Category Archives: Science Fiction and Fantasy

Why It’s Okay to Take Breaks From Science Fiction and Fantasy

I have a confession to share with all of you. I’ve barely read any science fiction and fantasy books recently.

Since I’m a sci-fi writer and a longtime fan of these genres, I’m regularly immersed in thoughts about wizards, robots, aliens, spaceships, science experiments gone wrong, and all of the other tropes you can expect to find in them.

Science fiction and fantasy ideas show up in my dreams, tweets, and random conversations with my spouse, family, and friends.

Most of the time, I love living this way. I’ve read so many different series velw that I can quickly pick out how certain contemporary writers were influenced by tales that were published decades or centuries ago. One of the things I like to do when I’m standing in line or waiting for something is to try to pick out similarities between various universes that I hadn’t thought of yet.

Some authors take careful note of usual patterns in these genres only to figure out how to disrupt them at a critical part of the storyline. It takes a thorough understanding of how science fiction and fantasy stories typically play out to bend the audience’s expectations of how an adventure should end or how a hero is supposed to behave without alienating your readers.

My favourite storytellers are the ones like Douglas Adams who tiptoe across this line perfectly from the first scene to the last one.

With that being said, there can be a lot of repetition in any genre after you’ve spend many years exploring it. I know some people who truly enjoy the familiarity that comes with diving so deeply into this subject, and I completely understand where they’re coming from even though I don’t always feel the same way.

You see, spending time reading other types of stories only reinforces my love for science fiction and fantasy.

Taking Breaks Is a Good Thing

The nice thing about wandering between genres is that it gives the reader a chance to try something completely new. The romance and horror genres might both write about an abandoned graveyard, but the ways they used that setting would be nothing alike.* but  A thriller’s approach to a herd of runaway horses threatening to trample the main character would also be nothing like how a traditional western would solve that problem.

To give another example, a few years ago I began reading mysteries because I was curious about that kind of storytelling and hadn’t read much of it in the past. Needing to pay attention to every little detail of the plot in order to figure out who the murderer was as soon as possible changed the way I approached other genres. If you assume every odd detail might be important later on, it’s much easier to predict how a story will go when the author drops hints about future plot twists.

I also never would have guessed there would be so much crossover between mystery and science fiction, but to my surprise I found a lot of books that couldn’t be easily pinned into either category. This isn’t something I would have ever figured out if I’d stuck to a steady diet of pure science fiction and fantasy.

Lately, I’ve been reading a lot of young adult and non-fiction books. The young adult genre reminds me of what it felt like to be a child or teenager. Most of the non-fiction books I read are about history or science which are two topics that can be very useful for educational reasons as well as for eventually coming up with new ideas for my own stories. The longer I spend in these other genres, the more I begin to miss the ones I read most often.

The good news is that the science fiction and fantasy landscape is gigantic. My to-read list is still incredibly long, and it includes still includes a decent number of famous authors I’ve been curious to try but haven’t gotten around to yet.  It will be nice to chip away at this list once my break has ended. I’m already beginning to feel the first stirring of interest in magic and technology, so I suspect I’ll jump back into my regular routine soon.

*I have accidentally stumbled across one or two romantic horror tales in the past, though, so in those rare cases it would depend on whether the characters were preparing to fall in love or fight monsters.

How often – if ever – do you take breaks from reading your favourite genres?

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A Spoiler-Free Review of Alias Grace

“When you are in the middle of a story it isn’t a story at all, but only a confusion; a dark roaring, a blindness, a wreckage of shattered glass and splintered wood; like a house in a whirlwind, or else a boat crushed by the icebergs or swept over the rapids, and all aboard powerless to stop it. It’s only afterwards that it becomes anything like a story at all. When you are telling it, to yourself or to someone else.”
― Margaret Atwood, Alias Grace.

The miniseries Alias Grace is based on a Margaret Atwood book by the same name. I will give you a brief, spoiler-free introduction to the storyline before diving into my thoughts on it.

Interestingly enough, this book is based on a real Canadian murder case from the 1840s. Grace Marks, a young Irish servant, was charged with murdering her master, Thomas Kinnear, and his housekeeper, Nancy MontgomeryJames McDermott, a stable hand on Mr. Kinnear’s farm, was also charged with their murders.

He was hung for that crime, and Grace was committed to an asylum in part because she always claimed that she didn’t remember key parts of the day that Thomas and Nancy were murdered.

Many years later, a young doctor named Simon Jordan was hired to try to get to the bottom of what really happened by a well-do-to group of people who were convinced that Grace was innocent and hoped to see her freed from that institution.

The links above will introduce you to the rest of the cast and share photographs of them, although I should warn you that some of their character descriptions contain mild spoilers. This was especially true for Nancy Montgomery. As interesting as the secondary characters were, though, Grace was the star of this show and therefore who I’m going to be focusing on in this post.

Grace’s timid personality was what first drew me into the book when I read it many years ago. She was afraid to do anything that might be misconstrued in any way, especially if it had to do with improper interactions with people from higher social classes. This personality trait continued even decades after her trial when most of the folks who wanted her to  be hanged for her alleged crimes the way James had been were no longer capable of harming her. That was fascinating and at the same time quite sad to me.

I can’t say too much else about Grace’s backstory without venturing into spoiler territory, but I can tell you that she was a desperately poor immigrant from a despised culture who came to North America with her family in search of a better life when she was a teenager.

