Category Archives: Science Fiction and Fantasy

Science Fiction and Fantasy Poetry About Winter Holidays

Readers, we need to talk about the fact that there’s such a thing as science fiction and fantasy poetry that’s written about Christmas and other winter holidays.

Seriously, how cool is that?

I discovered this niche by googling for something I wished might really exist: Christmas poems written for adults that have a science fiction or fantasy twist to them.

I do these searches a few times a month on various topics for the sheer fun of it. The vast majority of the time, they turn up nothing. (They probably amuse the heck out of whomever might have access to my search history, though!)

This time I was in luck, and something amusing turned up on the very first page. That lead me to try different combinations of words to see what else I could find. This list is the sum total of everything I found that I thought was well-written and didn’t fall into the sentimentality that most Christmas and winter holiday poems resort to.

There’s absolutely nothing wrong with enjoying that sort of writing, but I have a strong preference for poems and stories that take other approaches to their subjects: humour, allegories, pragmaticism, and even a little bit of sarcasm at times.

1) 12-Word Christmas Sci-Fi Poem.

Published: December of 2016

Author: syd7t5.

That is all I know about this poet and their poem, but I do love the UFO reference.

2) Sheep, Aliens, and Curry.

Published: 2017

Author: Lee Leon.

Imagine what the nativity scene would be like if it were viewed through the eyes of sheep who neither cared about nor understood human concerns. Now double your expectations of delightful oddness and start reading.

3) bad santa, bad santa.

Published: 2018

Author: Allan Terry

This is a side of santa I don’t think anyone has seen before. That’s all I can say about that without giving away spoilrers.

4) Waking in Winter

Published: 1960s

Author: Sylvia Plath

While this poem doesn’t directly reference any specific winter holidays, it felt like it was written at that time of year to me due to the cold weather and the narrator’s descriptions of ordinary life. I could easily see this being set during a post-nuclear Christmas when everything is terribly uncertain and yet some people still hold onto every shred of hope they can.

5) Lifelong Hermitage Denizen Enjoys Spiritual Freedom

Published: 2018

Author: matthew harris.

I don’t know that the audience was actually supposed to like the speaker of this poem, but I did. His rough exterior seemed to be mostly a facade to me. I’d bet he’d relax pretty quickly if he was told what the rest of us were doing on Christmas and then given complete freedom to participate in all, some, or none of it without any pressure in any direction.

6) Re-Assigned Sugar Plum Elf

Published: 2018

Author: Caren Krutsinger

If only this one could have kept going. Since when are Sugar Plum Elves this small? I don’t remember reading that before, but I’d love to know more.

Did you know that there was such a thing as science fiction and fantasy poems about winter holidays that are meant for adult audiences? Have you run across any other poems that could be added to this list?

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I Love the Fuzzy Edges of Science Fiction

The other day I was having a conversation with someone about the types of science fiction we both like. After explaining to them the novels and TV shows from this genre that I’ve enjoyed the most over the years, they made a comment about how interested I seem to be in hard science fiction.

Well, yes. I do love hard science fiction.

There’s something inside of me that comes alive when an author or screenwriter takes a problem that scientists are currently attempting to solve and tries to guess where they’ll be on that issue twenty, a hundred, or five hundred years from how.

However, that isn’t where my love of this genre ends.

I love the fuzzy edges of science fiction, too.

The line between sci-fi and fantasy exists, but often it’s so wispy that I barely feel the difference at all when I move between them. Neither one of these genres would be the same if it hadn’t been so heavily influenced by the other over the years. While I do tend to stick closer to the sci-fi side of the fence in general, I’m often pleasantly surprised when fantasy tropes wander over to say hello or when I notice a common science fiction plot twist in something I thought was going to be pure fantasy.

I’m pleased with how this cross-pollination works in other genres, too.  While I still don’t believe that every sci-fi story should have a romantic subplot, I appreciate the fact that authors are introducing audiences to things they might have not otherwise thought they’d enjoy. Mysteries aren’t my favourite genre, but I have started reading them on occasion thanks to repeated exposures to these types of storylines in science fiction and fantasy books that I otherwise found to be a perfect fit.

This is also a technique I’ve been using on friends and relatives in a straightforward sort of way. I’d never trick or push anyone into reading something that they’d find objectionable, but I have recommended stories to people that included elements of genres they don’t normally read if I thought they’d enjoy the plot in general.

For example, earlier this year I was discussing Charlotte Brontë’s Jane Eyre with someone who has no interest at all in the romance genre. There were so many other things going on in that tale that I thought they’d really love it. In the end, they read it and thought it was well-worth their time.

The beautiful thing about science fiction is how difficult it can be to draw the line between where this genre ends and another one begins. There is sc-fi that politically motivated, apolitical, humorous, serious, hopeful, dystopian, barely there, the sole reason any of the characters bother to stumble out of their sleeping pods in whatever counts for morning on a planet with three suns, and so much more. It has crossed over with everything from romance to horror to mysteries to stories that are loosely based on real historical events.

