have passed around legends about Mrs. Winchester believing she was haunted by the ghosts of people who were killed by Winchester rifles. They’ve wondered if Sarah’s mansion had so many staircases that lead to nowhere, hidden rooms, and other architectural oddities in order to confuse the spirits and prevent them from harming her.

We’ll never know for sure why she spent so many years building and tearing down sections of the Winchester mansion, so this film took these nuggets of truth and spun them into a full-fledged ghost story that is only somewhat related to the actual events of this woman’s life. I only knew a few details of the original legend when I first heard that this movie was being made, but it was more than enough to convince me to watch it.

If you’re interested in learning more about the real Sarah Winchester, the links above will give you factual information about her life. There are a few plot points from the film that ended up mirroring the truth, though, so be cautious about clicking on those links if you’re a stickler for avoiding all spoilers ahead of time.

The Characters

 


Jason Clarke (left) as Dr. Eric Price

Eric Price, the protagonist and a medical doctor who lived at at time when psychiatry as a distinct type of medicine was still in its infancy, was hired by the Winchester Repeating Arms Company to determine whether or not Mrs. Winchester was mentally fit to continue running the company she’d inherited.

Some of the other stills featuring this character reveal huge plot twists, so be cautious about googling him before you watch Winchester.

Helen Mirren as Sarah Winchester

Sarah Winchester owned half of the Winchester Repeating Arms Company. This character lived with an overwhelming sense of guilt over the deaths of all of the people who had been fatally shot by Winchester rifles. She used some of the profits she earned from her successful business to add, renovate, and remove rooms from her massive mansion twenty-four hours a day in an attempt to help those restless spirits find peace.

Sarah Snook as Marian Marriott and Finn Scicluna-O’Prey as Henry Marriott

Marion Marriott was Sarah Winchester’s loving, protective niece. Marion had been recently widowed, and her son, Henry, was still grieving from the loss of his father when the events of this film began.

My Review

Originally, I was quite excited to watch Winchester. There’s something about knowing that a film was inspired by the lives of real people that makes it even more appealing to me than it might otherwise be. (I should warn you again that the screenwriters took a lot of liberties with the original story, though! This wasn’t a biography by any means, but given how many contradictory facts there are about Sarah Winchester’s life and unusual hobby that ended up being a good thing).

The Winchester Mansion

With that being said, there were some pacing problems. The Winchester mansion filled with restless, angry spirits, but there weren’t quite as many scenes about them as I was hoping to see. Yes, the setting itself was incredibly spooky. There were multiple times when the Dr. Price took a wrong turn and suddenly realized that the architecture of the house lead to quite a few dead ends. I was creeped out at the thought of trying to open a door that wasn’t actually meant to open or climb a staircase that didn’t go anywhere after all. It would have been nice if such a scary setting had been matched by ghosts who were a little more active in the beginning and middle of the plot.

It was nice to have hauntings that weren’t gory, however. It’s been my experience that many modern ghost movies assume the audience want to be frightened by dumping a lot of gory scenes into the plot regardless of whether or not such a thing actually makes sense for the characters or storyline. This is appealing to some viewers, of course, but I prefer a less bloody approach to the horror genre in general. The fact that Winchester relied on building a deliciously creepy atmosphere and asking the audience to silently dread what might happen to the characters next without showing anything gruesome was refreshing.

I would have liked to see the characters behave a little more intelligently once they realized they were in danger. Yes, horror movies do depend on their characters making terrible decisions in the beginning for the sake of giving the plot an adequate amount of time to put them in mortal danger and frighten the audience, but I kept shaking my head at the silly choices Dr. Price and the other members of the household made after they realized just how much they’d underestimated their foe.

There were several subplots dealing with grief and regret that I thought were handled nicely. While I can’t go into much detail about them without giving away spoilers, I will say that every single main character in this film was dealing with a loss of some kind. Most of them had not processed that grief, and the weight of those unexamined emotions was heavy. Watching for the gradual exposure of their backstories was rewarding. It was these subplots that kept me watching until the end. While I was curious to see if the ghosts would become more active, I was honestly far more interested in finding out how or if the characters would resolve their complicated feelings about their pasts.

