A Charlie Brown Thanksgiving is a 1973 animated Thanksgiving film about Charlie Brown, the famous animated character from the Peanuts comic strip by Charles M. Schulz, throwing an impromptu Thanksgiving dinner for all of his friends.
The other films in this holiday trilogy in it include A Charlie Brown Christmas from 1965 and It’s the Great Pumpkin, Charlie Brown from 1966.
They all work as standalone stories. There is no need to watch them in a specific order.
I decided to review A Charlie Brown Thanksgiving because it’s the least well known part of this trilogy. It wasn’t something I was aware of growing up even though I knew about and liked the other films.
This review won’t contain a list of characters for spoiler reasons. The run time was only 25 minutes for this film, so I don’t have a lot of wiggle room when it comes to discussing the plot without giving away what happens in it.
The premise was one of the other reasons why I wanted to review this film. I can’t imagine throwing together a Thanksgiving dinner on the same day I discovered such a thing was expected of me. Ugh!
Charlie Brown (who is pictured in the film poster above) didn’t even have the advantage of knowing how to roast a turkey or make all of the traditional side dishes for this holiday. He was a child who was just beginning to learn to make simple dishes like toast and popcorn, so his predicament was even worse than I originally assumed it would be.
I was intrigued by what a Thanksgiving dinner cooked by a kid his age would be like and if he’d figure out how to get everything warm and on the table at the same time. Seeing what that process was like for him was a great deal of fun.
One of the other unexpected twists in this film had to do with what happens when Thanksgiving doesn’t turn out the way you thought it would. That message is just as relevant now as it was nearly fifty years ago. Honestly, it’s even more relevant now in some ways than it was when it first came out!
I loved the way the filmmakers approached the concept of feeling disappointment about the holiday festivities you’d planned and how to handle that emotion.
There are so many more things I want to say about the expectation of having a “perfect” Thanksgiving…but they’ll quickly wander into spoiler territory if I’m not careful.
It was also interesting to note how the culture of Thanksgiving has evolved since 1973. The ways the characters talked about the first Thanksgiving and this holiday in general weren’t exactly the same as they’re often discussed these days, although they did remind me of how these topics were handled when I was a kid.
I wonder what kids today would think of this tale?
Do note that the preview I included below for this short film is an original one from 1973 and does include some spoilers.
Content warning: Childbirth and dark humour. I will go into detail about the latter in this review.
Addams Family Values is a 1993 fantasy comedy film about a macabre but loving family who is trying to rescue their uncle from his new girlfriend who has a dark past and may have ulterior motives for dating him.
This is the sequel to the 1991 film The Addams Family which is in turn based on the 1964 television series by the same name whose reruns were my first exposure to these delightful characters. There was a 2019 reboot of The Addams Family as well.
While I do suggest checking out this entire franchise to anyone who is intrigued by it, they can be watched in any order you choose.
Would you believe that this is also a Thanksgiving film? Yes, I’m completely serious about that. Keep reading for more information.
Anjelica Huston as Morticia Addams
Morticia was the busy, young mother of the family. She loved her children but wished she had more time to, as she put it, “seek out the dark forces.”
Raul Julia as Gomez Addams
Gomez was Morticia’s devoted husband.
Christopher Lloyd as Uncle Fester
Uncle Fester was Gomez’s loyal but lonely brother. More than anything, he dreamed of the day he’d meet someone special and start his own family.
Christina Ricci as Wednesday Addams
Wednesday was Morticia and Gomez’s first child. At approximately twelve years old, she was just beginning to show interest in things beyond the spooky hobbies that had delighted her for her entire childhood so far.
Jimmy Workman (left) as Pugsley Addams
Pugsley was Morticia and Gomez’s second child. At approximately ten years old, he delighted in surprising everyone who underestimated him.
Carol Kane (centre) as Grandmama Addams
Grandmama Addams was the mother of Gomez and Fester. She adored including her grandchildren in all of her hobbies, especially if they involved spells!