It is this wide range of possibilities that keeps me coming back for more. Sometimes I wander into one corner of the genre and set up camp for a few months or years. Right now I have almost no interest at all in the dark, violent, or dystopian sections, for example, but there are so many other places to explore that I don’t think I’ll ever grow tired of seeking out new stories that somehow have sci-fi elements in them no matter how far they roam from home.

What’s your favourite kind of science fiction to read? How do you feel about stories that mix two or more genres together in general?

 

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Science Fiction and Fantasy Shows I’m Thankful For

Happy Thanksgiving to all of my American readers! I hope you all have a table full of delicious things to eat and plenty of kindred spirits to share this meal with. Today’s post will be something short and sweet.

Lately, I’ve been thinking about how happy I am to see the science fiction and fantasy genres doing so well, especially on the small screen. There have been times when these genres haven’t gotten as much attention from mainstream audiences as they’re currently receiving. I’m so glad to see the audiences for them growing.

Today I’m going to be talking about why I am thankful for certain science fiction and fantasy shows that I’ve been watching this year. I’d love to see your lists, too.

The picture on the left reminded me of how I feel when I read these genres. The right storyteller can paint such a vivid picture of the world they’re imagining that I forget it’s fiction.

It somehow feels more like exploring a new planet, timeline, or era then reading about a character having those adventures. Even speaking as an author myself who knows the tricks of the trade, this is a magical process every single time it happens.

The Orville

I love the cheerful, uplifting, and hopeful themes on this program about a group of space adventurers. While they aren’t set in the same universe, it reminds me of Star Trek in the very best way possible. Given certain things that have happened in the world over the last few years, we need this optimism now more than ever.

The Good Place

Death and the afterlife definitely aren’t the first things I think of when I’m in the mood for a comedy, but somehow the writers of this show have figured out a way to make serious and controversial topics fodder for jokes. I especially love the fact that the non-humans characters on this show have found so many ways to surprise the audience and defy almost everyone’s expectations of what happens to someone after they die.

The Handmaid’s Tale

I’ve blogged a lot about this series here already, but I can’t help but to include it in this week’s list. Everyone involved in the serialization of this story has done a very good job so far of translating something that was written in and about the 1980s to the social climate of 2018. When I watch season three next year, I think I’ll follow up each episode with something lighthearted since the subject matter of the first two seasons could get pretty dark at times.

Still, it’s something I hope will continue to air for years to come. There is a lot of ground to cover yet with the characters in this world.

Star Trek: Discovery

How could I possibly leave this show off of the list? I was so excited a few years ago when I first heard that the Star Trek franchise was finally come back to television. While the first season didn’t meet all of my expectations, I was intrigued by the differences between the culture of this ship and, say, how a similar episode would have been written if Captain Picard or Captain Sisko had been in charge instead.

It’s going to be so interesting to see where the writers go from here. I’m grateful to have another opportunity to explore this universe, and I’m hoping that the second season will be fantastic.

What science fiction and fantasy shows are you thankful for?

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5 Stories That Need a Prequel

Last week I was scrolling through the list of new ebooks at my local library and stumbled across a title that made me grin. Marilla of Green Gables: A Novel by Sarah McCoy was written to tell the story of Marilla Cuthbert’s life before she and her brother became the permanent guardians of Anne Shirley.

As a lifelong fan of Anne of Green Gables and the many sequels to that tale, I’ve often wondered why Marilla was such a stiff and proper woman when she first met Anne. L.M. Montgomery only gave a few hints about Marilla’s childhood, and most of them were vague.

While I wait for a copy of this prequel to become available at the library, I thought it would be interesting to list some other books that would benefit from a prequel to explain things in them that their original versions never got around to describing in full detail to the audience. Some of them I’ve discussed on this site in the past, while others are brand new these types of posts.

There are mild spoilers to follow in this post for certain titles, so reader beware.

1. Clan of the Cave Bear by Jean M. Auel

This first book in the Earth’s Children series began with a five-year-old child named Ayla getting lost in the woods after an earthquake killed her parents about 30,000 years ago in ice-age Europe. It probably would have been unusual for parents to be travelling alone with such a young child, and it would have been unthinkable for someone so young to survive long at all in the woods by herself.

It bothered me when this series ended without any resolution for who the main character’s original people were or why her parents were travelling alone with her when they died. Based on how many different tribes she met as an adult and how small and interconnected the human population was in general in this universe, I would have expected someone to remember hearing something about a young family disappearing without a trace a decade or two before.

Well, either that or Ayla was actually the daughter of time-travelling scientists who hadn’t made contact with ancient humans at all before their untimely deaths. But if that theory is true, why would they take a child on such a dangerous trip without at least bringing a few more adults along to help look after her and gather data about what life was really like back hen?

2. Miss Peregrine’s Home for Peculiar Children by Ransom Riggs.

Since Ransom Riggs is still writing and publishing new portions of this series, I hope he will eventually dive into the history of what life was like for Miss Peregrine and other Peculiars before they were forced to hide in time loops.

