Frozen II is the 2019 animated fantasy sequel to Frozen. It is about Elsa and Anna’s attempts to figure out the origin of Elsa’s magical powers and save their kingdom from being destroyed by the elemental spirits of Earth, Fire, Water, and Air.
It isn’t strictly necessary to watch Frozen before checking out Frozen II, but I do highly recommend the first film in this series to anyone who loves the fantasy genre or animated films in general.
In order to avoid spoilers, I will only be discussing characters who were also in Frozen.
Elsa was the Queen of Arendelle and Princess Anna’s elder sister. She possessed magical ice powers whose origins were unknown. While she’d grown quite comfortable with using them, she had a deep longing to understand where they came from and why she had them.
Anna was the Princess of Arendelle and Elsa’s younger sister. She was deeply in love with her boyfriend, Kristoff.
Olaf was a sentient snowman created by Elsa’s magic who was first introduced in Frozen. He was as intelligent and silly as always.
Kristoff was an ice harvester and Anna’s boyfriend. He was strong, loyal, and determined to help the people he cared about in any way he could.
Sven was his pet reindeer. He was a good reindeer.
Prepare yourselves for a story filled with wholesomeness and joy.
I love a good adventure that ramps up quickly in a storyline, so I was glad to see this film move so fast in the beginning. That snappy pacing was exactly what Elsa, Anna, Olaf, Kristoff, and Sven needed before setting off on their journey.
Yes, there was a brief summary of what happened in Frozen for anyone who isn’t familiar with this franchise. It was shared by Olaf and was as hilarious as it was accurate. As mentioned earlier, I think anyone who hasn’t seen the first film would have no trouble getting caught up to speed if they jumped straight into Frozen II. The nice thing about film series written for kids is that they tend to be pretty welcoming of new or distracted viewers, and this one was no exception to that rule.
Every sequel has to live up to the story that began that series. I had high expectations for Frozen II based on how much I loved Frozen. While this was a fun story, I thought it didn’t quite have all of the magic of the first one. Many of the jokes in it were references to things that happened in the first instalment, so they had to be explained for people just tuning into this series. I did find myself wishing the screenwriters had spent more time developing new, original jokes, especially when it came to characters that hadn’t been introduced previously. With that being said, I still enjoyed Frozen II and do recommend it.
Olaf was by far my favourite part of this film. Just like in Frozen, he was a regular source of amusement for both the audience and the other characters. His understanding of how the world works was childlike in certain ways and yet quite mature for a snowman of his age in others. I desperately wanted to include one of his jokes in this review, but I think it’s best if you discover all of them for yourselves.
If you need a lighthearted distraction for viewers of all ages, Frozen II is a good place to start.
Frozen II is available on Netflix and Apple TV. It is no doubt quickly attempting to catch up with Frozen and become available everywhere else in the known universe as well.
Content warning: snakes and bugs. I will not be discussing these topics in my review.
Jumanji: Welcome to the Jungle is a 2017 fantasy, action, and comedic film about four high school students who were accidentally transported into a magical video game and needed to beat every level of it in order to get back to the real world.
This movie is a reboot of a franchise that began with the original Jumanji in 1996. According to my spouse, there were multiple Easter eggs from the first version of this tale tucked into the storyline, so keep an eye out for them if you’re already familiar with this franchise.
With that being said, I’d never seen the original and had no problem figuring out what was happening in the plot or who the characters were because everything was explained clearly.
Some of the secondary characters had too many spoilers wrapped up into their backstories to be introduced in this post, so I’ll stick with the four protagonists in the character section of this review. They will be described both as their game world avatars and real life personas.
Dr. Smolder Bravestone was a strong, confident archeologist, explorer, and team leader. He was Spencer’s avatar.
Professor Sheldon “Shelly” Obero was a cartographer, cryptographer, archeologist, and palaeontologist. He was Bethany’s avatar.
Franklin “Mouse” Finbar was a zoologist and weapons carrier. He was Fridge’s avatar.
Ruby Roundhouse was a martial artist and fighting dancer. She was Martha’s avatar.
Alex Wolff as Spencer Gilpin.