Okay, so I’m going to be perfectly honest with all of you here. I find most traditional Thanksgiving films to be a bit too sappy for my tastes. There are only so many jokes that can be made about a pet who climbs onto the counter and starts eating the turkey ten minutes before everyone was supposed to sit down for Thanksgiving dinner before the screenwriters tend to lose my interest.
One of the things I love about the Addams Family is how well they avoid excessive sentimentality. Do all of the members of this family love each other? Absolutely! But that is always tempered by the same sorts of ordinary disagreements the rest of us occasionally have with our loved ones as well as by the macabre interests of this family that peek out time after time.
The Waltons might be terribly confused if they ever moved in next door to the Addams. If you watch this, expect jokes about everything from beheadings to electrocutions. This would be a dark horror film if written slightly differently, so if there are any kids around they should be old enough to understand exactly who the Addams are and why there’s no need to cover your eyes while watching (unless you enjoy missing scenes).
This was the first reason why I decided to review this shortly before we Canadians celebrated Thanksgiving. Each family has their own unique vibe, and I think it’s important to honour that instead of expecting everyone to behave the way fictional families do on TV as long as your relationships are healthy ones. For all of their eccentricities, the Addams are always coming from a surprisingly wholesome place (as much as it would irk them to be labelled that way).
Speaking of Thanksgiving, I can’t go into much detail about how this holiday affects the plot without giving away spoilers other than to say that it most definitely does. The scenes involving this particular storyline were the funniest and most on point ones of all in my opinion. Their messages were just as relevant today as they were in the early 1990s when this came out, and they were my second big reason for wanting to review this.
The other cool thing about these references is that they don’t require prior knowledge of the history of Thanksgiving in the United States. Anyone who didn’t grow up hearing stories about how Pilgrims at the Plymouth colony and Native Americans who lived nearby gathered together for a harvest meal in the autumn of 1621 will learn everything they need to know about the mythology and reality of that tradition by seeing how the characters react to it. No history books needed (unless you’re like me and enjoy that stuff!)
If you need something amusing to watch during the holiday season, I definitely recommend checking out Addams Family Values.
The Others is a 2001 gothic paranormal suspense film written, directed, and scored by Alejandro Amenábar about a woman named Grace who was raising her two young children alone in a crumbling, old mansion in Jersey while her husband was away fighting in World War II.
After all of her servants mysteriously disappeared, she slowly realized that their beloved home may be haunted by something truly dangerous.
Both Anne and Nicholas suffered from a rare inherited illness called xeroderma pigmentosum that caused severe photosensitivity. That is to say, neither of them were medically able to be exposed to any amount of sunlight without suffering serious and possibly permanent side effects from it.
This family lived in a house shrouded in darkness not only emotionally but physically as well. Grace covered all of the windows with thick, light blocking curtains to ensure that not a single ray of sunlight damaged their small, fragile bodies.
I strongly recommend sticking to spoiler-free content like this before watching this film. There are major spoilers about it floating elsewhere on the web that can ruin the ending if you’re not careful.
The one exception to this is for viewers who are sensitive to sad stories about children. If this is you, please research this thoroughly or ask me about it privately before diving into it. That’s all I can say publicly without wandering into spoiler territory.
One final note in this introduction: I decided to review The Others now because as of a few months ago there is a remake of it currently in production that is slated for release in 2022. My hope is to review the remake a few years from now and compare it to the original.
Nicole Kidman as Grace
Grace was an overwhelmed mother who was raising two medically fragile children alone during wartime. She was a devout Catholic whose desire to protect her children was only surpassed by her determination to raise them to share her beliefs no matter what.
Alakina Mann as Anne
Anne was Grace’s oldest child, an inquisitive and bright little girl. At approximately eight years old when this story occurred, she has just begun to reach the age when she was beginning to question her mother’s point of view.