Analysis

“People dressed in a certain kind of clothing are never wrong. Also they never fart.”
― Margaret Atwood, Alias Grace

Last spring, The Handmaid’s Tale showed audiences what the future could be like for women. Alias Grace explored what  poor, working class, and otherwise low-status women living in Canada and the United States in the 1840s and 1850s were up against every time they went to work, or took a walk down the street, or simply tried to exist while being female.

While there were certainly elements of the plot that could be interpreted as paranormal, the core story was steeped in the bitter truth about what the “good old days” were really like for anyone who wasn’t wealthy and powerful. This was even more true for girls and women like Grace whose gender made them extremely vulnerable to any unscrupulous person who crossed their path. They could be – and often were – abused in many terrible ways without the men who harmed them ever facing any consequences for their actions.

When this happened, it was always assumed to be the woman’s fault. There was no room for shades of grey in that debate . This coloured Grace’s story in many ways, from how hesitant she was to share certain memories to how willing the people around her were to take her words at face value.

If you have a narrator who has been socially conditioned to strictly repress certain things through threats of violence or the permanent loss of any type of employment that isn’t prostitution, how do you know that she isn’t only telling you what you want to hear in order to protect herself? Likewise, how do you know that the wealthy and powerful characters haven’t also distorted the truth to suit their wishes?

While society has changed a lot over the last 160 years, these questions are still relevant to us today. As I neared the end of this series and began to read multiple news stories about various famous men who have been accused of abusing the people who worked for or beside them, I couldn’t help but to compare the things some people say about the accusers in 2017 to what they would have said in the mid-1800s:

She’s a liar.

She was asking for it.

It’s her fault. 

She should have known better.

As much as western society has evolved into a kinder, gentler, and more just place since the mid-1800s, some things haven’t changed much at all.

Keep this in mind as you watch this show, especially the violent moments that would be easy to judge from a twenty-first century perspective. So many of these scenarios have been repeated over and over again throughout history. Only recently have there been any attempts at all to correct them, and humanity is still feebly stumbling over many of those corrections. To the extent that black-and-white answers exist at all, they are not easy to find in or apply to Grace’s world because of how unethical the justice system was there to begin with.

No, this does not mean I’m condoning the murders of Thomas and Nancy. I have never and will never cheer for the death of anyone, but I do want to warn my readers that this isn’t the kind of show that wraps everything up neatly for the audience.

No one was completely good – or evil – in this universe. There were moments of pure kindness in characters who otherwise made my skin crawl and dark streaks in characters who were otherwise virtuous.

 

Was Grace Really a Murderer?

“If we were all on trial for our thoughts, we would all be hanged.”
― Margaret Atwood, Alias Grace

One of the biggest reasons why I loved this mini-series so much had to do with how thoroughly it explored this question from every angle it could from the first episode to the last one.

Viewers who believe she was guilty can find plenty of evidence to support their claims.

Viewers who believe she was innocent can find plenty of evidence to support their claims.

Viewers who believe other explanations, ranging from the paranormal to the psychological, can find plenty of evidence for their claims as well.

I had a strong opinion about what happened when I began watching part 1. By the time I finished part 6, my mind had changed at least three or four different times as new evidence was brought to light and possible contradictions to previous evidence was revealed to the audience.

This is the kind of storytelling that keeps me coming back for more. When I rewatch this series again this winter, I have no doubt that my mind will change yet again.

Once you’ve seen this show, I’d be happy to discuss specific details of the case with anyone reading this who would like to know what I ultimately decided about Grace’s culpability. It was difficult to write this section without giving away hints about how it ended or what I decided, but I couldn’t discuss Alias Grace without acknowledging the most pressing question in the storyline.

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10 Fantasy Books I’d Recommend to New Readers of This Genre

Last August I blogged about science fiction and fantasy books I’d recommend for elementary, middle school, and high school students.  Last week I blogged about science fiction books I’d recommend to adults who are unfamiliar with that genre.

Today let’s talk about books that are a wonderful introduction to fantasy in general for anyone who hasn’t explored this genre yet. I’m much more selective about what types of fantasy fiction I read than I am about science fiction. On the positive side, once I fall in love with a fantasy story I will become one of it’s biggest advocates for many years to come.

I generally have a preference for fantasy tales that were written for children or teenagers for reasons that are hard to tease out. This list reflect that, although there are still plenty of novels for adults on it as well.

Fantasy is a genre that requires a lot of world-building in order to make an unfamiliar place feel like home for the readers, so there won’t be any short stories in today’s post. Longer novels usually do better in this regard in my experience.

Finally, I gravitated towards books that have been made into films, TV shows, mini-series, or plays. I often prefer to watch fantasy rather than read it because of how rewarding it is to see a world I’ve spent years dreaming about finally come to life, dragons or intelligent little rabbits and all. Nearly all of the recommendations below have been transformed into one of these things at least once.

Alice’s Adventures in Wonderland by Lewis Carroll.

First of all, everyone’s heard of Alice’s Adventures in Wonderland. There are references to it everywhere, and for good reason. This was actually one of the first fantasy tales I ever read, and it’s something I enjoy going back to visit again every so often.

The scene that made me a lifelong fan was the one where Alice drank a potion and magically shrunk to a fraction of her size. I giggled the first time I read it, and it’s still charming to me to this day.

