Category Archives: Science Fiction and Fantasy

July 19, 2018 · 1:00 am

A Spoiler-Free Review of Season 2 of The Handmaid’s Tale

Those of you who have been following me on Twitter these past few months have no doubt noticed my occasional tweets about the latest episode of The Handmaid’s Tale. This year I decided to combine all of my thoughts on this show into one long post instead of blogging about each episode individually.

The cast of characters for this show is large. As you scroll through my review, you’ll see photos and names of most of them. I did leave out some minor characters in order to avoid giving away spoilers for later developments in this season, but I included nearly everyone who appeared at least semi-regularly in the plot.

There was only one exception for the spoiler-free rule, and it is something I’ll briefly mention in the section underneath Commander Waterford’s picture. I felt the need to include that sentence because the storyline does involve some common topics that some people find triggering.

 

Elizabeth Moss as June/Offred.

 

When season one of this show ended last year, Offred discovered she was pregnant shortly before being lead out of the Waterford’s home and into one of the vans that was owned by the Eyes, the government-authorized spies in Gilead. Whether the van was meant to deliver her to a life of freedom in Canada or take her someplace else entirely was left to be seen.

The pursuit – and loss – of freedom was one of the major recurring themes in season two of The Handmaid’s Tale. As a member of a totalitarian society who only valued her for her reproductive capabilities, Offred should have been resigned to the loss of her husband, daughter, and freedom by now.

She wasn’t.

 

Yvonne Strahovski as Serena Joy Waterford.

 

Life as a Handmaid in general or with the Waterfords specifically had never been pleasant for Offred.

Since Offred had done it once before, the Waterfords held high hopes that her latest pregnancy would have an equally happy ending. I had strong opinions about the most likely outcome of this pregnancy when season two began.

Offred had something that Serena Joy desperately craved: the ability to conceive and bear a healthy child. The jealousy in this household was palpable, and it only grew stronger as the season progressed. As someone who has never felt the urge to be anyone’s mother, I appreciated the fact that the storyline spent so much time exploring what it means to be a parent and what it feels like when someone is stripped of the ability to decide when, whether, with whom, or how often to reproduce.

While being biologically related to a child can be part of parenthood, this theme was much more complex than who shared DNA with each other. I’d be wandering into spoiler territory if I said much else about this idea, but do pay close attention to how all of the characters on this show react to children and the concept of being a parent in general.

Joseph Fiennes as Commander Waterford.

 

Speaking of Commander Waterford, I liked the fact that this season spent so much time exploring how a man who claimed to be doing God’s work could authorize so many things that no loving deity would ever command anyone to do. He was also one of the least paternal characters I’ve ever known.

If you need a trigger warning for rape or abuse, know that these are two of the many horrible things this character does in the second season. This is all I will say on this topic, but I would be happy to privately go into more detail for anyone who needs to know what to expect ahead of time.

The thought of Commander Waterford possibly raising a baby was a frightening as it was bizarre. He seemed to have no interest in children outside of their ability to elevate his status in society, and that’s never a good reason for anyone to have a child.

The tension between the wholesome image this character wanted to project to his neighbours and who he genuinely was when the doors were closed was as frightening as it was thought-provoking. Anyone might notice slight discrepancies between who they would ideally like to be and who they actually were, but when the gap between the two is this gigantic it becomes impossible to ignore.

Amanda Brugel (left) as Martha.

 

This is even more true for people who interacted with Commander Waterford on a daily basis.

I appreciated the fact that Martha, the cook/housekeeper, was given extra screen time in season two. Her character shared enough tidbits in season one from her previous life  – including the fact that she had a son who died in the civil war – that I was hoping we’d learn more about what sort of person she was.

As is often the case with secondary characters in this series, I didn’t get as many details about Martha as I would have liked to receive. There simply wasn’t enough time to tell me everything I wanted to know about this character, but my appetite has been whetted for more. I hope she gets even more attention in season three.

 

Max Minghella as Nick.

 

Nick, the Waterford’s driver, Guardian (bodyguard), and biological father of June’s baby, did get his fair share of development, however. Based on the way he behaved in season one, I was not at all prepared for what would happen to him in season two. It was really nice to dive into this character’s point of view so deeply, especially once certain things began happening that he hadn’t planned for or desired.

Honestly, he wasn’t someone I liked or trusted all the much in the first season. Throwing Nick into situations he found unnerving was the best possible thing that could have happened to him. I learned so much about his moral code and what  he wanted out of life based on his reactions to all of the life changes that Gilead thrust upon him.

Yes, I know I’m being quite vague in this section. It’s something I’m doing on purpose in order to avoid sharing a major plot twist from one of the early episodes of season two. Just know that Nick’s life is about to be turned upside down in season two if you’ve just begun watching it.

Ann Dowd as Aunt Lydia.

Aunt Lydia was as insufferable as ever.

When I first met her in season one, I couldn’t tell if this character was a true believer in the unbearably strict religious mores of Gilead or if she’d always been a sadist. The things she did to the handmaids she trained and kept in line were disturbing on a good day.

When she felt threatened or like her handmaid’s weren’t being obedient, Aunt Lydia was quick to slide past disturbing and into much darker corners of the human mind. I can’t imagine mistreating anyone the way she did, so it was hard to understand where she was coming from.

Other than Martha, Aunt Lydia is the character I’d like to see fleshed out the most in season three. The audience had so little information about what makes this villain tick that her violent choices only lowered my opinion of her more this season.

 

Alexis Bledel as Emily/Ofglen.

 

Offred wasn’t the only Handmaid in this society. Some of the most memorable scenes this year explored the fates of the other Handmaids in Gilead. None of them could be said to be having a positive experience, but certain ones were treated worse than others.

Emily/Ofglen’s fate was of particular interest to me due to how much I could relate to her as a fellow member of the LGBT community and lover of knowledge. In a slightly different set of circumstances, I could have easily walked a mile in her shoes. That’s frightening.