James Bentley as Nicholas
Nicholas was Grace’s youngest child. He loved fairy tales and legends of all sorts, the more imaginative the better. At approximately five years old, he still had a concrete understanding of how the world worked and what his place in it should be. He believed everything his mother said without question and sometimes clashed with Anne when she talked back.
Fionnula Flanagan as Mrs. Mills
Mrs. Bertha Mills was the nanny and housekeeper hired by Grace after all of the previous servants in their home mysteriously and simultaneously disappeared. While she had a few old-fashioned notions about child rearing, she deeply cared about her charges and did everything she could to make their lives easier.
Eric Sykes (left) as Mr. Tuttle and Elaine Cassidy (centre) as Lydia.
Mr. Edmund Tuttle was the no-nonsense gardener and handyman who was hired by Grace. He preferred solving physical problems like repairing broken household items to tackling emotional issues.
Lydia was the hard-working, stoic maid. She was mute and unusually socially withdrawn. Mrs. Mills knew her best and would sometimes interpret what Lydia was attempting to communicate with her body language.
This is one of those timeless films that gets better with every rewatch. I have nothing but complimentary things to say about it!
Grace, her children, and Mrs. Mills were the characters who took up most of the screen time. I was initially surprised to see such a small cast, especially since two of them were children who knew little out of the outside world and weren’t old enough to do too much investigating on their own.
While this was a little unusual for the paranormal genre, it turned out to work perfectly for a plot about a family that was quite socially and physically isolated from the surrounding community for reasons that can only be partially explained in this review.
Given the current pandemic and all of the lockdowns it has prompted, I don’t think I need to explain to any of my readers how difficult it is to be cut off from other people for a long period of time. We all know that feeling far too well even if the vast majority of us aren’t actually living in haunted estates in rural France at the moment.
Anne was my favourite character. She was old enough to realize something had seriously gone wrong in her home, but she was still young enough to talk about things that the adults in her life were desperately trying to hush up. I loved seeing how her strong sense of justice was developing and how she reacted to the thought of shying away from the truth that was slowly being unveiled in her home no matter how many attempts there were to run away from it!
The relationships between all of the characters were complex. I must be careful about how I talk about them to avoid spoiler territory, but I had a wonderful time seeing the various sides of their personalities that were drawn out of every character depending on who they were interacting with at the time. These ever-changing circumstances made Grace and Anne feel especially well-rounded because of how often the audience was able to get to know them in completely new ways as their story was revealed.
Without diving too deeply into the plot, it was also thrilling to meet characters who elicited so many different emotions in me. Sometimes Grace’s behaviour enraged me. In other scenes, I had an overwhelming sense of compassion for this emotionally fragile woman who had been thrown into circumstances that were far beyond her capabilities to handle.
This pattern was repeated with every main character. Just like us, they were complicated individuals whose personalities and characters were filled with every shade of grey imaginable. What not to like about that?
Finally, one of the things I adored the most about this film in general involved how many clues were given about what was really going on. Honestly, I missed many of them the first time I watched The Others, but they were sitting in plain sight during my next viewing. Yes, many of them were subtle, so I won’t blame any of you for overlooking them as well. The fact that they existed only made me love this story even more. There’s something amazing about thinking you’ve figured out a plot only to truly grok it the second or third time around.
I could gush about The Others for another thousand words. Do yourselves a favour and give this film a try if even a single sentence of this review piqued your interest!
Jumanji: The Next Level is a 2019 fantasy, action, and comedic film about four people who were transported into a magical video game. Just like during the first visit, they must figure out how to win in order to return to their ordinary lives.
This is the sequel to Jumanji: Welcome to the Jungle which I previously reviewed here and would strongly recommend watching first. The franchise in general is a reboot of the 1996 Jumanji film. It is not necessary to watch the original in order to understand what’s going on here.
I will go into more detail about why I recommend watching Welcome to the Jungle in my review below.
Once again, I’m leaving secondary characters out of this post for spoiler reasons. Please note that this review does contain some spoilers for the first film, so reader beware!