I’d imagine that there is a massive difference between having to relive the same day over and over again for decades to avoid being eaten by Hollowgasts (a violent monster species in this universe) and choosing to do so.

It’s hard to imagine what life was like for the Peculiars before their lives were constantly put into terrible danger. I’d like to think they had peaceful and creative existences at one point in their history.

The development of the current plot line in these books has been fantastic so far. I’d simply like to see the same attention paid to how all of this began in the first place. If that ever happens, this might become my favourite young adult series of this century.

 

3. Only Ever Yours by Louise O’Neill.

There are a lot of things I have to avoid saying about this book in order to avoid giving away any spoilers for it.

Freida, the main character, had spent her entire lifetime being groomed to be the perfect wife for a man she’d never met. She was raised in an environment that was very similar to a boarding school or other institutional setting. Along with her classmates, she lived, studied, exercised, and relaxed within the same four walls.

The audience quickly learned that all women in this society are raised in these school but that none of the men are. While I can’t give you any details about why this society was set up that way, I will say that I really wish we could have a prequel to this tale that explained more clearly when and how men and women were separated this way.

There was so much ground left to cover on that topic by the time I finished this novel. It could more than fill out the pages of a full-length prequel.

4. Never Let Me Go by Kazuo Ishiguro.

Once again, the main character of this book grew up in a boarding school sort of place that had strict

rules about what their students were allowed to do. Unlike Only Ever Yours, these characters had no idea what their fate would be when they grew up.

All they knew was that they were special for reasons their instructors never went into detail about.

Just like in the previous section of this post, I can’t go into many details about what was really happening in this universe other than to say that all of those adults weren’t feeding, educating, and protecting hundreds of children out of a sense of goodwill for our species. There were dark reasons for their actions that eventually began to come to light, but never to the degree I would have liked them to.

This was the sort of social experiment that I really thought should have been fleshed out in greater detail. If it were to actually happen in real life, there were be a lot of people who were vehemently opposed to it every step of the way.

Realistically speaking, how did the folks who created this system deal with the protestors? Did they keep it top secret, or did they find more violent ways to suppress the opposing side?

A prequel would be the perfect place to show how the idea for this school first took root and why it was allowed to continue.

5. The Unit by Ninni Holmqvist. 

Yes, I know I’ve blogged about this one before. It’s been so long since my last mention of it that I simply had to bring it up again since this is the sort of story that haunts me long after I’ve finished the final scene.

For those of you who haven’t read it yet, The Unit is about a futuristic version of America where women over the age of 50 and men over the age of 60 who haven’t met specific milestones like getting married or having children are forced to donate their organs and other tissues to people who need them. Yes, this included organs that one can’t live without like the heart.

What frightened me the most about this world was how realistic it felt. Forced organ donations are already known to be happening in certain parts of the world today. While it still feels unrealistic for it to occur in North America where this tale was set, I would have loved to know how such a system was sold to the population at large in a fictional version of the United States.

Would the general public have believed that these people were dying willingly to save strangers? Had this group of people been so dehumanized that average folks no longer thought of them as fellow human beings? I had so many questions about how this system had been sold to society in general that were never answered. A prequel would be the perfect way to finally know how and when the protagonist, Dorrit Weger, and all of the other people sent to The Unit were marked as dispensable without anyone fighting to save them.

What stories do you wish had a prequel?

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5 Funny Short Horror Films You Should Watch This Halloween

One of the things I love the most about Halloween is seeing all of the creative things storytellers do with common horror, science fiction, and fantasy tropes at this time of the year. There’s something about the Halloween season that seems to bring out the best in writers, filmmakers, and other creators.

The films in today’s post represent a wide range of subgenres, filming styles, and intended audiences. That was something I did intentionally to increase the chances that all of my visitors would find something that appealed to them. It was also a great deal of fun to find five films that wouldn’t normally be grouped together.

My other major criteria was to find examples of funny horror stories that had as little gore as possible. As I’ve mentioned here before, I don’t enjoy that sort of thing. I’d much rather be frightened by thoughts and feelings than seeing a monster tear someone apart.

I will be sharing mild spoilers about the amount of gore in each film, if any, so you can decide for yourselves which ones you’d like to see if this is also a concern for you.

Happy Halloween

Created byNikhilesh Kumar.

Run Time: 2 minutes, 35 seconds.

Gore Factor: None.

Why You Should Watch It:

It takes years for children to learn the many rules rules of operating in polite society well enough that they can blend in just about anywhere.

I think it’s amusing to observe the process of their minds learning why rules are created in the first place, when it’s okay to bend a rule, why some rules only apply in certain situations, and what happens when someone breaks rules (whether intentionally or unintentionally). The main character in this story is the sort of person who has memorized a specific rule but hasn’t yet figured out why it exists.

Honestly, I have a lot of empathy for that little guy. His predicament was funny, but it also made me wonder how frustrated he might have been getting with the whole process.

 

The Lonely Slasher: Short Halloween Film

Created byTheThreeLancers. Score by Sam Holmes.

Run Time: 5 minutes, 38 seconds.