The Princess Bride by William Goldman.

I saw The Princess Bride movie years before I had any idea it was based on a book. It was a fairy tale that seemed to somehow be self-aware, and it was like nothing I’d never read or heard of before. I’m still not entirely sure if it was supposed to be a kindhearted parody of the fantasy genre or an homage to it. Given the tongue-in-cheek but ultimately warm and supportive writing style, it’s probably a little of both.

What I do know about this story is that it’s timeless and appeals to kids and adults alike. To me, this is a sign of great fantasy.

The Mists of Avalon by Marion Zimmer Bradley.

Before I read The Mists of Avalon, I’d never known that retelling a classic legend from the point of view of an antagonist was something that had been or could be done. Morgan le Fay was someone I’d barely heard of at that point, and all of the reference to her in the versions of the older King Arthur legends I had read were fairly negative.

It came as a shock to me, then, to read about Arthur’s life and kingdom from the perspective of Morgan. I was fascinated by all of the details of her life that the author invented in order to explain why this character made certain decisions and why the other characters didn’t always understand her.  Morgan became much more human and likeable to me after I finished The Mists of Avalon.

Bridge to Terabithia by Katherine Paterson.

Creating imaginary worlds and then playing in them is arguably one of the best parts of childhood. Terabithia was as complex and magical as any other world a kid could imagine, and I loved reading about Jesse and Leslie’s adventures there.

This is also one of the few fantasy novels I’ve ever read that had a sad ending. I don’t give generally give away spoilers in my posts, but I would recommend being cautious with this one for readers who are younger or sensitive.

Harry Potter and the Philosopher’s Stone by J.K. Rowling.

Every once in a while I run across someone who has never read the Harry Potter series. I’m slightly surprised every time it happens, but I’m sure there are other series out there I haven’t tried yet that others would have the same reaction to.

This series is a smart introduction to modern fantasy for a few different reasons: it has a large fanbase; the movies were well done; the story telling only gets stronger as the series continues. It’s also aged well and is something I expect people to continue to read for generations to come because of that.

The Phantom Tollbooth by Norton Juster.

I have one word for you: puns. This story is brimming with them, and it only makes the Kingdom of Wisdom even more amusing than it would have been otherwise. I also enjoyed the messages embedded in this one about the importance of education and the wonders you can discover if you explore the world around us with curiosity.

The fantasy genre can be quite good at exploring messages like these without feeling preachy or pushing the main plot off topic. The Phantom Tollbooth did a fantastic job of showing the readers the importance of these things without skimping on the development of the plot.

The Golden Compass by Phillip Pullman.

Disclaimer: I haven’t read the other two books in this trilogy yet. My recommendation only extends to The Golden Compass at this point.

This is the heaviest and most complex book recommendation for today’s post. I almost deleted it and replaced it with something else, but I eventually decided that it should stay. Complexity isn’t a bad thing, and neither are stories that are darker than what is typical for the age range or genre they were written for.

How do you know what is real? What do you do when your experiences of the world don’t match the orthodox explanations for how things work? When should – and shouldn’t – we trust authority figures simply because they’re authority figures?

These are hard questions for adults to answer, and they’re even tougher for kids to comprehend. I enjoyed seeing how Lyra tried to figure out what the truth really was regardless of who wanted to stop her.

 

Watership Down by Richard Adams.

Watership Down was something I discovered shortly after I developed my love of rabbits. The idea of reading an entire story about a fluffle* of rabbits who were searching for a new home was quite appealing, and I only enjoyed it more once I realized just how unique each rabbit was and how much they all mattered to the plot as well as to their urgent need to find a safe place to call home.

*No, I am not being cutesy here. This is the technical term for a group of rabbits, and I love it.

A Christmas Carol by Charles Dickens.

Not only is this a classic Christmas story, it’s a magical glimpse into what fantasy can look like if its set in an urban society that barely seems aware of its existence at all. Out of all of the different types of fantasy out there, this one is my favourite. It’s exciting to find the subtle hints that a fantasy realm has influenced an otherwise completely ordinary society.

Having such an ordinary setting also made Scrooge’s encounters with the Ghosts of Christmas Past, Present, and Future even more poignant than they would normally be. Who would have guessed that such a wealthy, greedy, and powerful man was being quietly watched by beings who desperately wanted him to change his tune before it was too late?

 

The Stand by Stephen King.

Will the world end with a bang or a whimper? This novel was so long that I only managed to read through the whole thing once. All of those extra pages and scenes were used to to create a frightening world in which 99.4% of the human population died from an unforgiving virus that had been accidentally released into the general human population.

The survivors were gradually separated into two distinct groups, one lead by a devil figure and the other lead by a woman who is fighting on the side of good. That’s when the plot became a must-read for me. This is such a classic trope in the fantasy genre, and it was explored fully in The Stand.

How about you? What fantasy books would you recommend to new readers of this genre?

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10 Science Fiction Books I’d Recommend to New Readers of This Genre

Last August I blogged about the science fiction and fantasy books I’d recommend for elementary, middle school, and high school students. Today I’m talking about science fictions books I’d recommend to adults who have never read anything in this genre before. Next Thursday I’ll be blogging about books in the fantasy genre that I think every adult should read.

While science fiction and fantasy are typically grouped together in the SFF genre, there are enough differences between the two of them as far as storytelling goes that they deserved to have separate posts.