Alex was nerdy and sometimes socially awkward student at Brantford High School. He and Fridge were childhood best friends, but now he feared he’d been left behind.
Bethany was a popular, pretty, and self-centered student at Brantford High School. She spent a great deal of time taking selfies and posting them on social media as shown in the photo above.
Anthony was a strong and athletic student at Brantford High School. He was proud of how much work he’d put into his body and enjoyed showing off his strength.
Morgan was a quiet, shy, intelligent, and cynical student at Brantford High School. She struggled with letting people get close to her, especially if she thought they wanted something from her.
My characters descriptions were more negative than usual in this review. The beginning of this film made it a point to hammer home each character’s flaws, how aware they were of them, and how those problems were affecting their lives.
Since the four teens the audience were just introduced to were about to be transformed into video game avatars, getting to know them was crucial.
One of the things this film did incredibly well was to show how each character’s tics and habits carried over into the game. All of the adult actors mimicked the teens they were playing so well that it was easy to forget they were acting!
I loved seeing all of the little ways they reminded the audience of their teenaged selves. This was especially funny when it came to Shelly because of how she’d been transformed from a beautiful young girl into a fairly average middle-aged man.
Yes, the storyline did address the gender flip there, but it was done in a very respectful manner. Gender and gender identity was never the butt of the joke in this tale which was refreshing. When the storyline gently made fun of Shelly, it was for her self-absorption and other character flaws, not the fact that she had no idea how to properly urinate standing up. (Although there was a hilarious scene involving just that early on in the plot!)
What I would have liked to see was more attention paid to the character development. The four protagonists were all written in pretty stereotypical manners as you might have gathered from the descriptions of them above. While I understood that much of it was written that way to poke fun at some of the more ridiculous – and even sexist – tropes in video games, I think more time could have been spent developing the main characters and showing how they were different from typical video game avatars.
As entertaining as the plot was, there were times when I was honestly a bit bored with the characters at times because of how easy it was to predict how they’d behave. I’m saying that with the understanding that a casual video game player like me probably isn’t the ideal audience for this sort of film at all. People who immerse themselves in that hobby may have a very different reaction to it, so I don’t want this criticism to dissuade anyone from giving it a try if the trailer grabs their interest.
Just remember that there is a lot of tongue-in-cheek stuff going on here. The less seriously you take it, the better.
The cartoonish violence was a lot of fun, though. I’m the sort of person who looks away from the screen or TV when a violent scene pops up, and I was able to handle the fight scenes without a problem. Characters certainly get thrown around a lot in all sorts of ways that are only possible in a virtual world, but there was no blood or gore to make my stomach turn. That was definitely something I appreciated.
All in all, this was an amusing way to spend a couple of hours. It was a light, cheerful storyline that didn’t require the audience to do much analyzing at all. You just had to sit back and enjoy the show. There’s something to be said for movies like that!
No content warning is necessary. I’d recommend this movie to viewers of all ages and backgrounds.
Klaus is a 2019 animated children’s film about a young, wealthy man named Jespen whose father sent him to a small, freezing cold town called Smeerensburg in order to establish a working postal office there.
I’ll leave it up to you to learn why his father decided to do this. It was something addressed in the opening scene, but it was so important to the plot that I’d rather not give away any hints about it.
Smeerensburg was a community filled with families who were feuding with each other. Their grudges were so enormous that none of the children were even sent to school lest they end up sitting next to the child of a family their parents hated. This meant that many of the young citizens of this town couldn’t read or write!
Needless to say, this wasn’t an easy assignment for Jespen. Luckily, his budding friendship with a toymaker named Klaus provided one bright spot in his new life.
Jesper was a postman who’d never actually finished postman school. He could be selfish at times, but he was also a creative and intelligent person.
Klaus was the village carpenter who made toys that no one had ever played with. He was a deeply kind and generous man.
Alva was the town fishmonger who had originally trained to be a school teacher. Since it’s hard to teach an empty classroom, she’d been forced to change occupations and was not particularly happy about it. Her biggest wish at the beginning of this film was to move somewhere far away from Smeerensburg once she’d saved up enough money.