Madeline Brewer as Janine/Ofwarren.

 

Janine was another Handmaid whose storyline was developed nicely in season two. Once again, I can’t say a great deal about her life with giving away spoilers, but I did find it interesting to see how someone as fragile and emotionally unwell as this character has managed to stay alive in a society where either of those “flaws” could so easily lead to a quick death for anyone unlucky enough to develop them.

O.T. Fagbenle as Luke, June’s husband.

One of the things that first pulled me into this book before it became a TV series was June’s relationship with her husband.

The Luke in the book annoyed me in the beginning due to his unwillingness to empathize with June’s fears about living in a society where women were so quickly losing their rights and his stubborn determination to ignore every red flag until it was too late for him to get his family out of the country safely. I didn’t blame him for failing to understand what it’s like to be a woman. However, I did blame him for refusing to take his wife seriously when she opened up to him about how women were really being treated.

Getting to know a little more about the assumptions Luke made about others helped me to understand why he messed up so terribly in the beginning. I still wish he’d listened to his wife the first time she shared her concerns with him, though!

Jordana Blake (left) as Hannah Bankole, daughter of June and Luke.

 

There is very little I can say about Hannah without giving away spoilers, but her emotional bond with both of her parents has been a beautiful part of the plot since the first scene of season one. June’s second pregnancy was made even more poignant because she’d already had years of parenting experience under her belt. She knew exactly what it was she was going to be giving up after her pregnancy ended and she was moved on to the next childless household.

Samira Wiley as Moira.

 

I do wish Moira had been given more opportunities to shine in season two. We got to know her so well in the first season that I would have relished the opportunity to see how she was adjusting to life outside of Gilead after her daring escape at the end of season one.

Only time will tell if season three dig more deeply into the lives of Moira, Martha, and Aunt Lydia.

If you’re a fellow fan of The Handmaid’s Tale, what did you enjoy the most about season two?

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July 16, 2018 · 1:00 am

What to Read When It’s Hot Outside

Last winter I shared a list of books that I’d recommend checking out when it’s cold outside. All of them were set during the winter because sometimes I like to match the settings in the stories I read to what the weather in Ontario is like at that a particular time of the year.

Now it’s the middle of July.  Instead of having a high temperature of -25 C (-13 F) like we did when I published that post last January, it’s supposed to feel like 40 C (104 F) today including the humidex. I’m lucky enough to have air conditioning, but our home air conditioner does have some trouble keeping up when the weather grows that hot and humid.

Luckily, there’s something about leaping into a good book that helps me forget even the strongest heat wave.

My summer reading preferences tend to veer off into two different directions. I either want to read serious classic literature or lighthearted beach reads that don’t require much analyzing at all. (So much depends on exactly how humid it is outside and how well my brain cells are swimming around in my skull. Ha!)

I have no idea why my brain has made the connection between these two types of stories and summer. All I know is that these were the sections of our local public library I’d often visit first after school let out and I needed something to occupy my time for a few months.

Summer Sisters by Judy Blume

Summer Sisters was the first Judy Blume tale I read that wasn’t meant for kids. I stumbled across it a couple of decades before I reached the target age range, but I still loved the idea of making a childhood friend who remained with you throughout your life.

My family moved around a lot when I was growing up. The friends I made once we finally settled down for good turned out not to be people I had anything in common with at all in adulthood. This gives me a soft spot for people who were able to maintain their childhood friendships twenty, forty, or even sixty years later. It must be incredible to have such a long, rich history with someone like that.

Fried Green Tomatoes at the Whistle Stop Cafe by Fannie Flagg

The first thing I’m going to tell you about this book is that you should never try to fry green tomatoes. My one and only attempt at making this dish did not end deliciously. Fried tomatoes have such an odd texture that I don’t ever want to taste them again.

The storyline itself was well done, though. It was about an unlikely friendship between a sad, middle-aged woman named Evelyn and Mrs. Threadgoode, a lonely nursing home resident. As they got to know each other better, Mrs. Threadgoode began telling Evelyn a complicated story about two friends who grew up together and ran a restaurant in Whistle Stop, Alabama that served coffee and occasionally might have been the scene of a violent crime or two.

Summer makes me feel nostalgic, so reading about what life was like from roughly the early 1900s to the1940s tickled my imagination.

 

Tuck Everlasting by Natalie Babbitt

Some middle grade books can be just as appealing to adults as they are to their intended audience. If you ask me, this is one of them.

Winnie, the main character, had to decide whether or not to drink water from a spring that had the power to make someone immortal. I loved the descriptions of the water in that spring, especially since Winnie visited it during an uncomfortably warm portion of the year from what I can recall. There’s nothing as refreshing as a glass of cold water on a hot summer day, although I don’t know that I’d be interested in living forever.

 

My Sister’s Keeper by Jodi Picoult

Okay, so technically My Sister’s Keeper wasn’t set during the summer. I first read it during such a hot and humid portion of this season that it still feels like a summer read to me.

The dilemma the characters dealt with was one that I thought could have been solved much more quickly than it was. Anna was a young girl who had been conceived specifically to be a donor for an older sibling who had leukaemia. She’s endured numerous medical procedures over the years in order to keep her sister alive, and by the time she turned eleven she’d had enough.

I formed my opinion on the ethics of this (fictional) case almost immediately. That didn’t mean I was any less interested in seeing if Anna could become legally emancipated from her family or what would happen to her sister after Anna was no longer forced to give away parts of her body to her sibling.

As I Lay Dying by William Faulkner

To be perfectly honest with you, I am not a huge fan of Faulkner’s writing style. His descriptions remind me of a few people I know who will take ten minutes to recount a story that could have easily been shared in one or two. My patience for that sort of thing is limited to days when I have all the time in the world to read (or listen) and don’t mind getting lost in a long description of what someone’s wagon looked like before the narrator eventually sees fit to tell me who is riding in that wagon and where they’re going.