I focused on a few different criteria for this week’s list. The books I recommended obviously needed to be completely understandable to someone who has no idea what the tropes or common themes of this genre are. That criteria alone was a little tricky to meet, but I think I did a pretty good job of picking tales that didn’t use a lot of jargon.

Many sci-fi novels include jokes or subtle references to other, older works. As much as I love what’s happening with modern science fiction, I honestly do think that the classics are the best place to begin because of how influential they are and how often they are still referenced in books that were published decades later.

I also quickly developed a preference for short stories while I was working on this list. It’s much easier to convince someone to devote 15 minutes to reading something short and sweet than to hand them a 400 page book that may take weeks or months to finish. All of the short stories on this list are available to read for free online, and I’ve provided links to them below.

Rain, Rain Go Away by Isaac Asimov.

This is a deceptively simple short story about a group of people who are waiting for the rain to stop. The twist ending is something I adored the first time I read it, and I hope it will appeal to new readers as well. I wasn’t able to get a picture of the cover for this one because it was published as part of an anthology years ago and I couldn’t get the cover for that book to load into this post.

The Ones Who Walk Away from Omelas by Ursula K. Le Guin.

What would you do to live in an utopian society? I loved the way this short story forced its audience to think hard about that question. There is so much more I want to say about it, but everything else I could add would give away spoilers.

Frankenstein by Mary Shelley.

I’m always surprised by how many people have heard of this book but never actually read it. If someone is in the mood to dive into nineteenth century horror and science fiction, this is the perfect place to start. Yes, the pacing is much slower than what you’d typically read in 2017, but with that slower pacing comes many opportunities for the author to painstakingly explain why Victor Frankenstein created his monster and what happened once it came to life.

Brave New World by Aldous Huxley.

This book was the blueprint for many future dystopian novels, including Oryx and Crake which I will be discussing below. It covers everything from the horrors of being monitored by your government in every moment of your life to what happens when science figures out how to alter the intelligence of large portions of the population. I especially enjoyed the sections that showed how scientists reduced the intelligence of fetuses that were not destined to become the leaders of their society.

Fledgling by Octavia Butler.

I’d make this entire list out of Octavia E. Butler’s books if I could. (Maybe someday I’ll devote a post specifically to her?)

She is such a creative writer, especially in this tale which is neither as heartwarming as you’d expect a story about a child to be nor as as chilling as you’d expect vampire fiction to be. The beautiful tension between those two concepts is one of the many reasons why her tales are such an excellent introduction the this genre.

Oryx and Crake by Margaret Atwood.

One of my favourite parts of the science fiction genre is general is how it gets readers to pay attention to critical social, political, and scientific issues by framing them as fiction and allowing the audience to draw their own conclusions about other ways to interpret those scenes.

Oryx and Crake is the introduction to the MaddAddam trilogy, and I was mesmerized by it from the very first scene. After a single man destroyed the entire world, the small handful of remaining characters had to figure out how to survive in a society where genetically-engineered organisms and crumbling buildings are really all that’s left of humanity’s legacy. The science in this tale is at times wacky, frightening, and mind-blowing. It is a must-read.

The Sparrow by Mary Doria Russell.

Many books about humans meeting aliens assume we will have the upper hand. This is one of the ones that doesn’t, and that made it even better than it otherwise would be. The other reason why I’d recommend it to newcomers to this genre is that it was very good at asking philosophical questions about everything from what it means to be human to what we might be able to expect if we ever met another sentient race.

All Summer in a Day by Ray Bradbury.

I know I’ve recommended this before in a Suggestion Saturday post, but I had to give it some attention again. The science fiction elements in this story weren’t actually mentioned right away, and if you blinked you might have missed them entirely until they were talked about again.

Somehow the subtle nature of that part of the storytelling made the ending even more satisfactory.

 

The Lottery by Shirley Jackson.

This wasn’t a friendly piece of science fiction, but it is an important one. My favourite high school English teacher assigned this to us. I don’t remember what she said about it after we read it, but I do remember how disturbed I was by the way this society was set up.

 

Y: The Last Man by Brian K. Vaughan.

There are many fantastic graphic novels out there, but this is the best one I’ve read yet. The idea of being the last man – but not the last human – on Earth fits so nicely into the science fiction genre, especially once the main character realized what had happened and began to figure out what to do with his life from that point forward.

What do you think of my list? What have I missed?  I’d love to hear your thoughts on it on Twitter today.

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Tailored Book Recommendations Are the Best

The Chronicles of Narnia was one of the first series I remember being recommended to me. My generous uncle gave me all seven books in that series at once when I was in elementary school.

As soon as I read The Lion, The Witch, and the Wardrobe, I began quietly touching the back of every closet to see if it contained a wall behind the clothing hanging in there or if it would somehow lead me somewhere interesting. I was a little young for the later, darker instalments at the time, but I loved the first few stories immediately and soon grew up enough to enjoy the rest, too.

One of the things I loved the most about the magic in that world was how unpredictable it was. Aslan didn’t always show up when you expected him to, and he didn’t necessarily meet my expectations of what the creator of a planet would be like either. I spent more time than I care to admit memorizing little details about Narnia and wondering what it would be like to go there for real.