Márgu was a Saami girl whose family lived on the outskirts of town. She did not speak English, but she did love visiting Jesper and playing with the other children.
I’m writing this review as someone who doesn’t celebrate Christmas or enjoy the sentimentality of the holiday season, so what I’m about to say may come as a surprise: I loved this film!
Jesper was a wonderful protagonist. There was a lot of information about his backstory that I couldn’t include in this post for spoiler reasons, but he was a pretty well-rounded character…especially for something written for kids. I found it entertaining to see how he adjusted to life in dreary Smeerensburg. This wasn’t a cheerful place to live to say the least, and Jesper didn’t have a lot of experience in weathering unpleasant circumstances.
I also appreciated the lack of sentimentality (for the most part) in the story. Life in this community was hard for a lot of people, and the filmmakers showed as much of that as was appropriate for the age group they were marketing this towards. The fact that they managed to pull that off without including anything scary or too mature for kids to watch was impressive.
Honestly, some of the best scenes in this film were the ones that explained how the legend of Santa was formed.
For example, when and why did people first start believing that his sled was powered by flying reindeer? That question and many more were given funny, heartwarming answers that fit the tone of the plot perfectly. The photo near this paragraph gives a hint about another winter tradition that was explained in the plot, although that’s also something best left to each new viewer to discover for themselves.
A true selfless act always sparks another.
Speaking of Santa, I’m guessing you can all guess which character he was in this tale. The storyline began long before he or anyone else knew what his destiny would be. There were so many lovely hints about who he was becoming along the way. I’ve never seen a story that focused on his origins before, so it was a ton of fun to check this one out.
The quote I shared above and in the title of this post came from this character. He had a lot of wise things to say, but this was my favourite line from him. It captured the essence of this film beautifully. Smeerensburg had so many problems that fed into each other that it was hard for the people who lived there to imagine how anything could change.
I really liked the idea of focusing on small things individuals could do to make the lives of others better without expecting anything in return. That’s the sort of philosophy that I think would make the world a better place if it were followed by everyone.
There were plenty of humorous moments as well. While the message itself was a serious one, the characters had no problem cracking jokes to suit every age group. I enjoyed that mixture of serious and silly content.
This was one of those children’s films that I’d recommend just as highly to adults. Watching it was a wonderful experience.
Film Content Warning: blood, hypodermic needles, animal abuse, and animal deaths. These scenes were brief and were often more implied than actually shown. As always, this otherwise will be a spoiler-free review, and I’m happy to share more details in private with anyone who requests them.
Jurassic World: Fallen Kingdom is a 2018 science fiction adventure film that is the sequel to 2015’s Jurassic World. Fallen Kingdom is set on a fictional island about 200 miles southwest of Costa Rica called Isla Nublar where all of the dinosaurs from Jurassic World were relocated from a failed amusement park before this tale began.
Isla Nublar was intended to be the permanent home for the dinosaurs. When scientists realized that the volcano on that island was soon going to erupt, the main characters in this universe had to decide how and where to relocate the dinosaurs before Isla Nublar was destroyed.
If you haven’t seen Jurassic World or the original Jurassic Park trilogy from the 90s, before, don’t worry. There are plenty of references to the earlier instalments in the later films that are fun Easter eggs for devoted fans, but everything in this franchise has worked well as standalone stories so far. I will briefly fill you in on a few important details in my character descriptions, too.
I began discussing characters in the past tense in my first horror film review here to avoid the slightest whiff of spoilers about their fates. This is something I’ve continued doing for the sake of blog continuity and should not be interpreted in any other way.
This cast is on the larger side, but it’s important to know who everyone is before I jump into my review.
Chris Pratt as Owen Grady
Own Grady was the Animal Behaviourist hired by Ben to help round up as many dinosaurs as possible on Isla Nublar before the volcano destroyed them. He had previously worked as a Velociraptor trainer for the Jurassic World theme park in the first part of this trilogy, so he was an expert on the topic.
While he was impulsive at times, Owen was at heart a deeply kind and brave man.