Should You Watch It?

If you love paranormal movies that are loosely inspired by the lives of real people, go for it. This may not be so intriguing for anyone who isn’t already a huge fan of this sub-genre, however.

Winchester is available on Netflix and iTunes.

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September 13, 2018 · 1:00 am

How I’m Expanding My SFF Watchlist for 2019

Has anyone else noticed that the time between September and January flies by every year? There’s something about the short and often rainy days in the autumn that makes this season pass quickly for me. (If only winter behaved the same way! Every winter I feel like the cold and snow are going to last forever).
My watchlist for science fiction and fantasy films has dwindled over the course of 2018. The list below contains all of the movies in these genres that I’m currently hoping to watch in the future.  Some of the entries on it aren’t even available in the theatre yet, and others were released so recently that I’m still waiting for them to become legally available to watch online.
  • A Dog’s Purpose
  • Christopher Robin
  • Devil
  • Fantastic Beasts: The Crimes of Grindleward
  • Get Out
  • Gremlins
  • Goodbye Christoper Robin
  • The Good Dinosaur
  • Hereditary
  • The House with a Clock in Its Walls
  • Lights Out
  • The Little Stranger
  • The Lottery (based on Shirley Jackson’s short story)
  • A Monster Calls
  • Monsters University
  • Peter Rabbit
  • A Wrinkle in Time

Before I watch a film, I always check the reviews of it to see what others thought of it and if it includes certain topics that I’m sensitive to. I ended up deleting some of the titles I’ve previously mentioned on this blog due to multiple negative reviews that referenced stuff I try to avoid in the entertainment I consume. 2018 has also been a year when I’ve slowly begun losing interest in the non-paranormal horror genre in general, so that cut way down on my to-watch list as well.

Now that winter is just around the corner, I’ve decided that it would be a good idea to build up my watchlist again. Sometimes it can take a while for a film to show up on Netflix or become available to rent on iTunes. The more options I have, the better. Not only will it be a nice distraction for me during my least favourite season, I’ll be able to continue writing more reviews for all of you as I find stuff that I like and/or have strong opinions about.

My Criteria

  1. It will preferably have been released in the last 20 years, and ideally within the last decade. While I do occasionally enjoy older films and am open to hearing about faster-paced recommendations from back then that have stood the test of time, I generally find the pacing of anything released before the mid-1990s to be too slow for this millennial’s tastes.
  2. There is little to no gore. I can handle a few briefly violent scenes if necessary, but I have no interest in bloodbaths or slasher flicks.
  3. It ideally includes stuff like: the paranormal; cryptozoology; aliens; an exploration of planets, caves, or other remote places where communication devices mysteriously stop working for the sake of a better plot; space ships; the distant past or future; characters who are at least somewhat self-aware and intelligent when something really weird happens in the first scene.
  4. There are clever plot twists in it. I do watch more predictable shows as well, but it always makes me happy to find something whose ending can’t be predicted five minutes into it.
  5.  Also, I’ve watched countless movies about straight, white men having science fiction and fantasy adventures together. If the stories are equally intriguing and I’m given the choice between them and a more diverse cast, though, I’m going to go with the latter every time.

Where I’m Looking for New Films

  1. Netflix. I don’t mean to sound like an advertisement, but I’ve found so many interesting films there over the years. It’s always the first place I try when I’m looking for something new.
  2. iTunes. I’ve combed through everything Netflix has to offer, but I’ve yet to do the same thing for iTunes. Here’s hoping I’ll find hidden treasures there.
  3. Top 10 Lists. While I’ve seen many of the science fiction and fantasy films that were released over the past two decades, I definitely haven’t seen all of them. This is especially true for foreign and indie films that only showed in select theatres.
  4. You! If you have any suggestions for me, please leave a comment on this post or tell me about it on Twitter.