Gore Factor: A few briefly bloody scenes. I looked away for a few seconds at one point as my tolerance for gore is pretty low these days.

Why You Should Watch It:

I appreciated this film’s take on why people do the things they do. In no way did it make excuses for The Lonely Slasher, but I did come to understand why his body count was so high. While I wouldn’t necessarily call him a protagonist, there were parts of him that I found relatable on a much smaller scale. I mean, who hasn’t occasionally put their foot in their mouth at the worst possible time or accidentally bumped into a stranger?

The Chebo

Created by:  Ryan McDuffie from Crypt TV

Run Time: 9 minutes, 18 seconds

Gore Factor: Two mildly violent scenes, but no real gore.

Why You Should Watch It:

Miscommunications sometimes happen in every long-term relationship. I was fascinated by how the creator took this concept, turned it into a literal member of the household, and then pushed his creativity to the limits to show what can happen when a couple aren’t on the same wavelength.

Boo – A Short Film About Halloween, Ghosts, and Poop 

Created by: Michael J. Goldberg

Run Time:  11 minutes, 52 seconds.

Gore Factor: None.

Why You Should Watch It:

Not every ghost is necessarily scary in the way you expect them to be. I loved the plot twists in this one after the house sitter first encountered the ghost and was thoroughly unimpressed with what she believed to be his or her costume and persona. It was the total opposite of how I thought the first scene would go, so I couldn’t wait to find out what would happen next.

Also, I think I might have been the only kid in the world who liked receiving those little boxes of raisins. So I never would have haunted this house in the first place.

Welcome Back, Mr. Buzzcock

Created by: Liz Anderson from Crypt TV

Run Time: 4 minutes, 43 seconds.

Gore Factor: Minimal. The camera panned away just before every gory scene actually happened, but it was heavily foreshadowed and implied.

Why You Should Watch It:

There’s always room for more stories about the tensions that can exist between one generation and the next, especially when it makes its point as quietly as this one does. This is something I’d happily show to the next person I meet who starts complaining about how people from a particular generation act.

I also enjoyed the way the secondary characters behaved in this film. Without giving away too many spoilers, they were much more intelligent and aware of their surroundings than most characters are in this genre. I really love it when that happens!

Respond

What is your favourite humorous Halloween short film?

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10 Things I Love to Read About

On Monday I blogged about the 10 Things I Won’t Read About. It was surprising to see how many of the people who read my posts have similar aversions to those topics.

Today I’m talking about 10 things that would make me keen to pick up and read a book. I tried to make this list as detailed as possible, so you won’t be seeing vague entries like “science fiction” here.

Instead, I’ll be drilling down to specific topics that I’d be excited to read about with little regard given to which genre they might pop up in.

1.  LGBT+ Historical Novels, Especially Mysteries.

I’m fascinated by how people in the LGBT+ community lived during eras when they had to keep such important parts of themselves hidden away. This is still something that happens with LGBT+ people in many countries and cultures today, of course. Seeing how this has changed or is changing in some parts of the world gives me hope that someday it will improve everywhere.

Watching LGBT+ characters attempt to solve a mystery while also holding tightly onto their own secrets also makes this sort of storyline even more nerve-wracking than it might otherwise be. I want some parts of the plot to be revealed while hoping that other portions are only shared with people who will treat the main character kindly.

Example: The Paying Guests by Sarah Waters. (I’m currently read this book, so please don’t share spoilers for it!)

2. Colonizing Mars (and Other Planets).

To put it mildly, humans made a lot of terrible mistakes when they invaded other countries and continents. While there isn’t any life on Mars* that could be destroyed if or when humans begin living there, there are still plenty of ways for that social experiment to have devastating consequences for everyone who participates in it.

Just think of how many people died due to accidents, violence, disease, and malnutrition when Europeans first began living in Australia, the Americas, and other parts of the world. I hope I’m wrong about this, but I expect the death rate for the first few waves of people who move to Mars to be quite high as our species figures out how to survive on a planet that doesn’t even have a breathable atmosphere for us.

*to the best of our current scientific knowledge.

Example: The Mars Trilogy by Kim Stanley Robinson.

3. Diverse or Unlikely Heroes. 

I love it when writers create protagonists who don’t fit the audience’s expectations of what a hero should look like. There have been so many examples of young, straight, white men saving the world in various fictional universes that I’m always happy to see people from other demographic groups get an equal chance to fight bad guys, too.

Example: Buffy Summers from the 90’s TV show Buffy the Vampire Slayer.

4. How Medical and Scientific Advancements Happened

This is by far the broadest category on this list, but I’m intrigued by how scientists and doctors solved any number of problems in the past that are either unknown in westernized cultures today or no longer exist anywhere in the world. The nice thing about reading about medical and scientific advancements is that the author generally spends most of their time talking about how that invention, cure, or breakthrough happened and how it changed society as a whole.

It’s been my experience that these sorts of books don’t spend much time at all discussing the graphic details of, say, a specific disease or injury. A portion of the first chapter might talk about the typical results for people before the invention of a certain drug or treatment, but generally everything else will be about how the researchers figured out a solution to the problem. I’ll endure a  brief discussion of surgery or gore early on if I’m otherwise interested in the topic and the author soon moves on to how that issue affected society as a whole and how the treatment or solution was eventually found.