Without giving away any spoilers, the journey on said wagon was a deeply emotional one. I simply need to be in the right frame of mind in order to properly enjoy it (and to keep the 15 narrators straight in my mind!)

 

A Midsummer Night’s Dream by William Shakespeare

As someone who had mixed feelings about Romeo and Juliet, I sure wasn’t expecting to enjoy A Midsummer Night’s Dream like I did. There’s something about a warm summer night that makes falling in love – or, in some cases, lust – just a little more appealing than it would be at other times of the year.

If possible, I highly recommend watching this play outdoors on a warm evening. I was lucky enough to do that once, and it made the storyline come alive for me. There was something about feeling the humid air against my skin and hearing crickets chirping in the distance that made me feel like I’d been transported hundreds of years ago to when this story was first performed.

 

To Kill a Mockingbird by Harper Lee

Yes, I know I’ve talked about this book several times before in previous posts. One of the things I liked most about the earliest scenes were their descriptions of what summer was like in the 1930s before air conditioning was invented. This was a very small part of the plot, of course, but people back then came up with all sorts of inexpensive and inventive ways to remain as cool as possible. I enjoyed reading about their solutions, and they made me very grateful to live in a world where air conditioning exists.

 

The Bluest Eye by Toni Morrison

 Not only is The Bluest Eye set during the summer, I first read it over summer vacation as well. The sharp contrast between the warm setting and the cold descriptions of a young girl who had endured terrible abuse made me very curious to see how it ended. This book does include descriptions of the after-effects of rape, so reader be warned.

Do your reading preferences shift from one season to the next? What genres do you like to read during the hottest part of the year where you live?

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July 12, 2018 · 1:00 am

Hopeful Science Fiction: Woman on the Edge of Time

Last month, I blogged about my desire to step back from the dystopian genre and read hopeful science fiction instead.

The rules were simple. I didn’t require a story to start out in a hopeful or happy place, but I did want to read scifi that ended that way.

Since then, I’ve started to compile a list of books that fit this description. I’ll be talking about one of them today and plan to gradually blog about the rest in the future. If you have recommendations for this series, I’d sure like to hear them. Leave a comment below or send me message about it on Twitter.

Woman on the Edge of Time

Marge Piercy’s Woman on the Edge of Time was first published in 1976. It was about Consuelo Ramos, a woman whose life had been forever changed by poverty, mental illness, prejudice, and violence.

Nothing I’m about to say is a spoiler. All of it was mentioned in the blurb for this book, and there are many plots twists and important details from later chapters that I’ll leave up to you to discover for yourselves.

I should warn you that the beginning of this book was filled with a great deal of pain. Consuelo’s life had been incredibly difficult for many years before the audience met her. She’d made choices that seriously harmed other people, and she’d been on the receiving end of other people’s terrible decisions as well. There were times when it read much more like a dystopia than anything else before the plot veered into other directions.

If you press forward through the dark beginning, though, you’ll begin to see what I’m talking about when I refer to this as a piece of hopeful science fiction.

Shortly before involuntarily committed to a psychiatric hospital early on in this story, Consuelo began telepathically communicating with Luciente, a person who was living in an utopian society in 2137.

As their unlikely friendship blossomed, Consuelo eventually travelled through time to visit Luciente and see how people lived in the 2100s. It was like nothing Consuelo had ever seen before.

In Luciente’s world, there was no poverty, racism, sexism, or violence. No one ever went hungry or was denied urgent medical treatment due to their lack of ability to pay for it. Everyone was given the opportunity to chart the course of their own lives regardless of who they were or what they’d previously decided to do with their energy and time. As long as it didn’t harm anyone else, you could do virtually anything you desired with your time, from raising a family to making art to experimenting with new ways of growing crops.

This wasn’t the only future world Consuelo visited, however. She later saw a dystopian society where the bodies and minds of poor people were used as a commodity by the wealthy. It was the opposite of the place Luciente lived in every way you could imagine. Roles were rigidly determined by who your parents were, and there was no way to switch from one part of that society to another. A person’s time was never their own. There was always someone looking over your shoulder and telling you what you must do next.

Which Future Will Be Ours?

One of the things I enjoyed the most about this tale was how much time it spent explaining why Consuelo had been chosen to see and interact with these two very different versions of the future of humanity. She wasn’t a passive player in these trips by any means. Her presence made a difference in ways she couldn’t even begin to imagine so long as she was stuck in the psychiatric facility.

As Luciente would tell her over and over again, the decisions Consuelo made in 1976 were going to play a critical role in which version of the future came to pass. The thought of someone as socially marginalized and powerless as Consuelo actually being the key to changing the fate of the entire world tickled my imagination. I’ve almost never seen anything like it before.

Most science fiction and fantasy heroes that I’ve read about have had at least a few advantages in life, whether it’s through being born with special powers or being apprenticed to someone who could teach them the skills they needed to defeat even their most powerful enemies.

The fact that Consuelo was expected to save the world without any magical abilities, mystical objects, all-knowing mentors, trusty sidekicks, or any other real sources of help in her battle made it impossible for me to stop reading. I had to know which version of the future would come to pass and if Consuelo would be able to improve the circumstances of her own life in the 1970s as well.

Hope Is the Thing with Feathers

With apologies to Emily Dickinson, I loved this story’s approach to the concept of hope.

When I first began researching possibilities for this series, I wondered how easy it would be to find hopeful examples in a genre that has so often assumed the worst case scenario is the one worth writing and thinking about. The dystopian sub-genre has become so popular these days that I knew I’d have to do some digging to find characters who didn’t live in that kind of world.