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September 10, 2018 · 1:00 am

Families Are Forever: A Review of Coco

This review is spoiler-free and suitable for all audiences. This was one of the films I talked about wanting to watch in this post. So far, I’ve previously reviewed Into the Forest and Annihilation from that original list. 

Coco is a 2017 film produced by Pixar Animation Studios and released by Walt Disney Pictures. It followed the adventures of a young boy named Miguel who dreamed of becoming a musician one day against the wishes of his parents, grandparents, and other elders.

They wanted him to follow in their footsteps and become a cobbler instead. This conflict between Miguel and his elders not only provided the catalyst for his adventures in the Land of the Dead, it asked a lot of thought-provoking questions about how far someone should go to pursue their dreams and what sorts of things it should be okay for a family to ask one member to give up for the sake of everyone.

(Some of the) Characters

This movie had an incredibly large cast of characters in large part because Miguel was part of a massive extended family that included generations of people who died long before he was even born. Mentioning certain characters would also make it difficult for me to avoid spoilers, so I will only be talking about the most important ones who can be discussed with giving away any plot twists.

The introduction to this film did an excellent job of explaining who everyone was and how they were related to each other, though, so you shouldn’t have any problems catching up on the secondary characters I didn’t include in this post.

Anthony Gonzalez as Miguel Rivera

Miguel, the protagonist, was a 12-year-old boy who was caught between his dreams and what his elders wanted him to do with his life. On Dia de Los Muertos (Day of the Dead), when the dead are allowed to come visit loved ones who remember them during this Mexican celebration of loved ones who have died, Miguel accidentally crossed from our plane of existence to the Land of the Dead. In order for him to return to the Land of the Living, he had to receive the blessing of one of his dead relatives before the sun rose again. If he failed, he’d be trapped there forever.

Dante

Dante, Miguel’s dog, was his mischievous and occasionally silly pet who accompanied him to the Land of the Dead. This character was responsible for almost all of the humorous moments in the plot thanks to the fact that he wasn’t a particularly bright dog and he didn’t always think through his choices ahead of time. I’d love to see a sequel starring him someday.

 

Ana Ofelia Murguía as Coco Rivera (right)

Coco was Miguel’s great-grandmother and the oldest living member of their family. She’d been abandoned by her father, a musician, as a small child, and the pain of that experience was something she’d carried with her for her entire life. It was this story that made the rest of Miguel’s family so opposed to his desire to become a musician.

Renee Victor as Abuelita

Abuelita was Miguel’s grandmother, Coco’s daughter, and the head of the family in the Land of the Living (or what we would think of as our world). No one made any major decisions without getting her blessing first.

 

Alanna Ubach as Mamma Imelda Rivera

Mamma Imelda was Miguel’s great-great grandmother. Coco was the daughter she’d been left to raise on her own after her husband went away and never came home again. She still resented her husband for that decision when Miguel met her in the afterlife and asked for her help to get home again.

Gael García Bernal as Héctor

Héctor was a friend Miguel made in the Land of the Dead. He lived in a section of the afterlife that was reserved for people who were no longer being honoured by the living on Dia de Los Muertos. If he couldn’t find a way to get the living to remember him before the last person who had known him in life died themselves, he would disappear from the Land of the Dead forever. What happened to dead people who were completely forgotten was unknown.

Benjamin Bratt as Ernesto de la Cruz

Ernesto was the man Miguel believed to be his great-great grandfather. He was never honoured, remembered, or even mentioned by the Rivera household due to how poorly he’d treated his wife and child, but the songs he sang while he was alive ensured that other people remembered him on Dia de Los Murtos and kept him going in the Land of the Dead. Ernesto was a talented musician whose songs were still sung decades after his death in our world, The Land of the Living.

My Review

Everything I’m about to say about Coco will be complimentary. I normally try to sandwich my criticisms between compliments, but in this case I wouldn’t have changed a single thing about this film. It was exactly what I was hoping it would be.