When my uncle heard how much I adored his gift, he came up with something even better for the next round of gift-giving: copies of The Hobbit and the Lord of the Rings trilogy.  The Hobbit was an instant hit with me. I loved Bilbo’s cautious nature and the exciting details of his trek to The Lonely Mountain. It was one of my first brushes with characters who were in real danger when they went on an adventure. This was a more treacherous world than the one the Pevensie children knew.  There were no adults around to save them, and I was never entirely certain if Bilbo or his companions would make it home safely again.

Not only were there carnivorous trolls in The Hobbit, Bilbo also had to face conniving Gollum (whose backstory and identity wasn’t revealed until The Fellowship of the Ring), gigantic spiders who also wanted to eat him, and many other perils.

My uncle knew what he was doing when he recommended these stories to me. The basic rules of magic were different in each universe because one was written for a younger audience than the other was, but they were both filled with creatures whose very existence tickled my imagination.

Tailor Your Recommendations

Suggesting the right book for someone is kind of like giving them clothing. Knowing the right size (or genre, in this case) will go a long way in helping you pick something out, but there are many other small details that matter as well. You have to know someone incredibly well in order to have any chance at all of giving them something they’ll want to use or read over and over again.

There have been times when I’ve recommended books to people who ended up not enjoying those tales at all. In other cases, I’ve had books recommended to me that didn’t quite fit my tastes.

Other than obvious errors like writing two-dimensional characters or using cliches excessively, so much of what goes into a great story is subjective. You might be bored stiff by plot lines that I love, and I might feel the same way about the stories that someone else could spend all day reading without ever growing tired of them.

So it came as a huge surprise to me when a friend recently recommended a book that I’m loving so far: The Utterly Uninteresting and Unadventurous Tales of Fred, the Vampire Accountant by Drew Hayes.

Fred was a completely ordinary man who was turned into a vampire as an adult. He gained strength and became a physically healthier version of himself, but he otherwise remained the same shy and quiet man he’d always been.

No, he didn’t sparkle in the sunlight, seduce teenage girls, radically change his habits, or suddenly have the nearly-supernatural ability to conquer the world. (There’s nothing wrong with liking any of these tropes, of course, but they’re not the kind of storylines I generally want to read about).

Honestly, other than the fact that he drank blood and was now allergic to daylight, Fred reminded me of myself and of a few of my friends. He had a kind soul and a sharp wit. Sometimes he worried more than he should. He wasn’t the life of the party, although he was incredibly likeable and charming once you got to know him beyond his day job and strange affliction.

This is the kind of vampire fiction I will never get enough of. It has a dry sense of humour and a realistic take on what it might be like to become a vampire but still have nearly all of the problems from your old life following you around.

Will you like this story? I don’t know. There are some readers who I’m sure will stop a few pages in once they realize that Fred is breaking nearly all of the rules that have ever been made about what a vampire is supposed to be like. It’s completely okay for them to do that, and I hope they find what they’re looking for elsewhere.

When I recommend this tale to people in the future, I’m going to save it for folks who enjoy unconventional monsters, sarcasm, and the realization that becoming a vampire isn’t always all it’s cracked up to be. There’s an audience out there for every book and a book that’s perfect for even the most selective reader if you look long enough for them.

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I Have a Guest Post at The Alexandria Papers About The Handmaid’s Tale

Alexandria Constantinova Szeman published a guest post from me yesterday afternoon. Click on the link below to check it out.

Nolite te Bastardes Carbundorum: A Spoiler-Free Review of The Handmaid’s Tale.

I will be back here on Thursday with another post. In the meantime, I’ll see you over on Alexandria’s site today!

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14 Science Fiction and Fantasy Shows I Can’t Wait to Watch This Season

When I originally started working on this post, I was planning to say that I don’t watch very much television. As you’re about to discover from this list, though, I was wrong about that. There are far more SFF shows that I enjoy than I originally thought!

Click on the titles of each shows to read descriptions of their plots. The premiere dates I’ve written down are valid for Canada, and they’re arranged chronologically.  I’m also sharing my spoiler-free reasons for anticipating them below the links.

 

The Orville

Season 1 premiered: Last night (September 10).

Other than the animated series that I’m still slowly working my way through, I’ve seen every episode of every Star Trek show that’s ever been made. I’m looking forward to watching this homage to this universe, although I’m still not sure what to expect from it yet. The previews for it make it sound like a comedy, but the reviews I’ve read say it’s mostly serious. It will be interesting to see what it’s actually like.

Since I don’t have cable I watch most of my shows a day later using iTunes season passes, so I’ll know more after I’ve had a chance to see the series premiere tonight.

 

 

People of Earth

Season 2 premiere: September 19.

Sentient aliens are real in this universe, and they abduct certain people regularly. Season 1 showed us why this happened, so I’m hoping season 2 will dig more deeply into what the aliens want from the people they capture. This is one of the funniest shows I watch, although it did take an episode or two for me to get to know the main character well enough to find all of the humour in his reactions to the strange things that happen to him.

The Good Place

Season 2 premiere: September 20.

All of the characters in this show are either dead, robots, or angels. This isn’t your typical version of the afterlife, though, and the hijinks they all got into last season made me laugh so hard that I felt like I couldn’t breathe. Without giving away any spoilers from season 1, the afterlife is a far more complicated place than one might imagine. They explored that beautifully in the beginning, so I can’t wait to see what they do with these characters next.

 

 

Star Trek: Discovery

Season 1 premiere: September 24.