Since I’m also not the kind of reader who usually seeks out tales that attempt to be hopeful by brushing over – or even simply ignoring-  difficult topics like racism and sexism, my other concern was that I’d be left with stories that were hopeful only for readers who were able to suspend their disbelief and enter an imaginary world where no one ever dealt with serious, real world issues.

The beautiful thing about Woman on the Edge of Time was how it found hope even in the midst of all of the prejudice Consuelo fought against during her life. Her determination to radically improve the future for the sake of every person who had been or will be born was rooted in part in her hope that all forms of bigotry could be vanquished for good if she made the right decisions.

Final Notes

There are so many other things I want to say about this book, but I don’t want to give away spoilers about it for anyone who hasn’t read it before. If you have read it, I’d be happy to discuss it in much greater detail somewhere other than the comment section of this post.

Do keep in mind that this tale has many twists and turns along the way to the final scene. It’s not something I’d recommend to anyone who needs to avoid any references at all to complex topics like abuse or how destructive habits can be passed down from one generation to the next. Consuelo and many of the other characters had many difficult experiences in their lives. This wasn’t the sort of universe where someone swoops in and saves the good guys in the nick of time before anything terrible happened to them.

These characters knew more than their fair share of pain, but all of the hope they found along the way more than made up for it in my mind.

What hopeful science fiction stories have you been reading recently?

 

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July 9, 2018 · 1:00 am

Dangerous Mutations: A Review of Annihilation

This review is spoiler-free. As always, the only time I’d share spoilers in a review would be if I needed to warn my readers about potentially triggering themes or scenes in the source material. This was one of the films I talked about wanting to watch in this post. So far, I’ve also reviewed Into the Forest from that list.

Edited on August 31, 2019 to include a link to Joy V. Spicer’s review of this film. She chose to watch and review it after reading this post. 

Annihilation is a 2018 film based on a book by the same name by Jeff VanderMeer. It’s about five military scientists who travel into the heart of a rapidly-expanding anomaly called “The Shimmer” in order to discover what caused it and why every other team of explorers who had been sent into it had disappeared without a trace.

There were a large enough group of characters that I feel the need to introduce all of them in some detail before diving into my thoughts on the story itself. I’m discussing everyone in the past tense in order to avoid accidentally giving away any hints about what happened to them or who may or may not have made it to the final scene.

 

The Characters

Natalie Portman as Lena.

 

Lena was a biologist, professor at Johns Hopkins, and former soldier. Her husband, Sergeant Kane, had disappeared on a top secret mission about a year before the events of this story took place, and she was still overcome with grief over her loss due to the fact that the military refused to tell her anything about where he’d been or what might have caused him to go missing.

She was a brave person who knew how to react quickly and appropriately in a crisis. Most of the scenes in this film were shown from her perspective.

 

Gina Rodriguez as Anya Thorensen.

 

Gina was a paramedic from Chicago.

She was an intelligent and cautious person who always put safety of herself and her crew first. I also enjoyed her subtle sense of humour.

 

Jennifer Jason Leigh as Dr. Ventress.

 

Dr. Ventress, a psychologist, was the team leader of this group. She had been responsible for performing psychological evaluations of and assembling all of the previous groups that had been sent into “The Shimmer.”

She was a stubborn, serious, and determined person. Once she set her mind to accomplish a goal, no one could dissuade her from pressing forward to achieve it. At times, she did come across as ill-tempered to me because of how unwilling she was to listen to the concerns of the other women in her group when their mission started to go awry.

 

Tessa Thompson as Josie Radek.

Josie was a physicist.

She was an intelligent and trusting woman whose natural inclination was to assume the best of everyone she met. If you forced me to pick a favourite character in this story, Josie would be it. I only wish the adventure had been told from her point of view instead.

 

Tuva Novotny (in centre) as Cassie “Cass” Shepherd.

 

Cass was a  geomorphologist. Her responsibility on this mission was to test the magnetic fields around the boundary to determine why drones, cellphones, and other types of technology malfunctioned so often within “The Shimmer.”

She was a quiet and hardworking person who seemed to have no interest in drawing attention to everything she did for the group. There’s something I admire about that.

My Review

One of the biggest reasons why I was so excited to see this film had to do with the fact that it had an all-female cast. I have never watched anything in the science fiction genre that was so centred on the experiences of women in an unfamiliar and dangerous environment. At most, I would have expected to see two women in this sort of tale. It was thrilling to have an entire team of women hiking into “The Shimmer” to discover its secrets. If you’re listening, Hollywood, we need many more stories like this in the future!

The beginning of the mission.

 

The diversity of the cast only drew me into the plot more. From age to race to sexual orientation, these characters were from a wide range of backgrounds.  It was a breath of fresh air to see them working together to reach a common goal without any of these labels being a source of conflict for the plot.

The beginning was a little confusing to me due to how much it jumped around from one time period to the next without much explanation about how all of the pieces fit together.  This is the only negative thing I’ll be saying about this film, and I’m mentioning it because it’s a storytelling device that I don’t generally find appealing. The writers did an excellent job of framing all of these seemingly-disparate scenes in ways that grabbed my attention, though, and I soon decided that I simply had to know how everything fit together.

In some ways, this wasn’t necessarily a typical science fiction movie. The pacing always remained steady, but the storyline was far more interested in encouraging the audience to ask probing questions about what was really happening to the characters as they marched deeper into “The Shimmer” than it was in surprising the audience with jump scares. I loved the fact that I was expected to think instead of bracing for the next monster leaping out of the shadows.

The apprehension I felt while watching this tale grew slowly. I wasn’t as frightened as I’d normally be while watching something from the horror genre, but I was more scared than I’d typically feel in a normal science fiction environment. With that being said, I’d still hesitate to include it in the horror genre despite what I’ll say about the gore in the next section of this review. The vast majority of the plot was centred on science fiction themes instead.

