A ghost from the past. A chance meeting in the present. A terrifying séance. Charlotte Stanton’s perfect married life is turned upside down when a secret love she buried long ago hauntingly returns. Still the question remains: are the supernatural events intruding upon Charlotte’s life happening only in her mind? Is she heading down a path toward madness? Set in Boston’s Gilded Age and accompanied by period drawings and silhouettes, LOVE’S REFRAIN explores one woman’s search for love, and the power of the past to emancipate the present.
It’s never too late to make things right.
Charlotte stirred up so many different emotions in me. Sometimes I felt endless empathy for her, while in other scenes I shook my head in frustration at how naive and sheltered she was. Surely the average adult would have figured out some of the stuff that she found so confusing much faster than she did! With that being said, I appreciated how nuanced her personality was, and I’d much rather read about a realistically flawed character than someone who always made the right decision. The more I got to know her, the more I liked her. If the author ever writes a sequel, I’d sure like to follow along on more of her journey.
I would have loved to see more details included in this story. For example, we never learned how Charlotte met her husband or what killed the ghost who was haunting Charlotte. That cause of death could have been a good way to get to know the deceased and explain why she was so attached to the protagonist. I also had some questions about the ending as far as the practicalities of life Charlotte would need to face after the final scene was wrapped up. While I can’t go into detail about that without giving away spoilers, it was yet another moment in this tale when having more details would have made the storyline richer in my opinion.
Spiritualism is one of those topics that I don’t think is discussed enough in fiction, especially in paranormal stories set in the late 1800s. I was pleased to see how much attention it received here. Whether you already know a lot about this movement or nothing at all, don’t worry. The most important details will be spelled out clearly, and everything else will be a happy bonus for those of us who do have preexisting knowledge of it. Some of the most interesting scenes were the ones that explored the various responses to the spiritualist movement from different portions of society. Many different points of view were represented, and I thought the author did a good job of showing why so many people were drawn to it and what they hoped to get out of speaking to their dead loved ones.
Love’s Refrain – a Victorian Ghost Story made me smile.
Just what might a gambler give up, to go on the winning streak of his life? Even he can’t know for sure. Christopher Marlowe’s Doctor Faustus legend is given a Damon Runyon spin, in this short story.
Content warning: Gambling and gambling addiction. I will be discussing them in my review.
Every gambler is bound to run out of luck eventually, right?
By far my favourite type of horror is psychological horror. I was quite pleased with how Mr. Olausen frightened his audience without spilling a single drop of blood or so much as hinting at anything gory. He knew exactly what hints to drop for us that made us deliciously dread the next scene simply by throwing out hints about who or what the dark horse might actually represent. This is the kind of stuff I love getting scared by, especially as Halloween approaches.
It would have been helpful to have more character development in this short story. While I certainly wouldn’t expect to see as much time spent on this as I would for a full-length novel, I did have trouble connecting to the main characters due to how little I knew about them and how much their personalities seemed to remain the same no matter what happened to them. If not for this issue, I would have felt comfortable choosing a much higher rating as the plot itself was well done.
I must admit to not knowing much about gambling at all, so I appreciated the brief explanations the narrator shared about how placing bets works and why some people have so much trouble walking away from a bet. While I will leave it up to experts on these topics to say how accurate everything was, I did enjoy learning more about the main character’s addiction and what he hoped to gain from betting on just one more game or race. It gave me a stronger sense of empathy for folks in his position.
A Dark Horse – A Gothic Tale was a deliciously chilling story for the Halloween season and beyond.
The Others is a 2001 gothic paranormal suspense film written, directed, and scored by Alejandro Amenábar about a woman named Grace who was raising her two young children alone in a crumbling, old mansion in Jersey while her husband was away fighting in World War II.
After all of her servants mysteriously disappeared, she slowly realized that their beloved home may be haunted by something truly dangerous.
Both Anne and Nicholas suffered from a rare inherited illness called xeroderma pigmentosum that caused severe photosensitivity. That is to say, neither of them were medically able to be exposed to any amount of sunlight without suffering serious and possibly permanent side effects from it.
This family lived in a house shrouded in darkness not only emotionally but physically as well. Grace covered all of the windows with thick, light blocking curtains to ensure that not a single ray of sunlight damaged their small, fragile bodies.
I strongly recommend sticking to spoiler-free content like this before watching this film. There are major spoilers about it floating elsewhere on the web that can ruin the ending if you’re not careful.
The one exception to this is for viewers who are sensitive to sad stories about children. If this is you, please research this thoroughly or ask me about it privately before diving into it. That’s all I can say publicly without wandering into spoiler territory.
One final note in this introduction: I decided to review The Others now because as of a few months ago there is a remake of it currently in production that is slated for release in 2022. My hope is to review the remake a few years from now and compare it to the original.
Nicole Kidman as Grace
Grace was an overwhelmed mother who was raising two medically fragile children alone during wartime. She was a devout Catholic whose desire to protect her children was only surpassed by her determination to raise them to share her beliefs no matter what.
Alakina Mann as Anne
Anne was Grace’s oldest child, an inquisitive and bright little girl. At approximately eight years old when this story occurred, she has just begun to reach the age when she was beginning to question her mother’s point of view.
James Bentley as Nicholas
Nicholas was Grace’s youngest child. He loved fairy tales and legends of all sorts, the more imaginative the better. At approximately five years old, he still had a concrete understanding of how the world worked and what his place in it should be. He believed everything his mother said without question and sometimes clashed with Anne when she talked back.