As with The Orville, I’ve heard a lot of different theories about what Star Trek: Discovery will be like. I’m excited to see how the Stark Trek universe will be revisited regardless of which theory turns out to be true. For the time being, I can’t even begin to guess what I’ll think of it or whether anyone has made correct predictions about its theme.

Lucifer

Season 2 premiere: October 2.

Imagine what it would be like if the Devil developed a crush on a human woman and began helping her solve criminal cases in an attempt to grow closer to her. (No, none of this is a spoiler. It was all revealed in season 1, episode 1 of this series). I absolutely love Lucifer’s witty, charming, and slightly dark personality. There are other sides to him that are completely unexpected as well, although I’ll leave it up to you to discover what they are.

The Shannara Chronicles

Season 2 premiere: October 11.

The first season started off a little slow, to be honest with you, but I really came to enjoy the world building. There was a lot of it once the audience got into the second half of the season, and it all fit together incredibly well. Give this one a chance if it doesn’t appeal to you right away. It has a lot of creative spins on the typical fantasy universe.

 

 

Stranger Things

Season 2 premiere: October 31.

I couldn’t believe how much the standards for childhood supervision, nutrition, and discipline have evolved since the 1980s. What many people would consider semi-neglectful these days was apparently par for the course for the 1980s (as far as not supervising children goes. There was no graphic child abuse here, only kids being left to their own devices for hours on end every day). The plot itself was also complex and written wonderfully. Season 1 was wrapped up beautifully, but it also left plenty of unanswered questions for season 2.

Marvel’s Runaways

Season 1 premiere: November 21.

I’m not generally a fan of the superhero genre, but I really enjoyed the Runaways graphic novels when they first came out years ago. I will be giving this series a try this November. Only time will tell if this story translates well to the small screen for my tastes.

 

 

Glitch

Season 2 premiere: November 28.

This is a show that I actually convinced my zombie-hating mother to watch! The characters were zombies in the sense that they came back from the dead and no longer exhibited many of the same life signs that normal people do. They weren’t violent or scary in the least, although I’m really hoping that the plot will dig more deeply into what exactly is going on with their physiology in season 2.

Beyond

Season 2 premiere: February 2018 (tentative).

The first episode of this show reeled me in immediately. While there were a few times when my attention lagged later on in season 1, I’m still extremely curious to see what happens to the characters next. The main character was someone who spent many years in a coma after an accident when he was a kid, so there is still a lot of stuff he hasn’t figured out yet about adulthood and what happened to him while he was comatose. That’s about all I can say about this one without giving away spoilers, but it was thought-provoking for sure.

 

Westworld

Season 2 premiere: Spring 2018 (tentative).

If the science fiction and western genres had a love child, they’d name it Westworld. Basically, it’s about a group of highly unusual people who are living in a violent, wild-west-themed amusement park that wealthy folks visit. I hate to be so vague about this show, but many of the plot twists later revealed in it contain major spoilers. This isn’t the sort of thing to watch if you’re triggered by include rape, murder, or assault, but the storytelling is incredible for anyone who doesn’t mind those kinds of themes.

 

The Handmaid’s Tale

Season 2 premiere: April 2018 (tentative).

Anyone who has followed this blog for more than a few months knows how much I adore this series. I can’t wait to see what the writers do with universe next, especially since the novel it’s based on left so many unanswered questions for the audience. All of my theories about what will happen next are full of spoilers for later episodes of season 1, so I won’t go into any detail about them here.

Timeless

Season 2 premiere: Summer 2018 (tentative).

Time travel isn’t something I typically seek out in science fiction shows, but this one takes a smart and sensible approach to the topic. I especially loved the fact that the characters who weren’t white men acknowledged the often serious difficulties they faced when the group visited certain times and places. Many eras were downright dangerous for people who were black and/or a woman.

 

The Magicians

Season 3 premiere: 2018 (tentative).

The best way I can think of to describe this series is to say that it’s Harry Potter for grown-ups. Magic is real, and adults who have the natural ability to perform magic are sent to a special boarding school to learn how to control and use their powers. Given that they’re all healthy, young adults, there’s plenty of sex, drugs, alcohol, and dangerous hijinks along the way. I wasn’t a big fan of the first few episodes on my first attempt at watching them, but the plot dramatically improves as you move into season 1. I’m hoping to finish season 2 by the time season 3 airs.

What science fiction and fantasy shows are you looking forward to watching this season?

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We Need Less Romance in the Science Fiction and Fantasy Genres

I feel a few feathers ruffling already out there in cyberspace, so let me explain.

One of the most bizarre and irritating trends I’ve been noticing in this genre over the last few years has been romantic plots being crookedly tacked onto every kind of story you could possibly imagine in this universe for reasons that defy explanation: zombie; post-apocalyptic; historical; otherworldly; ghost; slasher; psychological horror; speculative; deep space; futuristic.

There have been times when I’ve read something that spent the first 90% of the plot focused on characters painstakingly exploring new planets, outrunning zombies, or figuring out what all of those strange noises were in the old farmhouse the main character and their family have recently moved it.

Suddenly, the last twenty pages of it turned into the main character falling in love and living happily ever after.

Wait, what? Did the author honestly not remember what their character was like for the first 180 pages of their story?