Example: Breakthrough: Elizabeth Hughes, the Discovery of Insulin, and the Making of a Medical Miracle by Thea Cooper and Arthur Ainsberg.

5. How Social Justice Movements Actually Change the World.

It wasn’t until I became an adult that I learned that Martin Luther King, Jr. was widely hated by the mainstream culture before his assassination. He was seen by many white Americans as someone who was pushing for too much change too soon. This wasn’t something that was covered in any of my lessons about him in school, although after reading his wife’s memoir about their life together I wish it had been.

Sometimes the people who originally fought for a more just world aren’t around to see how all of those long years of hard work will begin to pay off.

Changing laws and public opinion on an issue takes time. It’s not generally something that will happen overnight, but it can happen. This is a topic I’ve been thinking a lot about over the past year or so, and it’s making me want to read more about what previous generations did to fix the things they saw that were wrong with their societies.

Example: My Life, My Love, My Legacy by Coretta Scott King.

6. Foster Care and Foster-Adoption.

For the past three generations, various relatives of mine have fostered and adopted children. Honestly, this would be my #1 choice for becoming a parent if I had the desire to raise children. There is an urgent need for foster parents here in North America, and I wouldn’t be surprised if the same could be said of many other parts of the world as well.

Having so many extended family members who were foster children makes my ears perk up every time a fiction or non-fiction book is written about this topic.

Example: Three Little Words by Ashley Rhodes-Courter.

7. Rabbits Enjoying Adventures. 

Anyone who has known me longer than ten minutes will have some inkling of how much I love rabbits.

Anytime they show up as a main or secondary character in a story, I’m immediately interested in finding out what will happen to them.

There aren’t a lot of authors out there who write about rabbits going on quests, so I jump into every example of this niche I can find.

Example: Watership Down by Richard Adams.

8. Hopeful Visions of the Future.

As I’ve mentioned here before, I’m thirsty for stories that have a hopeful outlook on what is in store for humanity a few decades or centuries from now. The news is so full of fear and apprehension these days that I look for happier perspectives on what life will be like for future generations wherever I can find them.

Example: All of the Star Trek series.

9. Vengeful Ghosts Who Had a Point.

Many different types of ghost stories appeal to me, but the ones I enjoy the most are about folks who had excellent reasons for being so angry and restless in the afterlife.

There’s something emotionally satisfying about figuring out their backstories and seeing if the protagonists will finally be able to help them find the peace they were denied when they were still alive.

I’m also fascinated by how the actions of a small group of people can continue to negatively affect their descendants and/or community for generations to come. This regularly happens in non-paranormal ways in real life, and there often aren’t any easy answers for how to end those cycles once they begin.

Exploring this topic in a ghost story is a wonderful way to neutrally ask questions about justice, reconciliation, and what the current generation should be morally obligated to do to fix the mistakes of people who lived and died long ago.

Example: The Woman in Black by Susan Hill.

10. The Daily Lives of Prehistoric People.

I sure wouldn’t want to be part of a hunter-gatherer tribe in real life, but I love reading about characters who lived in that kind of society.

There is something fascinating to me about all of the different skills one would need to survive when you need to make, hunt, or gather everything you and your family need to survive.  I’m also drawn to the idea of living in such a tight-knit culture. It’s not something I’d want to do all day every day, but I do see the benefits of forging such strong bonds with others. Having so many adults working together must have made everything from raising children to looking after a sick or injured relative easier than it is in more individualistic cultures.

If there are Neanderthals or other now-extinct human (or human-like) species in the storyline, I’ll be even more interested since there are so many things that a skeleton, stone tool, or cave painting can’t tell you about what a group was actually like.

Example: The Last Neanderthal by Claire Cameron.

What topics are you always eager to read about?

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10 Things That I Won’t Read About

This Thursday I’m planning to write a follow-up post to this one to discuss the themes and topics in books that I’m always interested in reading about. Since I’ve made several past references here to the sorts of stuff I dislike, I thought it would be a good idea to share the full list of things I won’t read about before diving into everything I love.

I’m the sort of reader who gleefully jumps from one genre to the next based on everything from the recommendations of certain people in my life to what I stumble across in the new arrivals section of my local library.

This list is going to do the same thing. No one genre can contain it, and any genre I read will occasionally include titles that fit one or more of the points on this list.

1. Sexy, Sparkly Monsters. 

I will happily read all sorts of stories about vampires, zombies, werewolves, and unnamed creatures stitched together by Dr. Frankenstein so long as these characters are not romanticized or de-fanged in any way. While I might feel other emotions ranging from compassion for them to concern for their future, monsters are first and foremost supposed to be frightening. If they don’t give me that initial jolt of fear, I won’t be very interested in them.

I know I’m in the minority here, but I also don’t find monsters sexually appealing in any way. This is even more true for the dead, and therefore possibly rotting, ones.