Bryce Dallas Howard as Claire Dearing
Claire was the former Operations Manager of Jurassic World. After that theme parked closed down, she became a dinosaur-rights activist and founder of the Dinosaur Protection Group. Their mission was to round up as many dinosaurs on Isla Nublar as possible and relocate them somewhere safer.
Unlike some of the men around her, Claire was both emotionally and intellectually intelligent. She knew exactly how to read subtle signals from another person and adjust her behaviour accordingly. I try to avoid picking favourite characters in my reviews, but she was the lynchpin of this film.
James Cromwell as Sir Benjamin Lockwood
Sir Lockwood was one of the two people who originally invented the cloning techniques that brought dinosaurs back to life approximately twenty-five years before this tale began. He was as brilliant as ever, but his attention to detail had begun to waver due to his deteriorating physical condition.
Isabella Sermon as Maisie Lockwood
Maisie was Sir Lockwood’s granddaughter and heir. She had inherited his love of dinosaurs and science.
Rafe Spall as Eli Mills
Eli was Sir Lockwood’s personal assistant who required Owen and Claire to join the dinosaur rescue mission. He was an intelligent, ambitious man who was cautious about who he trusted and how much information he shared with them about his work.
Justice Smith as Franklin Webb
Franklin was a former IT Technician for Jurassic World who now worked with Claire at the Dinosaur Protection Group. His technological knowledge was excellent, and his quirky personality brought a dash of humour to the plot.
Daniella Pineda as Zia Rodriguez
Zia was the paleoveterinarian for the Dinosaur Protection Group.
She did a wonderful job of thinking on her feet in a crisis. Along with Franklin, she was a character I wish had been given more opportunity to shine in the plot. What I saw of their personalities was well-developed, and I loved the way they interacted with the rest of the rescue crew.
Ted Levine (centre) as Ken Wheatley. The characters behind him are his fellow mercenaries.
Ken Wheatley was a season mercenary hired by Eli Mills to provide protection for the rescue crew while they were rounding up dinosaurs.
He was a tough, assertive man who felt most comfortable when he was in charge.
B.D. Wong as Henry Wu
Henry was the head geneticist of both Jurassic World and the original Jurassic Park. There was no one in this universe who knew more about dinosaurs than he did.
One of the most interesting things about this film was how many different conflicts it included. The first quarter of the show were spent introducing the characters, explaining a few things about the first Jurassic World flick, and seeing how various characters reacted to the idea of saving the dinosaurs instead of letting them go extinct again.
No sooner was this conflict resolved than a few more took its place as the plot sped up. This was a cycle that happened multiple times during the roughly two-hour runtime, and it occasionally made me feel like I was watching a series of short films set in the same universe instead of one long one. This was something I grew to like quite a bit once I recognized the pattern.
The humour in this film was well done, especially when it came to Franklin’s lines. I mentioned earlier wishing that he and Zia had been given more screen time, and this was a big part of the reason why. They both had quietly lighthearted approaches to their roles that worked nicely for the subject matter.
Obviously, this is an action and adventure movie, so keep that in mind when reading this paragraph. One of the things I didn’t like was how little attention was paid to character development. Would I expect characters in this genre to have rich inner lives and dozens of minutes apiece to explore then? Of course not, but I would have liked to see more examples of people stepping out of the boxes they’d been places in.
The plot was fast-paced and filled with exciting explosions and scuffles, but the characters were a bit too predictable for me. There’s a difference between following the tropes of a specific genre and being chained to them. I did find my attention wandering at times due to how quickly I figured out what would happen to which character, and I’m saying that as someone who enjoys this genre in general. This was something I noticed the most with Ken Wheatley and Henry Wu.
With that being said, I still had a good time watching it. The CGI and animatronics for the dinosaurs was excellent as usual, and I loved seeing how various species reacted to everything from seeing a human to being captured to encountering lava. How a carnivore reacted to these things was nothing at all like a herbivore’s reaction. What made it even more interesting was seeing how members of similar species responded to the same stimulus. Those scenes were clearly thought out and a lot of fun to watch, especially if Owen was involved in any way.