Dwayne Johnson as Dr. Xavier “Smolder” Bravestone
Dr. Xavier Smolder Bravestone was a strong and confident archeologist, explorer, and team leader. He was Eddie’s avatar.
Jack Black (centre) as Professor Sheldon “Shelly” Oberon
Professor Sheldon “Shelly” Obero was a cartographer, cryptographer, archeologist, and palaeontologist. He was Fridge’s avatar.
Kevin Hart as Franklin “Mouse” Finbar
Franklin “Mouse” Finbar was a zoologist and weapons carrier. He was Milo’s avatar.
Karen Gillan as Ruby Roundhouse
Ruby Roundhouse was a martial artist and fighting dancer. She was Martha’s avatar.
Danny DeVito as Edward “Eddie” Gilpin
Eddie was the grandfather of Spencer, a character from the first film. He was a pessimistic man who believed his best days were behind him.
Ser’Darius Blain (right) as Anthony “Fridge” Johnson
Fridge was a college student now. His group of friends wasn’t as close-knit as it used to be, and he struggled with that shift.
Danny Glover as Milo Walker
Milo was Eddie’s old, dear friend. Despite knowing each other for decades, there was an underlying tension between them that none of the younger characters were cognizant of at first.
Morgan Turner as Martha Kaply
Martha was also a college student now. She was as intelligent and cynical as ever, but her new educational environment had caused her to blossom in ways that weren’t possible for her as a shy high schooler a few years ago.
If you’re in the market for a light, fluffy storyline, keep reading.
One of the criticisms I noted about Jumanji: Welcome to the Jungle was the lack of character development. While it remained pretty shallow, I did enjoy seeing some growth in the two returning protagonists as well as in all four avatars in general . Martha and Fridge had obviously had a chance to grow up a bit since high school. It was interesting to contrast their behaviour to the behaviour of their elders.
Ordinarily, I’d expect senior citizens to be more self-assured and level-headed than people who haven’t even left their teens yet. The fact that all four main characters were thrown into a situation that only the two younger ones knew how to handle made it fascinating to tease out the differences between all of their reactions.
We need more films that include senior citizens as heroes. Having not one but two of them included in this storyline made me curious to see how things would play out for them.
Why should you watch this series in order? The character development is part of it. Most people mature rapidly in their late teens and early 20s. I thought it was cool to see how Fridge and Martha had changed since we last met them. There were also some switch-ups to the cast of main characters that won’t be as meaningful to anyone who wasn’t aware of how things were in Welcome to the Jungle.
In addition to that, some of the plot twists work better for audiences who are already aware of how Jumanji is supposed to be experienced. Let’s just say that Milo and Eddie had a unique approach to winning that is best understood if you have firm expectations of how one should behave in a video game.
By all means watch the original Jumanji, too, if you love this universe, but enough of it was revisited here that I wouldn’t make that mandatory.
There were a couple of sexual jokes that made me roll my eyes. The first instalment in this reboot did a great job of poking fun at the idea that women who play video games are something unusual or that identifying as a woman should affect how you play or what you do with your avatar. I wish that same snarky energy had continued in this sequel. It made this franchise stand out in my mind in a truly refreshing way, and I’d love to recommend future instalments of it to people who love gaming but shy away from the sometimes juvenile and sexist comments people make about women in this hobby. Sometimes the best way to change harmful social scripts like that is by mocking the hell out of them, so here’s hoping we get more of that in the third instalment if or when it happens.
Do you need to be a certain type of gamer, or even a gamer at all, to enjoy this story? Absolutely not. I’m the sort of gamer who generally sticks with sandbox games like Minecraft, and I had no problem keeping up with what was going on. Everything was explained well. Although my spouse who knows more about the topic once again enjoyed a few jokes tucked in there that seemed to be geared towards viewers who are into more strictly structured storytelling.
Jumanji: The Next Level was brain candy in the best sense of that phrase. If you need a fun distraction that doesn’t require any deep thought, this might be right up your alley.