The storytelling was beautiful. While this was marketed as a children’s movie, I’d honestly recommend it to adults just as much, and maybe even a little more, as I would to the age group it was actually intended for. Miguel’s family was large, but I felt like I got to know each character in it well due to how much time they spent exploring their complicated relationship with each other and their shared pasts. They dealt with serious issues that many people face.

There were a few emotional scenes about death and regret that would almost certainly fly over the heads of the youngest viewers, but they meant a lot to me as an adult who has faced similar conflicts myself. One of the things I love the most about Pixar films is how well they straddle the line between appealing to adults while also writing something that children will find meaningful. Once again, they did a fantastic job of speaking to both groups without talking down to the kids or simplifying anything for older viewers.

Mama Imelda, Coco, and Coco’s father in a family picture.

I didn’t grow up in a family or a culture that observes Dia de Los Muertos, so I really appreciated the attention to detail when Miguel and his family were preparing for and then later celebrating it. There was something beautiful about seeing the alter Miguel’s elders had set up with photos of their deceased relatives and offerings of food and other things that the dead would have enjoyed. Yes, there were moments of grief, but there was also a lot of love and joy in that tradition. It seemed to me that it was about remembering the good times with people who have passed on and sharing your happy memories of them with the next generation.

Some of the elders in my family have historically been a bit resistant to the idea of telling stories like this as a coping mechanism for grief, so I found it refreshing to see a family speak so openly and fondly of the dead. It struck me as something that could be much more emotionally healthy for people who found themselves missing a parent, grandparent, or other relative who is no longer part of the Land of the Living no matter how many years ago they’d crossed over.

The conflicts in this story were written in such a way that I could sympathize with both sides. Of course Miguel wanted to explore his musical talents and learn how to be a better musician. On the flip side, of course his elders would be horrified at the thought of another family member abandoning them to make music. This was a case when there was no right or wrong answer and I could imagine Miguel and his elders changing their opinions if their places could somehow be reversed.

The best scenes happened after Miguel crossed into the Land of the Dead and finally met the relatives there he’d been honouring his whole life but had never actually known when they were alive. I enjoyed seeing the tension build between this character’s individualism and his ancestors’ collectivistic understanding of how a life should be lived. It was a nice reminder of how a culture can change from one generation to the next, and it also provided a lot of fodder for conflict as Miguel tried to figure out how to get home before sunrise.

I was also impressed with the music. Every single song was something I’d love listen to again, especially when it came to “Remember Me.” For those of you who have seen a lot of animated films, the music in this one reminded me of classic Pixar songs like “You’ve Got a Friend in Me” from Toy Story. Not only were they meaningful for the storyline, they were nice pieces of music in and of themselves. I could see myself adding several of them to the list of songs I listen to every day, and that’s not something I do very often.

Should You Watch It?

Yes, you absolutely should. I’d heartily recommend Coco to audiences of all ages with no caveats.

Coco is avaliable on iTunes and Netflix.

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August 30, 2018 · 1:00 am

18 Science Fiction and Fantasy Shows I Can’t Wait to See in 2018-2019

Last year I blogged about the fourteen science fiction and fantasy series I was looking forward to watching during the 2017-2018 season. Wow, that was a lot of shows! Somehow I managed to continue watching almost all of them, though.

Today I’m talking about the shows I’m currently watching or will be watching during the 2018-2019 TV season. Once again, I’ll be sharing the release dates and a short explanation of why I’m interested in each one. This list looks like a long one, but many of these series will be finished long before the ones at the bottom of the list are aired. I love the fact that shows are staggered like that these days.

Also, I am a few seasons behind some of the items on this list. So expect to see them reappear in future updates on what I’m watching unless I suddenly stop watching a lot of current programs for some reason.

Disenchantment

Season 1 premiered this August. I’m currently watching it.

Calling all fans of Futurama! The creators of that series have something new for you.

Disenchantment was about a princess who befriended an elf and a demon and proceeded to have all kinds of PG-13 related adventures with them. Yes, this is an animated program. No, it’s not suitable for kids. There’s everything from sex to violence to substance abuse in this tale, so send the small, impressionable humans to bed before you watch it.