“The Shimmer” was not a safe place to visit regardless of how strong one might be or how many pieces of equipment they brought in to study this phenomenon. As beautiful as this area of land was at times, it was also full of dangers that could not always be predicted or avoided. The conflict between the peaceful setting and the anything-but-peaceful things that happened in it fascinated me.

The preview at the end of this post will show you a few examples of the types of things the characters experienced once they entered “The Shimmer”. Combining the DNA of species that would normally never be combined created all sorts of living beings that have to be seen to be believed. I was fascinated by how all of this worked and how far the storytellers ran with this concept.

I can’t go into any further details about what else the characters discovered without giving away spoilers, but I will tell you that it was quite creative and like nothing I’ve ever seen before. This was one of the major reasons why I’d recommend Annihilation so highly to anyone who has the slightest interest in checking it out.

The metaphors in this story were well written. I adored the fact that it could be interpreted from so many different angles, especially since the writers didn’t feel the need to nudge the audience in any particular direction. There was material to support multiple interpretations of what “The Shimmer” could be. One of the most popular theories about what it meant isn’t actually something I thought of when while I watching it, but it made perfect sense in retrospect.

I can’t say much else about this without giving away spoilers, but I would strongly encourage everyone to pay close attention to what is happening in the plot so you can come up with your own theories before wandering around online later on to see what other people thought.

A Note on the (Brief) Gore

There were two short but graphic scenes in this film. I was glad I’d been warned about them ahead of time so I could avert my eyes once they began. As I believe I’ve mentioned in previous posts, I’ve been losing interest in violence and bloodshed in fiction this year.

I’d be happy to privately share more information about when these scenes occur with anyone who would like to watch Annihilation but who might be hesitant about the gore factor. This is something I can discuss without giving away major spoilers, although I would have to share minor ones with you.

Should You Watch It?

Yes! I would heartily recommend watching Annihilation. It was a thought-provoking film that refused to spoon-feed its audience. I loved the process of figuring out what was really happening in “The Shimmer” and coming up with my own interpretations of how certain scenes should be understood.

Annihilation is available on iTunes.

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June 14, 2018 · 1:05 am

Characters Who Would Have Made Great Dads

After publishing a similar list for characters who would have made great moms in a Saturday Seven post last month, I simply had to repeat the idea for male characters now that Father’s Day is nearly here.  If the Saturday Seven meme was still around, this is what I would have written for it for this week.

Like I said last month, in no way do I think having kids is the right decision for every person, fictional or otherwise. I’m happily childfree myself, but I still wonder how the lives of these characters would have changed if they could have become fathers.

Some of the people on this list died before they were old enough to have children. Others simply never found the right time to become a dad. All of them would have been good at it if the circumstances in their lives had been different, though.

1. Fred Weasley from the Harry Potter series.

Fred and his twin brother George provided a lot of the comic relief in J.K. Rowling’s Harry Potter stories. They were intelligent, mischievous and energetic teens who embraced the playful side of life.

While their antics irritated Professor McGonagall and many of the other adults in their lives at times, I think a grown-up version of Fred would have made an excellent father. He spent his entire lifetime soaking up every bit of joy he could find in the world.

Any child would have been lucky to grow up with such a positive role model in life, especially if they inherited his rambunctious and needed to be shown how to use that energy without annoying the more proper members of wizarding society too much.

2. Albus Dumbledore from the Harry Potter series.

Wizards in the Potterverse generally live much longer than humans do. Dumbledore seemed to spend most of his adulthood focusing on his career. I completely understand why someone would want to do that, but a small part of me does wonder what his life would have been like if he’d found a nice man to settle down with and raise a few children.

If he could protect and help to educate hundreds of teenagers at work for all of the years he was at Hogwarts, I’d like to think he’d be just as patient with a few baby wizards at home.

3. Gandalf from Lord of the Rings.

One of the things I occasionally like to do when my spouse is in a quiet mood is ask him questions about parts of classic science fiction and fantasy novels that were never really explained by the original authors.

For example, I spent lost of time talking to him about the Ents in J.R.R. Tolkien’s Lord of the Rings series this past spring and winter. Where did the Entwives go? Will the Ents ever find them again? How did Ents reproduce? When did or will the last Ent die? The more I thought about this species, the more questions I had about all of the parts of their lives that weren’t revealed by the plot.

My newest obsession with this series these days has to do with the wizards. There were so few of them that I never got a strong sense of how their society worked when they weren’t fighting against Sauron. The legends about them made them seem bigger than life. I’m not even entirely sure that a wizard could have a child if he wanted one, but I do think Gandalf would have had the patience and love needed to be a good dad if he could.

I mean, he did come to care about the hobbits quite a bit, and they were about as un-wizard-like as a mortal creature could be.

4. Bilbo Baggins from Lord of the Rings.

Unlike the wizards in this series, I do know for sure that hobbits could reproduce. They didn’t seem to do it as often as humans do on average, but I think Bilbo would have made a good dad if he’d been one of the members of his people who decided to go down that route.

He loved food, music, and dancing. Storytelling was important to him, too. I’ve never met a child who didn’t find happiness in at least one of those activities, especially if their parents raise them to enjoy the simple things in life.

Also, just think of all of the stories he could tell his children about his adventures traveling to and back from the Lonely Mountain.

5. Shepherd Book from the Firefly television show and graphic novels.

For those of you who aren’t familiar with Firefly, it followed the motley crew of a space ship whose members included a sex worker, fugitives, former soldiers from a failed revolution, and other folks who lived on the margins of society.  The cargo they shipped was often stolen or illegal.

Yet they also had a Shepherd – or what we’d call a pastor – travelling with them. He lived with people whose values were radically different from his own, and he loved them all the same.

If every father had the same sort of unconditional love and acceptance for his children, our world would be a far better place.