Mixing Genres Isn’t Always Smart

If you read a lot of sweet and gentle romances, imagine how you’d feel if the characters you were beginning to get to know and love suddenly started finding dead bodies on the sidewalk while they were out on dates. It might be a fun twist if it happened once or twice to characters who happened to work as detectives or had other reasons for needing to investigate a decaying corpse while also falling in love, but wouldn’t it be odd if it started happening regularly?

Mixing genres works amazingly well for certain types of tales, and I definitely see the value in it if the storyline can juggle two or more different styles of writing at the same time. However, there’s also something to be said for allowing genres to exist in their own worlds without trying to market to every conceivable audience who might read the blurb and find something interesting about it.

Happily Ever After Is Different for Everyone

I understand the urge to market stories to more than one audience. There have been scifi romances – and even a few regular romances –  that I thought were incredibly well written in the past, but I’m growing tired of the trend of pushing romance into so many SFF books regardless of whether or not their plots actually call for that kind of subplot.

Not every character should end their arc by finding a life partner. In some cases, this flies in the face of everything that character has done and said over the last X number of pages or books.

It bothers me when a book randomly tacks on a relationship or marriage to give the characters a happy ending after they’ve spent most of the storyline pursuing any number of other goals in life, from discovering a cure for a fatal disease to finally defeating the big villain who has  been skulking around and killing any secondary characters who wanders into their path.

Happily ever after might be falling in love for one character after they’ve defeated the villain, but it could also involve:

  • Adopting a dog from the local animal shelter
  • Making peace with their past for good
  • Changing their name and moving to Brazil
  • Buying a new house if the spirits in their old house refuse to move on
  • Learning a second or third language
  • Finally getting a good night’s rest after spending the last 3 books evading henchmen or the undead
  • Inheriting a massive fortune and dedicating their life to donating it to good causes

Or any number of other experiences, goals, or plot twists. The possibilities are endless, and yet endless numbers of books in this genre try to shove everyone into the love and romance box.

Love isn’t the Only Emotion Worth Exploring

One of the things I enjoy the most about the sci-fi genre is when it uses otherworldly experiences to explore universal emotions. A robot or rocket ship on its own is cool, but it’s even better when it shows us the best and worst of human nature.

Here’s the thing, though: love isn’t the only emotion out there. Grief, anger, sadness, doubt, fear, disgust, joy, anticipation, trust, and many other emotions are just as complex and worthy of exploration as love is.

You can learn a lot about a character by discovering how they react when they’re frightened, surprised, lonely, or excited. Falling in love is part of the human experience (for the majority of people), but there are so many other ways to show who someone is, flaws and all, without pushing them into a romance.

Not All Love is Romantic

Finally, not every form of love is romantic. If the SFF genre had shifted to include more explorations of the love between friends, family members, a person and their dog, or a cat and their human,* I would be much more interested in the topic.

Unfortunately, non-romantic forms of love receive much less attention in genre fiction than they should. I actually get excited when I pick up a mystery, horror, or sci-fi novel and realize that the main character’s deepest and most meaningful relationship in their life is with a pet, friend, or family member.

*Because we all know that cats have pet humans, and not the other way around. 😉

Have you noticed the same trend in this genre? What do you think of mixing genres in general? Let’s talk about it on Twitter today!

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Who to Follow on Twitter If You’re Into Science Fiction and Fantasy

I’m starting a new series of posts on this blog today about who you should follow if you’re new to Twitter and want to dip your toes into specific communities there.

This week I’m going to be recommending Tweeps who talk about science fiction and fantasy who aren’t currently as well known as, say, J.K. Rowling or Margaret Atwood.

My goal is to highlight hidden gems and introduce you to accounts that you very well may never have heard of before.

Future parts of this series will be used to discuss mindfulness and fitness. I do not know how many other parts there may be after those posts, but I am brainstorming more ideas for it.

Without further delay, here are my favourite sci-fi and fantasy accounts from the Twitterverse. If you have suggestions for specific accounts to recommend or topics for a future post in this series, I’d be quite interested in hearing about them.

@babadookgay

Yes, these tweets are written from the perspective of the monster in The Babadook. After that film was released, some fans jokingly speculated that the Babadook was gay because it’s still so uncommon for LGBT people to be represented in the movies.

No, his account isn’t scary (unless you’re anti-gay). His tweets are actually about acceptance and the joy of finding kindred spirits in the most unlikely places. Reading them is a warm, happy experience for me.

@SarcasticRover 

Imagine what a sentient, sarcastic Mars Curiosity would be like. Their photographs and comments about what it’s like to roll around on Martian soil all day are quite funny and well done. This is a humour account, not a scientifically-minded one.

@bitsofpluto

This is a good account to follow if you have any interest in Pluto or space exploration in general and want to take a science-based approach to your research. The bot running it tweets photos of various sections of Pluto without commentary. It is up to the audience to come up with our own theories about the meaning and value of those photographs.

From what I’ve seen, this account does not respond to people who talk to it. That isn’t something that bothers me, but I know some people on Twitter who feel otherwise.

‪@PIutoThePlanet‬

On a more whimsical note, this account speaks from the perspective of Pluto itself. Imagine being a lonely planet that occassionally notices a satellite flying by to take its picture.

Pluto doesn’t tweet very often, but when it happens it’s definitely worth paying attention to. It is much less sarcastic than the SarcasticRover.

‪@FolkloreThurs‬

The woman who runs this account tweet and retweets pieces of folklore from every corner of the globe on Thursdays. #FolkLoreThursday is the hashtag you’ll need to find these tweets each week.