 

The Good Place 

Season 3 premiere: September 27.

So much of the stuff I want to say about this program would give away major spoilers for anyone who hasn’t watched the first two seasons yet. Needless to say, the characters have continued to explore the afterlife and learn just how complicated things can get when the line between heaven and hell becomes so blurry.

I would not recommend watching this to anyone who is easily offended or who has strong opinions about what, if anything, happens to people after they die. While the tone of it is tongue-in-cheek and friendly, this is something that will work better for viewers who are easygoing on this topic.

The Man in the High Castle

Season 3 premiere: October 5

If history had been a little different, the Axis powers could have won World War II. This series takes a look at what life would be like in the country formerly known as the United States this had happened. Germany and Japan split the U.S. up into sections in this universe, and everyone who wasn’t a Christian Aryan was in terrible danger.

I should warn all of you that this show can get very dark at times. It’s not something that anyone should watch if they’re easily triggered by references to Holocaust-like events.

Black Lightning

Season 2 premiere: October 9

Black Lightning has been changing my opinion of the superhero genre for the better thanks to everything that was going on in the main character’s life. I adored the complexity of his personality and life. He had to deal with everything from chasing down bad guys to repairing his relationship with his wife in the first season. I’m looking forward to seeing what happens to him and his family next.

The Orville

Season 2 premiere: December 30

I adored season one of this program. While it was originally written to be a lighthearted parody of the Star Trek universe, it felt much more like a Star Trek show than Discovery has so far. This isn’t a diss, either. I’m enjoying Discovery, but it doesn’t have the optimism about the future that I’d expect from this universe.

Luckily, The Orville picked up that slack beautifully in its first season. The characters dealt with some serious issues, but there was always a lighthearted undercurrent to their conflicts that reassured me that better days were coming for everyone in that universe. The world needs more material like this, especially now.

Timeless

Movie premiere: late 2018

Technically, the last TV season of this show ended this past spring. There is a two-hour movie about the characters in it coming at the end of this year, though, so I’m including it on this list. I’m glad the fans are going to have a proper goodbye for it. The time travel in this story was really well done. I especially liked the fact that the characters who weren’t white men acknowledged how difficult certain eras would be for them to visit due to the prejudices and laws of those times.  hoping there will be plenty of that in the sendoff.

 

Star Trek: Discovery

Season 2 premiere: January 2019

Despite my comments above, I actually did enjoy the first season of Discovery. There was a huge plot twist in it that I didn’t see coming ahead of time. I can’t say anything else about that without giving away spoilers, but I am looking forward to seeing where this series goes next and if it begins to feel more friendly and hopeful like other Star Trek tales.  (Although I am hoping that the second season will flesh out the secondary characters. So far, only the main characters have gotten attention from the storyline).

Roswell, New Mexico

Season 1 premiere: April 29, 2019

This is a reboot of Roswell, a science fiction show about aliens living on Earth in the early 2000s that I liked quite a bit back in the day.

Like the reboot for Buffy the Vampire Slayer, I’d prefer to see this universe revisited in its current form. This doesn’t stop me from feeling excited at revisiting this universe in whatever form it will take.

The Handmaid’s Tale

Season 3 premiere: April 2019

Anyone who has followed this blog over the past few years already knows how much I adore The Handmaid’s Tale, so I won’t repeat myself.

Needless to say, I’m already counting down the weeks until season 3 is here.

Castle Rock

Season 2 premiere: 2019. I have yet to begin season 1, but plan to start it soon.

Two words for you: Stephen King. Every time a TV show comes out that is based on something he wrote, my ears perk up. This was no exception to that rule.

Lucifer

Season 4 premiere: 2019

First this show was cancelled, and now it’s somehow coming back for another season.

All I know is that I have a huge crush on Lucifer. Yes, he’s (sort of) the Lucifer you’d expect someone with that name to be. That is, he is the devil in this universe, but he’s not evil. Children love him, and he only harms people who have already hurt innocent folks. Everyone else is pretty safe around him unless they happened to be horribly annoyed by shameless flirting.