6. Jonas from Lois Lowry’s The Giver.

The concept of parenthood – and marriage, for that matter –  in this universe wasn’t the same as you or I think of it. Jonas was born into a highly regimented society where your spouse would be selected for you based on your personalities and interests. When a couple felt ready to become parents, they applied to a committee for a baby.

The members of this society who created the children were never the same ones who raised them. Once a year, all of the healthy babies born over the last twelve months would be given to families who had been waiting for an infant. It was a cold, efficient process that I only wish had been explained in greater detail.

Due to all of this, it came as a surprise to me to see just how paternal Jonas was as a 12-year-old boy. His family was temporarily assigned to care an infant whose fate was still up in the air, and Jonas bonded with that baby quickly.

7. Captain Picard from Star Trek: The Next Generation.

(Some of the Star Trek novels were about this character. I say that’s enough to count him on this list).

When I first started watching TNG, I wondered if Captain Picard was childfree as opposed to childless. He wasn’t the sort of person who would coo over a baby, for example, and he seemed to relish sticking to the same routine each day. His demanding but rewarding job was the focus of his life. There was precious little time for anything else.

There were a few subtle hints about this character’s regrets in life later on in the series, though. “The Inner Light” showed him experiencing 40 years of life on a planet that was about to be destroyed by a nova. His four decades of experiences there included him becoming a father and grandfather.

This was a side of Captain Picard I’d never seen before. As confused as he was by how he’d managed to slip away from his current life as the captain of the Enterprise, he genuinely loved his family. Their safety and happiness meant the world to him. It was in those scenes that I realized just how much this character would have loved to have the chance to raise a child or two of his own if he could meet the right woman who was also willing to let his career take precedence over where they lived and how often they moved.

That’s a lot to ask of someone. I understand why no one ever took him up on that offer, but I also think he would have been a doting dad if his circumstances had been different.

Which of your favourite male characters do you wish could have had the chance to be someone’s father?

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June 4, 2018 · 1:00 am

No More Dystopias: A Hopeful Science Fiction Reading Challenge

 I don’t know about you, but I’m getting pretty tired of the bleak, dystopian themes in a lot of modern science fiction.

For example, I used to be a huge fan of The Walking Dead. The idea of struggling to keep   one’s children alive in such a dangerous setting was appealing when I first began reading the original graphic novels before the television show was created.

Most previous zombie movies and novels I’d heard of had killed off their child characters pretty early on, so I was curious to see how Rick, the protagonist, and the other parents in this universe would break with this tradition.

While there were many things I enjoyed about The Walking Dead early on, the graphic, relentless violence and catastrophic loss of hope for key characters eventually lead me to stop watching and reading it. It was all too much for me.

I do read recaps of what is currently going on in that universe every so often. If it eventually ends on an uplifting note, I might even go back and catch up on everything I’ve missed.

For now, though, I need a very long break from these kinds of tales. The news is already overflowing with stories about miserable things happening to good people through no fault of their own. When I read fiction these days, I’m now looking for an escape from injustices that are never made right again.

One of my goals for 2018 is to find, read, and then eventually compile a long list of science fiction tales that end on a hopeful note. This post is the beginning of that journey, and I’m tentatively planning to write an entire series of posts on this topic as I find books, TV shows, and other forms of entertainment that belong in it.

What It Won’t Be

When I say I want hopeful science fiction, I don’t mean that I want to avoid serious or difficult subject matter altogether.

There may very well be wars, battles, or other violent scenes in the stuff I read for this series.

The beginnings could include descriptions of places that are no one’s idea of a pleasant place to live. I won’t necessarily be turned off by an opening scene that sounds dystopian so long as the narrator doesn’t dwell there for every single scene from that point until the end.

The good guys might not always make the right decisions. It’s okay with me if they occasionally say or do things that deeply irritate me. In fact, I strongly prefer characters who are rough around the edges as long as they’re not antiheroes.

An occasional moment of despair is completely understandable, but I don’t want to read about or watch anyone be dragged from one traumatic event or response to the next with no end in sight.

Some of the stuff I add to this list could very well include themes related to any number of different types of prejudice, from homophobia to racism to sexism.

If a key main character must die at some point to further the plot or fulfill his or her destiny, I will accept it. (See also: Harry Potter).

What It Will Be

What I will require from these books, though, is hope.

They definitely don’t have to act Pollyannaish, but the characters should have a optimistic approach to their quest or mission most of the time.

When something terrible happens, it should be written into the plot for a specific reason that will be revealed to the audience sooner rather than later.

The good guys should win in the end.

The storylines should end on a positive note.

Will You Join Me?

You might have noticed that I haven’t listed any specific titles yet here.

That was done on purpose because:

  1. I’m still researching titles that will fit my criteria, and
  2. I wanted to get reader feedback first without influencing your suggestions for me.

There are some very knowledgable and well-read people who follow this blog. If you have any suggestions of what to add to this list, will you share them?

If you’re ready for some hopeful stories, will you join me? I can’t wait to share my ideas with you as well!

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May 28, 2018 · 1:00 am

Classic Fantasy Films I’ve Never Seen

Last week I listed many of the classic science fiction films I’ve never seen. This week I’ll be sharing the fantasy films I’ve never seen.

When I was a little girl, my siblings and I weren’t allowed to read or watch most things that had to do with ghosts, witches, or magic. (C.S. Lewis’ Chronicles of Narnia series was one of the exceptions to this).

This rule was created for religious reasons, and our parents eventually changed their minds on that topic.  I’m just glad that they realized that stories about magic aren’t actually harmful before the Harry Potter series came out!

Generally, I’m more interested in the science fiction genre than I am fantasy, so I haven’t felt the urge to watch as many of the old fantasy flicks as I did the scifi ones. Maybe someday I will go through this list and check it out after I’ve finished my current to-watch list, though.