I’ve been lurking and occasionally participating for a few years now, and I’ve learned about so many stories and traditions that I’d never heard of before. The community that has built up around this hashtag is warm and welcoming to newcomers. Don’t be afraid to jump in with questions or your own contributions if this is your sort of thing.

‪@apexmag‬

I’ve sung the praises of this literary magazine before, but Apex Magazine is still my favourite place online to find new SFF fiction. This is a wonderful place to begin if you’re in the market for free short stories and/or interviews with contemporary writers in this field. I’ve discovered many amazing authors and books through them.

‪@PlioceneBloke‬

Yes, this is exactly what it sounds like. Imagine a caveman tweeting about all of the things the first humans have discovered, invented, and learned.

Some of them are funny. Others are poignant. Occasionally he even tweets about current events from the understanding of a hunter-gatherer whose culture is completely different from our own.

@atlasobscura‬

Go here if you’re in the mood for some inspiration for your own stories or if you simply enjoy reading about the bizarre but true things that sometimes happen in our world. It’s a very eclectic mixture of sub-genres, topics, and ideas.

I don’t even know what else to say about this account. It seriously has something for every niche in the SFF community, and then some!

@MicroSFF‬

Imagine reading a SFF story that has been condensed to 140 characters or less. I am regularly amazed by how the owner of this account manages to pack so much storytelling in such a tiny amount of space.

The person who runs it is friendly and often responds to feedback. This doesn’t happen with all of the accounts I’m recommending today, so start here if you’re most interested in following people who will interact with you on Twitter.

‪@MagicRealismBot‬

If MicroSFF is a full story, MagicRealismBot is an idea. Not all of their ideas make sense, but some of them are great prompts if you’re looking for a partially-formed plot or character for your own writing. Like bitsofpluto, this is run by a bot. Don’t expect an answer if you tweet back at them, but do enjoy the ride.

@AwfulFantasy

Not every SFF story is going to appeal to everyone. If you have any pet peeves in these genres at all, this is definitely the account to follow. It pokes fun at all kinds of tropes, stereotypes, and overused plot devices in clever ways.

What are your favorite science fiction and fantasy accounts on Twitter?

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My Most Anticipated Upcoming Movies of 2017

2017 is more than half finished now, but that doesn’t mean there still aren’t plenty of great movies coming out between August and New Year’s Eve. I recently researched what films are scheduled to come out over the next 5 months, and I was surprised by how many of them I’m looking forward to watching.

 

 

 

 

 

 

 

 

 

 

Starship Troopers: Traitor of Mars. In theatres on August 21.

I’m going to cut straight to the point here. Was the original Starship Troopers movie from 1997 cheesy? Yes, and that was a huge part of the appeal of it for me. Sometimes the best scifi is the kind that involves fighting gigantic bugs on faraway planets and occasionally cutting away to a futuristic commercial.

I can’t wait to see what else is going on in this universe. It’s one of the best ideas for a 90s sequel that Hollywood has had since Fuller House was announced.

 

 

 

 

 

 

 

 

 

Geostorm. In theatres on October 20.

There have been many natural disaster movies made in the past, but I can’t think of a single one that was caused by malfunctioning computers. This plot point alone was enough to make me curious about this film.

I’m assuming that a hurricane is a hurricane no matter how it came about, but there’s always the possibility that the writers have come up with some truly creative twists on this old trope. This is the kind of movie that I’d want to wait to rent until it was available on iTunes. As interested as I am in watching it, it will be even better if I can watch it from the comfort of my own home.

It doesn’t strike me as something that requires a big screen and a room full of strangers in order to enjoy it. Then again, I feel that way about almost all films these days.

 

 

 

 

 

 

 

The Shape of Water. In theatres on December 8.

If I could only pick one of these movies to watch, The Shape of Water would be it without question. Guillermo del Toro won me over years ago with Pan’s Labryinth. The Shape of Water is promising to be every bit as interesting as that story, so I can’t wait to see if it measures up to my expectations.

I’m purposefully avoiding all spoilers for it. My regular readers know that I strongly dislike spoilers in general, and those feelings are only intensified by something that sounds like it’s going to a lot of fun to watch.

 

 

 

 

 

 

 

 

 

 

Miss Kiet’s Children. In theatres on December 13.

Wow, this looks like a tearjerker. I have a lot of compassion for immigrants in general, but immigration must be even more difficult for children who aren’t necessarily old enough to understand the conflicts that forced their families to move so far away from where they were born.

One of the things I enjoy the most about documentaries is getting the chance to see the world through other people’s eyes. I know very little about the political or social situation in the Netherlands, so I’ll be watching Miss Kiet’s Children with the hope of changing that.

 

 

 

 

 

 

 

 

 

 

Ferdinand. In theatres on December 15.

When I was in high school, a friend of mine dated a cute boy named Ferdinand. This movie is NOT about their relationship in any way, but the title of it did make me pause and smile at that memory before watching the preview.

Ferdinand is actually about a bull who doesn’t want to fight anyone. I’m intrigued by that concept and hope that the storytelling will live up to the premise. From what I’ve read about it so far, I’m expecting to enjoy this story quite a bit.

If you have a Twitter account, come over and tell me what movies you’re looking forward to seeing the most between now until the end of the year.

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