2. Sympathetic Portrayals of Bigotry.

There’s a massive difference to me between writing about a character who is deeply prejudiced against specific groups and the author or narrator working – consciously or unconsciously –  to make bigoted ideas themselves more palatable to the audience.

I believe that it’s a good thing to create three-dimensional characters, protagonists and villains alike. In no way would I expect every bigoted character to only be represented by their worst flaws. That isn’t how prejudice works in real life. Someone can be perfectly charming to friends or relatives while still doing and saying terrible things to the objects of their hate.

The juxtaposition of these personality traits can make excellent fodder for a story, but I still don’t believe it’s ethical to ever make excuses for the existence of hate or for the people who spread it.

3. Graphic Violence.

Occasional references to rape, torture, murder, and other acts of violence are okay with me, especially if they were integral to the development of the plot. However, my imagination is far too vivid for me to read detailed descriptions of these things without them coming back to haunt me later on.

I prefer types of conflict that don’t do that to me. This photo of a woman who dropped her ice cream cone is only tangentially related to this point, but the distraught expression on her face is about as much despair as I can handle before needing to move onto more cheerful subject matter.

4. Deus Ex Machina.

That is, I don’t like contrived endings or when characters who have been wrestling with a complex problem for hundreds of pages suddenly realize that the solution to their conflict was a simple fix a few sentences before the final scene.

I’d much rather have a sad ending than a happy one that doesn’t fit in with the tone of the rest of the tale.

5. Inspirational Fiction.

After multiple failed attempts to get into this genre, I came to the conclusion that it was never going to be my cup of tea no matter who wrote it. It is the only genre I’ve permanently given up on, and I felt a little sad about that for a long time.

6. Sermonizing. 

This rule definitely isn’t limited to religion in general, and it kicks in even if I happen to completely agree with the author’s point of view. Any topic can be sermonized if it is written by someone who is more interested in pushing a specific agenda than telling a satisfying story.

There’s a huge difference between writing a story that was influenced by your worldview and allowing your worldview to dictate how a story is told. I don’t have much patience for the latter at all.

7. One True Love Personality Transplants.

Okay, so this one might take a little explaining. I have no problem reading books that include romantic elements as a minor or major part of the plot. This isn’t an anti-romance rant at all.

What bothers me about certain characters falling in love, though, is when those experiences erase their personalities and identities.

Years ago I read a series about a character who had decided early in life never to have children. They had excellent reasons for that decision, and they stuck to it until the very end when they fell in love and suddenly changed their mind about having kids despite the fact that none of their reasons for making that choice had or could ever change.

This isn’t a type of storyline that I’m inherently opposed to, by the way. Not everyone knows what they want out of life when they’re a teenager, and I don’t think there’s anything wrong with showing how a character changes their mind about a major life decision like this. It can be a fantastic way to demonstrate genuine character development when done properly.

The thing is, anyone who writes this sort of tale really should show how and why someone would change their mind about something so important to them. When such an important mind-shift is brushed away as a sign of True Love ™ five minutes after someone falls in love, I can’t help but to wonder how soon that character is going to deeply regret having kids (or moving thousands of miles away, or giving up their career, or making any other sort of drastic lifestyle change when there was no foreshadowing of them wanting those things for the vast majority of the plot).

8. Love Triangles.

If this wasn’t such a common trope in the romance genre, I’d probably read way more romance novels.

As someone who is polyamorous, I always hope the main character gets to keep dating both of the people they’ve fallen for. Why make them choose? They can love more than one person at a time and therefore free up the plot for more interesting types of conflict.

9. Needles, Blood, and Surgeries. 

Kudos to those of you who enjoy very detailed descriptions of what goes on in an operating room or doctor’s office, but this is something that makes my stomach turn.

I’d prefer to continue to know as little as possible about how exactly medical professionals fix the human body when it gets injured or sick. The fact that they’re (often) able to help people feel better is all I need or want to know.

10. Very Long Books. 

Other than J.K. Rowling and J.R.R. Tolkien, I generally don’t read a lot of long-winded authors. Two or three hundred pages is more than enough space for me to get into a story in the vast majority of cases, so it would take something really special to convince me to jump into a very long read.

What topics are on your Do Not Read list?

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Reader Question: Should I Read Science Fiction or Fantasy?

Someone recently found this blog by googling the following question:

Should I read science fiction or fantasy?

I thought it was a great prompt for today’s post. Just like apples and pears are both types of fruit, fantasy and science fiction are part of the wider speculative fiction universe that also includes sub-genres like horror, dystopian, utopian, supernatural, science fantasy, and superhero fiction. Science fiction and fantasy share a lot of similarities, but they aren’t identical by any means.

On the off chance that they ever see this post, I’d be happy to give the person who did this search some personalized reading recommendations if they’re interested in such a thing.

Since I don’t know that person or what their tastes in reading material are like, I’m going to keep my advice as general as possible. The only assumption I’ll be making is that you were interested in exploring both of these sub-genres and are wondering which one you should dive into first.