It’s always kind of funny when someone makes a reference to a well-known fantasy tale and I have no earthly idea what they’re talking about. This is even more true when they’re about the same age as me and assume that everyone grew up watching that stuff.

Just like I did last week, I’ll be including the year a film was published if I know that story has since been retold.

  • TIme Bandits
  • Lost Horizon
  • The Purple Rose of Cairo
  • Orlando
  • The NeverEnding Story
  • Big
  • Conan the Barbarian
  • Willow
  • Princess Mononoke
  • Jason and the Argonauts
  • Highlander
  • The Secret of Nimh
  • Ladyhawke
  • The Holy Mountain
  • The Fall
  • Clash of the Titans
  • The Adventures of Baron Munchausen
  • Wings of Desire
  • Excalibur (1981)
  • My Neighbour Toto
  • The Dark Crystal
  • Spirited Away
  • King Kong
  • Jack the Giant Slayer
  • Bridge to Terabithia
  • The Witches of Eastwick
  • Hook
  • The City of Lost Children
  • The Frighteners
  • Life of Brian (and most other Monty Python films!)
  • Life of Pi

What classic fantasy films have you never seen? Were you allowed to read and watch stories that referenced magic when you were a kid? I know my childhood was a little out of the ordinary in certain ways, so I try not to assume that everyone has had the same experiences in life.

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May 24, 2018 · 1:00 am

Classic Science Fiction Films I’ve Never Seen

When I was a kid, my family didn’t own a television at all for a few years there. There were other parts of my childhood when we owned a TV but didn’t have cable. The handful of channels that we could watch for free during those years almost never had science fiction reruns or content of any kind, although I did eagerly watch it whenever I could find it.

We also rarely went to the movie theatre until I was well into my teens, so I hadn’t seen a lot of well-known films in general by the time I grew up.

I’ve caught up on many of the science fiction classics since then, but there are still quite a few of them that I haven’t gotten around to checking out yet.

Today I’m going to be listing as many of the ones I haven’t seen as I can think of. Some of them have since been remade, so I’m including the year they came originally came out if there’s a newer version of it that I recognized. Often there are so many changes from the original to the remake that it’s almost as though we’re talking about two separate franchises.

Next week, I’ll be publishing a similar post about fantasy films. The lists for both categories were so long that I thought they each deserved their own post.

Will I ever watch the shows on this list? I have no idea! My current to-watch list is so long that for now I’m going to continue focusing on more modern films, but it might be fun to catch up on the old ones someday as well.

  • The Thing
  • Westworld (1973)
  • Robocop
  • The Abyss (1989)
  • Thx1138
  • Moon
  • A Clockwork Orange
  • Ghost in the Shell
  • Invasion of the Body Snatchers
  • Brazil
  • Close Encounters of the Third Kind (1977)
  • Mad Max
  • Solaris
  • The Day the Earth Stood Still
  • Forbidden Planet
  • 2001: A Space Odyssey
  • How to Train Your Dragon
  • Metropolis (1927)
  • The Day the Earth Stood Still (1951)
  • Frankenstein (1931)
  • King Kong (1933)
  • 2010
  • Fantasia
  • The Andromeda Strain (1971)
  • Flash Gordon
  • Logan’s Run (1976)
  • Dune
  • Soylent Green
  • Stalker

I was going to add the Alien and Predator series to this list, too, but I can’t remember for sure if I’ve seen any of them or not. They’re so well-known in pop culture that I know their basic plots even though I don’t know which of the films in either of these series I’ve actually seen.

What classic science fiction films have you never seen? On a humorous note, which classic science fiction films can you not remember if you’ve watched but know a few things about anyway?

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May 21, 2018 · 1:00 am

A Dangerous Shortcut: A Review of The Ritual

Arsher Ali as Phil, Sam Troughton as Dom, Rafe Spall as Luke and Robert-James Collier as Hutch.

The Ritual is a British horror film based on Adam Nevill’s book by the same name. It was released on October 12, 2017 by Netflix.

This review is spoiler-free. As always, the only time I share spoilers about a movie or tv show on my site would be if I needed to warn my readers about potentially triggering material in it. There was nothing like that in this film.

The premise of The Ritual is a simple one. After losing an old university friend to a random act of violence, Phil, Dom, Luke, and Hutch went hiking and camping in a remote corner of Sweden to spend time together and honour the memory of their deceased friend.

About a day into their trip, Dom tripped and accidentally injured his knee. The group still had many kilometres to go through the mountains on their hike, and none of their cellphones could get a signal in such a remote location. The four characters decided to take a shortcut through the woods so that he could rest and get proper medical attention as soon as possible due to these factors.

A violent thunderstorm began soon after they entered the woods, so the characters sought refuge in an abandoned cabin for the night despite their deeply uneasy feelings about the property. They broke up a piece of the house to start a fire, and then settled down for a good night’s rest before hopefully continuing their journey in the morning.

As they were about to discover, they should have listened to those feelings. The cabin wasn’t abandoned after all, and the person/entity/thing who lived there wasn’t pleased by their trespassing at all. (I must be purposefully vague on this point in order to avoid giving you too many hints about who or what these characters angered).

The Characters

My main criticism of this film has to do with how similar all four of the characters were. Phil, Dom, Luke, and Hutch all had fairly outgoing, sarcastic, and jovial personalities that tended to blend into one another.

There also wasn’t a lot of information given about their backstories.  What were their occupations? Were they married or otherwise in longterm relationships? If they weren’t single, were their partners men or women? Did they have kids? The references to their adult lives were so sparse that I still don’t know the answers to these questions for all four of the main characters in this storyline. As nice as it was to have some of these questions answered for some of them, I thought it was odd that such basic information wasn’t provided for everyone.

I had a difficult time thinking of them as individuals because of this. While I’d certainly expect such a tight-knit group of old friends to share many common interests, it would have been nice to have more character development before the plot picked up so that I could remember who was who when they did make rare references to their personal lives. Sharing details about who they shared their lives with and what occupations they had would have gone a long way to separating these characters in my mind.