Fionnula Flanagan as Mrs. Mills
Mrs. Bertha Mills was the nanny and housekeeper hired by Grace after all of the previous servants in their home mysteriously and simultaneously disappeared. While she had a few old-fashioned notions about child rearing, she deeply cared about her charges and did everything she could to make their lives easier.
Eric Sykes (left) as Mr. Tuttle and Elaine Cassidy (centre) as Lydia.
Mr. Edmund Tuttle was the no-nonsense gardener and handyman who was hired by Grace. He preferred solving physical problems like repairing broken household items to tackling emotional issues.
Lydia was the hard-working, stoic maid. She was mute and unusually socially withdrawn. Mrs. Mills knew her best and would sometimes interpret what Lydia was attempting to communicate with her body language.
This is one of those timeless films that gets better with every rewatch. I have nothing but complimentary things to say about it!
Grace, her children, and Mrs. Mills were the characters who took up most of the screen time. I was initially surprised to see such a small cast, especially since two of them were children who knew little out of the outside world and weren’t old enough to do too much investigating on their own.
While this was a little unusual for the paranormal genre, it turned out to work perfectly for a plot about a family that was quite socially and physically isolated from the surrounding community for reasons that can only be partially explained in this review.
Given the current pandemic and all of the lockdowns it has prompted, I don’t think I need to explain to any of my readers how difficult it is to be cut off from other people for a long period of time. We all know that feeling far too well even if the vast majority of us aren’t actually living in haunted estates in rural France at the moment.
Anne was my favourite character. She was old enough to realize something had seriously gone wrong in her home, but she was still young enough to talk about things that the adults in her life were desperately trying to hush up. I loved seeing how her strong sense of justice was developing and how she reacted to the thought of shying away from the truth that was slowly being unveiled in her home no matter how many attempts there were to run away from it!
The relationships between all of the characters were complex. I must be careful about how I talk about them to avoid spoiler territory, but I had a wonderful time seeing the various sides of their personalities that were drawn out of every character depending on who they were interacting with at the time. These ever-changing circumstances made Grace and Anne feel especially well-rounded because of how often the audience was able to get to know them in completely new ways as their story was revealed.
Without diving too deeply into the plot, it was also thrilling to meet characters who elicited so many different emotions in me. Sometimes Grace’s behaviour enraged me. In other scenes, I had an overwhelming sense of compassion for this emotionally fragile woman who had been thrown into circumstances that were far beyond her capabilities to handle.
This pattern was repeated with every main character. Just like us, they were complicated individuals whose personalities and characters were filled with every shade of grey imaginable. What not to like about that?
Finally, one of the things I adored the most about this film in general involved how many clues were given about what was really going on. Honestly, I missed many of them the first time I watched The Others, but they were sitting in plain sight during my next viewing. Yes, many of them were subtle, so I won’t blame any of you for overlooking them as well. The fact that they existed only made me love this story even more. There’s something amazing about thinking you’ve figured out a plot only to truly grok it the second or third time around.
I could gush about The Others for another thousand words. Do yourselves a favour and give this film a try if even a single sentence of this review piqued your interest!
England, 1917 Reeling from the death of her fiancé, Stella Marcham welcomes the opportunity to stay with her pregnant sister, Madeleine, at her imposing country mansion, Greyswick – but she arrives to discover a house of unease and her sister gripped by fear and suspicion.
Before long, strange incidents begin to trouble Stella – sobbing in the night, little footsteps on the stairs – and as events escalate, she finds herself drawn to the tragic history of the house.
Aided by a wounded war veteran, Stella sets about uncovering Greyswick’s dark and terrible secrets – secrets the dead whisper from the other side…
In the classic tradition of The Woman in Black, Anita Frank weaves a spell-binding debut of family tragedy, loss and redemption.
Content warning: Death of a child.
Some secrets refuse to stay hidden.
As the blurb and the content warning mentioned, one of the subplots of this tale involved what happened to a house in the years following the sudden death of a child there. That child’s identity and reason for death were things that were revealed much later on in the plot, so I won’t go into any detail about them here. What I will say is that this tale spent a great deal of time exploring how grief not only changes over time but can stick with someone long after their loss. The family who experienced this loss weren’t the only ones who were grieving. I loved seeing how the other subplots involving grief were interwoven with this one. Not all of them were quite as dramatic, but they worked together beautifully.
What made me give this book a 3.5 star rating was the behaviour of the characters, especially Stella. She’d been intelligent enough to qualify as a nurse in World War I, and yet she continually made choices that I struggled to understand even while knowing that she’d suffered a terribly tragedy while abroad. Her lack of common sense astounded me at times, especially when it came to how she responded to phenomena that had no rational explanation. The occasional lapse of judgement is totally understandable, but there were times when I found it hard to take the plot seriously because of how often she rushed into dangerous situations without thinking things through first. This was a flaw that was repeated with some of the other characters as well, including ones that had lived at Greyswick long enough to that there was something dangerous lurking there.
The treatment of the female characters was handled nicely. We’re still a long ways off from ending sexism, but it was much more insidious in 1917. Women from every social class dealt with it, and there were very few laws to protect them from harmful stereotypes about what they were capable of and how they should be treated if they stepped outside of a narrow range of acceptable behaviours. This isn’t something that a lot of gothic novels address, so I was pleased to see it get so much attention here even though I also cringed at the way women’s hormonal states or “feeble” minds were used as an excuse to avoid getting to the bottom of what was causing so much havoc at Greyswick. It was historically accurate, though!
Despite these issues, The Lost Ones was a deliciously chilling read that I’d recommend to anyone who loves Gothic literature or haunted houses and doesn’t mind suspending their disbelief for a while.