Like most children in western cultures, fairy tales were my first taste of speculative fiction in general. I quickly developed a preference for the original, and often surprisingly macabre given the age group they were marketed to, versions of classic fairy tales, so I was soon introduced to the horror and supernatural genres as well through my insatiable appetite for as many new fairy tales as I could find at our local library.

There is so much overlap between the science fiction and fantasy, though, that I quickly found myself wandering deeper into the science fiction end of the spectrum. I now have a preference for hard science fiction, but I’ll never forget my love of fantasy or many of the other sub-genres under the speculative fiction umbrella.

The question of whether you should read fantasy or science fiction really depends on the sorts of stories you enjoy versus the ones that you don’t find so alluring. I’m going to be making some broad generalizations here that definitely won’t apply to every book or author out there. They may be helpful in steering the original visitor and everyone else reading this towards a specific section of the library or bookstore as you decide what you want to read next.

Science Fiction tends to be:

  • Realistic.
  • Related to what is, or could be, scientifically possible. For example, the discovery of a vaccine for AIDS or a cure for cancer.
  • Set in the present or future.
  • Rational. When someone weird happens, there is generally a logical reason for it.
  • More political (in many cases).
  • Interested in exploring specific ideas, ideologies, or conflicts. These themes can often be traced back to controversial subjects that are or were hotly debated when that specific book was first published.

Fantasy tends to be:

  • Imaginative.
  • Related to things that will never be scientifically possible. For example, the existence of Hogwarts (*sob*) or a pet dog that suddenly begins speaking plain English.
  • Set in the past.
  • Supernatural and/or magical. When something weird happens, it is not generally explained rationally to the reader.
  • Less political (in many cases).
  • Interested in world-building. You stand a good chance of meeting dozens of characters and many different fictional cultures when reading fantasy, so their page counts can be dramatically bigger than a science fiction novel.

Again, there is a lot of overlap between these sub-genres and these lists shouldn’t be taken as a strict interpretation of what you’ll find in either one. There are many speculative stories out there that combine elements from both of these sub-genres together (along with many other themes), but many of them do tend to lean one way instead of the other.

This isn’t even to mention all of the other genres, from romance to mystery, that are often swirled into these tales as well. Figuring out how to label books these days is so complicated, especially for fans who don’t always enjoy seeing their favourite genre being mashed up with other styles of writing, that I think I’ll save a more detailed discussion of that aspect of it for another day.

Readers, what would you recommend to this person? is there a specific fantasy or science fiction author you think would be a nice introduction to their genre? Which types of speculative fiction do you tend to gravitate towards most often?

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Characters I’d Invite to Thanksgiving Dinner

Happy Thanksgiving, Canadian readers! I’m enjoying a nice, quiet Thanksgiving this year while also wondering what it would be like to celebrate this holiday with characters from some of my favourite books.

If I could, I’d sure love to share this holiday with the following people:

1. Anne Shirley from the L.M. Montgomery’s Anne of Green Gables series.

She’d be welcomed to bring her legal guardians, Matthew and Marilla Cuthbert, along as well. As someone who is almost always quiet, I’d love to listen to her chatter about whatever it was that had happened to her recently.

It would also be interesting to get more details about her life before she was adopted if she was willing to share them.Some of my favourite scenes in this series were the ones that showed how they all enriched each other’s lives.

2. Afsan from Robert J. Sawyer’s Far-Seer trilogy. 

Not only would it be cool to see what a Tyrannosaurs would want to eat for Thanksgiving, I’d love to talk to this character about his impressions of human customs in general. (His species was sentient and quite intelligent in this series). He’d almost certainly be as horrified and/or amused by some of the things we do as we would be by certain Tyrannosaurs customs.

3. Starr Carter from Angie Thomas’ The Hate U Give.

Starr was such an easy character to love. My sympathy for her only grew stronger after she watched a police officer kill her best friend in one of the earliest scenes of her story. I’d want to fix her a big plate of food and offer her any comfort I could over the holidays.

4. Anna from Claire Cameron’s The Bear.

Anna was a six-year-old girl whose family went on a camping trip in a remote section of a national park. After her parents were killed by a bear, she had to figure out how to get her younger brother and herself to safety.

This was one of the most intense things I’ve ever read. I wish it were possible to catch up with characters years later to see how they’re doing. She was so young when the attack happened that she didn’t understand what was going on. While I would never ask about the deaths of her parents specifically, I’d love to know what her life was like after the events of the final scene.

5.  Patricia Cowan from Jo Walton’s My Real Children

Patricia might have lived in one of two different timelines during the course of this book depending on which memories of hers you tend to believe are the genuine ones.

Not only did the course of her life take radically different turns in each timeline, the course of human history did as well. I can’t say much else without giving away spoilers, but I’d sure like to talk to this character so I could find out which version of the events she remembered actually took place.

6. Hattie Shepherd and her descendants from Ayana Mathis’ The Twelve Tribes of Hattie.

The first chapter of this tale showed Hattie desperately attempting to save her first two children, a set of twins who were dying from pneumonia in 1923 when such a disease was much harder to treat than it is today. The rest of the storyline showed what happened to this woman and the nine other children she had after the deaths of her first two babies.