There’s nothing wrong with a plot-driven storyline, but I do think this one would have been even better if it had taken more time to show who the characters were before putting them into terrible danger.

The Antagonist

There isn’t much I can say about the antagonist without giving away major spoilers, but I was much happier with how this portion of the plot was handled.

The backstory was well-developed and fit into the storyline nicely. I especially liked the fact that it took the characters as long as they did to learn anything at all about what was lurking in the woods. This wasn’t a case of characters knowing in advance that a particular spot had a bad reputation and deciding to explore it anyway.

They had no idea what they were about to stumble into after the thunderstorm began, and that made the later events of the plot even more exciting than they would have otherwise been. It also provided plausible deniability for why they didn’t immediately leave the cabin they were staying in the first time something frightening happened in it.

In my opinion, horror movies are most enjoyable when the characters genuinely had no idea what they were getting into before the first bizarre things happens to them.

The Horror

One of the things I always want to know before I watch something from this genre is what sort of horror we’re talking about.

Is the plot gory? Does the fear the characters and audience feel mostly come from anticipation, or will we actually see whatever it is that seems to be roaming around in the woods and hunting them down? Do the characters react sensibly the first time they sense something is horribly wrong?

Once again, I’m dancing around spoilers here, so bear with me if I don’t fully answer all of your questions.

The first thing I’d say about the plot is that it is firmly planted in the horror genre. If you love being scared, there are plenty of spine-chilling scenes to come when you begin watching The Ritual. I had to watch a couple of scenes from the corner of my eye because of how scared I was for the characters in them.

As far as the gore goes, it definitely existed. This isn’t something I’d recommend to people who have a phobia of blood or gore even though the scenes that included those things were only a small part of the storyline overall.

I don’t like slasher movies, and this wasn’t one of them. The build up to the moment the characters realize the cabin they’ve broken into had never been abandoned at all was handled nicely. Honestly, the storyline was just as much about that moment as it was about everything that happened afterwards.

This isn’t the sort of tale that has any sort of profound messages about death, grief, or friendship woven into it. I’m not criticizing it by saying that, either. Not everything in life needs to be deep in order to be enjoyable. This is a classic horror film in every way, and the characters fit into that genre beautifully.

Should You Watch It?

If you love the horror genre and are in the mood for a satisfying scare, I would recommend this film.

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May 17, 2018 · 1:00 am

My Response to Pocket Dimension

My friend, Michael, recently posted a writing prompt about pocket dimensions. I thought it would be fun to answer his questions in the form of a blog post.

Congratulations! You have your own little world. Not just your imagination – this is a physical reality, and you can step into it at will. Maybe it’s a pocket dimension, or your own private little corner of the Fay Realms. Whatever it is, it’s yours. So…

1. What does your realm look like? Is it indoors? Outdoors? A cottage on a deserted shore? A crumbling castle at the heart of a dark forest? A broad lake with a waterfall at one end and beaches around three sides? Something else entirely?

My pocket dimension is indoors. It’s located in the library of a grand, old house that is magically well-insulated. The house is cool in the summer, warm in the winter, never dusty, and always a comfortable place to visit.

The library itself has a large fireplace on one end and floor-to-ceiling windows on the other. The wood floors have been recently swept, and all of the books are arranged neatly according to the Dewey Decimal system. Many of them are about topics humans would recognize, albeit from a strictly faery perspective instead of from a human one. Let’s just say that they weren’t a fan of the Iron Age at all.

With that being said, some of the books aren’t like anything you’d find on Earth. Some of the books have mouths and will have long conversations with you if you ask them the right questions. Others teach you how to fly as you read them, share alternate histories of Earth if one key fact had changed at a particular time and place, and a few might even be portals to other places entirely if you flip to the correct page of the right story and read it’s contents aloud.

There is a washroom and well-stocked kitchen off to either side of the library for anyone who needs them while they’re visiting. I often grab a piece of fruit and cup of tea before I begin reading.

2. Do you keep it to yourself, give a few friends access to it as well, or open it to anybody?

The library is open to anyone I trust who loves knowledge and adventure. They are free to visit it with or without me at any time of the day or night.

3. Does your realm have its own inhabitants? What are they like? Do you ever bring them across to our world?

The house is owned and maintained by faeries, but you might never run into one. They’re quite shy around most humans. Even I have only met one of them, and even that was the briefest encounter you can possibly imagine. She nodded slightly at me, cracked open the door to the library, and then never showed herself again.

I wouldn’t be strong enough to bring one of the faeries back to Earth with me even if I spotted another one and wanted to show them our world. They do whatever it is they want to do, and that’s all there is to it.

4. Does entering your personal world change you? Do you dress differently, speak differently? Are you someone else when you’re there?

You cannot enter the faery library if you’re carrying anything like iron that would hurt the faeries or if you’re harbouring any thoughts about harming them, the house, or anyone else in it. Other than that, you may speak, dress, and behave as you wish.

5. Is time the same in your realm as it is out here? Is there a steady differential, like three days there pass in only an hour of our time? Or is it stranger than that?

Time is different in the faery house. A few hours of reading there generally translates into a few minutes of time in our world, but this isn’t a straightforward rule. As with everything related to faeries, they can’t be forced to follow human rules. Anyone who wishes to visit their library should remember that and prepare for the small possibility of returning much sooner or later than they were expecting.

6. How do you get to your world? Do you have to visit a specific place? Speak a certain phrase? Or is it just a matter of will and desire?

It’s a matter of will and desire. If you wish to read in a quiet, comfortable place, have no ill intentions, and have satisfied whatever nebulous criteria the faeries have for this oasis, you stand a good chance of finding a door to this place.

How would you answer these questions? What would your pocket dimension be like?

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