The ending was handled nicely as well. I liked the resolutions that were brought to certain conflicts as well as the new questions Fallen Kingdom asked that will hopefully be answered in the final instalment of this trilogy.
If you have recommendations for future instalments of this series, I’d sure like to hear them. Leave a comment below or send me message about it on Twitter.
Astraea is a 2016 film that is set in a slightly futuristic version of what used to be the United States. The main character, Astraea, is a young girl living in what’s left of human society after an epidemic killed off a huge percentage of the population. She’s convinced that their brother and grandmother are still alive, and tries to convince her older half-brother, Matthew, to travel around North America in search of them.
Unlike a lot of post-apocalyptic societies, this one is pretty peaceful world. The human population is so small that it’s rare to run across another person in general, much less one who might have bad intentions.
I’ve reviewed several science fiction and fantasy movies for this site so far. This is the first truly hopeful one I’ve come across, so I thought I’d add it to the Hopeful Science Fiction reading (and now watching) list instead of writing a regular review for it.
Unfortunately, I wasn’t able to find photos of all of the characters like I normally do. This was an Indie film, so I’m guessing their fan base wasn’t large enough for them to have the resources or time to commit to such a thing. I was able to find photos of the two main characters, though, which is the most important thing.
Nerea Duhart as Astraea
Astraea is the protagonist, a teenage girl who may or may not have telepathic abilities. By the time she and her brother begin travelling to find their parents, there are very few living people left in North America. They spend the majority of their time with no company other than each other.
Scotty Crowe (left) as Matthew
Matthew is Astraea’s older brother. He is fiercely protective of his little sister. While he has doubts about whether or not their journey to find possible surviving relatives is a smart idea, he’s determined to travel with her and keep both of them safe.
Dan O’Brien as James
James is one of the few survivors of this plague that Astraea and Matthew met while travelling.After a tense misunderstanding during their first meeting, James and his wife, Callie, agree to give Astraea and Matthew food and shelter over the winter.
There Is Goodness In Our World
The first thing that struck me about this film was how ordinary life was for the characters despite the fact that they were technically living in a post-apocalyptic world. Their days were filled with going on food runs at the nearest grocery store, doing the occasional bit of hunting, keeping the fireplace burning, and finding ways to amuse themselves when those basic chores were finished. Their story happened during the winter, so their to-do lists were much shorter than they would be if the characters also needed to plant a garden or preserve food.
Honestly, I actually found the storytelling a little slow at times. It felt a lot like how real life unfolds. Most days are fairly ordinary and peaceful. Occasionally, someone might get into an accident, have an argument, or need medical treatment, but that is by the exception to the rule and it is always punctuated by other people doing everything they can to help.
This isn’t to say that the characters lived in perfect harmony all of the time. They had disagreements like any group of people living together are bound to do, but that was as far as the conflict went. Unlike violent shows like The Walking Dead, there were no roving bands of humans waiting to hurt the innocent folks they met on the road. The survivors were simply trying to stay alive through the winter.
Speaking of innocence, I was pleasantly surprised by how well all of the adults in Astraea’s life were able to protect her. She was seen as the child she was, and there was always someone around to make sure she had a nutritious meal to eat and a safe place to sleep. That isn’t common in this genre at all, and I found it refreshing. It wasn’t until I’d finished the scene that I looked up her name and realized that it is also the name of the Greek goddess of innocence. I’m sure the filmmakers did that on purpose. It was a wonderful reference that I’m glad I took the time to google.
Grief and Hope
All of the characters in this story lost people they loved in and shortly after the epidemic, so there were references to their deaths sprinkled in with the happier scenes. I appreciated the fact that the storytellers mixed these emotions together. There is hope after grief. You can miss someone who died recently or a long time ago and still find a reason to believe that tomorrow will be a brighter day.
In my quest to find hopeful science fiction, I keep circling back to stories that acknowledge the pain people experience during the course of a lifetime. There’s something immensely appealing to me about this sturdy kind of hope that thrives in difficult circumstances.
If you feel the same way, I highly recommend checking out this film.
Astraea is available on iTunes and Amazon Prime Video.