The Magicians

Season 4 premiere: 2019

I have four words for you: Harry Potter for adults. While this isn’t set in the Potterverse, the characters in it do attend a school for magic and end up having all sorts of unauthorized adventures when their professors aren’t looking.

It took me a couple of tries to get into the first season, but now I can’t get enough of this series.

Cloak & Dagger

Season 2 premiere: 2019

Not only are there two superheroes in this story, their powers complement each other perfectly.

I’m also watching this one with the hope that when a romance develops between the main characters, their racial differences won’t be a source of conflict for the plot in any way. One of the beautiful things about living in Toronto is seeing interracial couples living their ordinary lives together without it being a big deal. While I know this definitely isn’t true for every community (or even in every single Torontonian household, to be honest), I think it’s high time for screenwriters to stop assuming that every interracial relationship is fraught with conflicts over race and culture.

That is such an old-fashioned and unhelpful way of perceiving the world, especially if you’re on the outside looking in at someone else’s relationship.

Glitch

Season 3 premiere: 2019

Some of the characters in this show were people who came back to life from the dead without being zombies, vampires, or ghosts. One moment they were corpses, and the next they’d come to life.

I can’t say much else about the premise without giving away massive spoilers, but I’ve loved the character and plot development so far. It’s going to be pretty interesting to see what happens now that more and more townsfolk have realized that some of their new neighbours are actually people who lived there decades and even a few centuries ago.

 

Stranger Things

Season 3 premiere: mid-2019

The first two seasons of this show were filled with stuff that happened in the 1980s but would be frowned upon today. For example, smoking was ubiquitous, and children weren’t supervised well back then.

This isn’t the only reason why I’m looking forward to seeing what happens to the town of Hawkins, Indiana, but it is one of them.

Luke Cage

Season 3 premiere: late 2019 (tentatively)

So, it turns out that I might like superhero shows more than I thought I did. When I first began working on this post, I hadn’t fully realized how many different superhero shows I watch.

One of the coolest things about Luke Cage was how close he was to various members of his community. Some of my favourite scenes so far have showed him talking to his neighbours and trying to figure out how to improve all of their lives. The social justice aspect of the storyline is what originally pulled me in and what has kept me coming back for more.

Black Mirror

Season 5 premiere: unknown, but I’m hoping it will show up in 2019.

The only episode I’ve seen so far from this series was 4.1, “USS Callister.” It was about a massive multiplayer online game populated by sentient digital clones who were treated very poorly by the man who created them. When the clones realized that the world they’re living in isn’t real, they had to try to decide how or if to escape their circumstances.

I was so impressed by the storytelling and writing quality that I’ve added Black Mirror to my to-watch list. I’m hoping to catch up on as many of the other episodes during the winter of 2018-2019 as possible.

Buffy the Vampire Slayer (no photo available yet for this one).

Season 1 of the rebooted premiere: unknown, but I’m hoping it will show up in 2019.

To be honest, I don’t know if Buffy the Vampire Slayer will be rebooted in 2019 or come out at some point after that. Either way, I’ll be curious to see how this universe is reimagined for a new generation.

What science fiction and fantasy shows will you be watching between now and next summer?

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August 23, 2018 · 1:00 am

Hopeful Science Fiction: The Lovely Bones

This past June I blogged about my desire to read more hopeful science fiction. Last month I reviewed Woman on the Edge of Time as my first selection for this list. Today I’m back with a review of Alice Sebold’s The Lovely Bones.

If you have recommendations for future instalments of this series, I’d sure like to hear them. Leave a comment below or send me message about it on Twitter.

As I mentioned last month, the books I include in this series don’t have to start off in a hopeful place, and I don’t require them to shy away from difficult topics. I’m including a trigger warning for today’s review because The Lovely Bones does begin with a teenage girl being raped and murdered by someone who lived in her neighbourhood.