Her extended family as a whole wasn’t a particularly emotionally healthy one. I believe that Hattie would have been diagnosable if she’d lived in a time and place where seeing the doctor for mental health concerns was socially acceptable. As it was, her undiagnosed illness damaged her relationships with all of her surviving children and their families.

Sometimes dysfunctional ways of interacting with the world can be passed down for generations when people either can’t recognize the harmful patterns in their family or aren’t willing to try to change them. I’ve seen it happen both in real life and in fiction. It’s as sad as it is fascinating. I’d love to invite different combinations of people from this family to various dinners to see if I could figure out how they’ve changed over the years.

Which character would you invite to your Thanksgiving dinner?

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Hopeful Science Fiction: Semiosis

Last June I blogged about my desire to read more hopeful science fiction. Since then I’ve talked about Woman on the Edge of Time and The Lovely Bones. Today I’m back with another suggestion.

If you have recommendations for future instalments of this series, I’d sure like to hear them. Leave a comment below or send me message about it on Twitter.

Semiosis

Sue Burke’s Semiosis is a 2018 hard science fiction novel about colonists from Earth who travel to a distant planet in hope of making it their permanent home. The storyline followed the original group of explorers as well as their descendants for several generations. They knew almost nothing about the planet they named Pax  before they arrived there, so preparing in advance for what they were about to experience wasn’t easy.

Nearly every chapter in this book showed how the most recent generation in this timeline adapted to the many challenges they faced while attempting to survive on a planet where RNA, not DNA, was the building block of life. Generally, one chapter was assigned to each new generation as they came of age and began making decisions for their community.

Th experiences of the first generation were promising. The land was covered in vegetation, much of which their scans showed was safe and nutritious for humans. They quickly began attempting to build shelters and adjust to the many differences that came with living in such an alien environment.

Plot-Based, Not Character-Based

As you might have already guessed, this was a plot-based novel. Since each section more or less introduced an entirely new cast of characters (based on how many members of the previous generation had managed to live to see old age), there wasn’t a great deal of time for any one character to steal the spotlight.

I normally have a strong preference for character-based stories, so I did need some time to adjust to the fact that I would only have a short amount of time with any of the fascinating people I met as one generation was slowly replaced by the next.

Given how long it took the original group of immigrants to realize that many of their assumptions about what life on a distant plant would be like were completely wrong, it made sense for the whole adventure to unfold slowly over the courses of multiple lifetimes as new generations built on the knowledge their parents and grandparents had painstakingly put together. No individual human could ever live long enough to gather all of the clues they did over such a long period of time.

However, I would have liked to see more continuity between the generations. I understood why the lifespans were shorter for humans, especially in the beginning, but I spent so little time with the many characters that I didn’t feel like I bonded with any of them. They were there in one scene and then sometimes gone in the next.

Persistence

There are many details about the plot that I can’t share with you without giving away huge spoilers. Needless to say, the characters in this book were surprised over and over again by what life was really like on their new home in just about every way you can imagine. The food obviously didn’t taste anything like food does on Earth. Calibrating what was and wasn’t dangerous on this planet was hard for them, too, as well due to how little they knew about life on it ahead of it.

All of their previous training was useful, but it couldn’t have possibly prepared them for everything they were about to experience. They had no way to contact Earth, leave Pax, or receive any additional supplies, so they had to figure out ways to keep going no matter what happened to them.

The first generation had some really rough experiences due to a string of bad luck and not having the right types of supplies at critical moments. It wasn’t all doom and gloom, though. There were conversations about ordinary things like unpacking the ship or how to decide when to switch from the food they brought with them to scavenging for a fresh dinner. I especially loved the characters’ contagious excitement at finally getting to explore the land without having any idea what they might find there.

Mixing those moments of grief in with all of the other emotions they experienced was a nice touch. It reminded me a lot of what happens in real life when someone is dealing with a difficult problem but also still has to do totally mundane things like sweep their floor, plan dinner, or take their pet for a walk. Life is hard sometimes, but it still goes on.

This feeling returned once they realized there was an intelligent life form on that planet that all of their previous scans of it had failed to pick up. I couldn’t stop reading once I reached this section, and it only got better from there.

The Big Picture

There are two reasons why I’m recommending this as a hopeful science fiction read.

Number one, we’ve all had days that were so frustrating or painful they felt like they’d never end.

This book could describe a day like that and then zoom out and see how that experience mattered (or didn’t matter) in the longterm. There were questions asked early on that didn’t receive answers until decades or even generations later.

There’s something comforting in seeing that pattern play out over and over again. What doesn’t make sense to us now might make sense years from now. Alternatively, it might fade away and not be meaningful at all after enough time has passed.

Number two, things did improve for the characters over time. The tragedies they experienced were real, but so was the hope they found as they adjusted to the challenges they faced and figured out how to look after themselves long after all of their Earth supplies had run out.

What hopeful science fiction stories have you been reading recently?

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