The story briefly discussed the end of this character’s life without going into any graphic details about it, and I will be talking about it even less than the narrator did. However, I want everyone who reads the rest of this post or check outs this book for themselves to be fully aware of those potentially upsetting references ahead of time.

The Lovely Bones

Alice Sebold’s The Lovely Bones was first published in 2002. The story it told began in the 1970s with the disappearance and violent death of the protagonist, a fourteen-year-old girl named Susie. Her parents and siblings struggled to move on with their lives without knowing for sure what had happened to her, and the main character found it equally difficult to say goodbye to a life that had only just begun for her.

Interestingly enough, the plot had much less to do with how Susie died than what she decided to do with her time after her death.

The afterlife Susie was welcomed into was everything anyone could hope for. There were no harsh judgements awaiting her or anything like that. She was loved, cared for, and reassured in a safe, happy place as she adjusted to the thought of a future she could have never predicted ahead of time.

Yet she still wanted to return to the life she’d once had. This yearning that Susie felt to reconnect with her loved ones was overwhelming at times, and it made her an incredibly sympathetic character. Anyone would have felt the same way in her shoes. I wanted her to find a way back home more than anything, but I couldn’t imagine how the plot could ever bend in that direction.

Grief

One of the things I wish I could change about western culture is the way it reacts to grief. There’s an expectation in many western societies that one should grieve quietly, briefly, and in private. I’d like to make it clear that there’s nothing wrong with this kind of grief, but it’s not the only way to respond to loss.

The Lovely Bones showed characters who grieved in many different ways. Some of them spent years trying to figure out what happened to Susie. Others moved as far away from the town where Susie had lived as they possibly could or buried themselves in various projects as a way to cope with the past. Even Susie herself had to figure out how to say goodbye to the life she expected to have so she could embrace the (after)life she was experiencing instead.

There’s no shortcut through grief. As hard as it was at times to watch the characters mourn everything they’d lost, I appreciated their realistic responses to the days, weeks, months, years, and decades that followed after the heartbreaking opening scene. These were some of the best portions of the book. I’m not embarrassed to admit that they occasionally brought a tear to my eye.

Acceptance

Pain is unfortunately a part of life for every living thing. While some know more of it than others do, no one that I’ve ever met has been able to escape it entirely.

What The Lovely Bones did exceptionally well was to show how someone can accept what has happened to them without anyone making excuses for the perpetrators or calling those experiences good ones by any stretch of the imagination.

It’s been my experience that some well-meaning people will do both of those things in an attempt to help the person who was hurt begin to heal. They almost always have no idea they’re actually making the problem worse, but it was still refreshing to read about characters who tried to find acceptance without downplaying what happened or pretending like it had some mystical or uplifting purpose that Susie needed to discover in order to move on with her (after)life.

One of the few criticisms I have of this tale has to do with Susie’s multiple attempts to accept what had happened to her. The plot went into a lot of detail about her resistance to this idea early on, but it wasn’t quite as thorough in later chapters once her siblings grew up and began to find their own sense of peace. I can’t say much else about this without giving away spoilers, but the ending would have been even better if the audience could have seen more examples of Susie’s later reactions to this topic.

Hope

The hope in this story arrived gradually. Don’t look too hard for it in the first few scenes or chapters. Just like what often happens in real life, it will take time for everyone to adjust to their new reality and for certain parts of the plot to be set into motion before you begin to realize what will await Susie and everyone who loved her.

You see, hope isn’t something you get one dose of and then are set for life. There’s nothing delicate or whimsical about this emotion.  It also won’t magically appear and make every problem in your life disappear in a puff of smoke. (If only life worked that way!)

To see the true effects of hope over a long period of time, one often has to look at the longterm evolution of a person, memory, idea, or wish. What will happen to this individual in ten years? How does someone live with decades of unanswered questions? What might be waiting for you on the other side of unimaginable grief?

The beauty of this tale comes in how it defines and describes this concept for people who aren’t interested in pat answers or ignoring the types of pain that make hope so meaningful for those who seek it.

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