Tag Archives: Vintage Science Fiction Month

A Review of The Future Is Female! Volume Two, the 1970s

Vintage Science Fiction month takes place every January, and has a few guidelines:

 – read, watch, listen to, or experience something science fiction / fantasy that was created in 1979 or earlier

 – talk about it online sometime in January

 – have fun

If any of my readers are interested in participating\ use the hashtag #VintageSciFiMonth or tag @VintageSciFi_ or @redhead5318 on Twitter if you’d like your posts to be included in the official retweets and roundups.  


Drawing of white woman wearing a spacesuit and walking on the surface of a red alien planet. Title
: The Future Is Female! Volume Two, the 1970s – More Classic Science Fiction Stories by Women

Author: Lisa Yaszek (editor)

Publisher: Library of America

Publication Date: 1971 – 1979 for the original publication dates. October 11, 2022 for this specific compilation.

Genres: Science Fiction, LGBTQ, Historical

Length: 548 pages (including author biographies, etc).

Source: I borrowed it from the library.

Rating: 5 Stars

Blurb:

n the 1970s, feminist authors created a new mode of science fiction in defiance of the “baboon patriarchy”—Ursula Le Guin’s words—that had long dominated the genre, imagining futures that are still visionary. In this sequel to her groundbreaking 2018 anthology The Future is Female!: 25 Classic Science Fiction Stories by Women from Pulp Pioneers to Ursula K. Le Guin, SF-expert Lisa Yaszek offers a time machine back to the decade when far-sighted rebels changed science fiction forever with stories that made female community, agency, and sexuality central to the American future. 

Here are twenty-three wild, witty, and wonderful classics that dramatize the liberating energies of the 1970s:

  • Sonya Dorman, “Bitching It” (1971) 
  • Kate Wilhelm, “The Funeral” (1972)
  • Joanna Russ, “When It Changed” (1972) NEBULA AWARD 
  • Miriam Allen deFord, “A Way Out”(1973)
  • Vonda N. McIntyre,  “Of Mist, and Grass, and Sand” (1973) NEBULA 
  • James Tiptree, Jr., “The Girl Who Was Plugged In” (1973) HUGO AWARD 
  • Kathleen Sky, “Lament of the Keeku Bird” (1973)
  • Ursula K. Le Guin, “The Day Before the Revolution” (1974) NEBULA & LOCUS AWARD 
  • Eleanor Arnason, “The Warlord of Saturn’s Moons” (1974)
  • Kathleen M. Sidney, “The Anthropologist” (1975)
  • Marta Randall, “A Scarab in the City of Time” (1975) 
  • Elinor Busby, “A Time to Kill” (1977)
  • Raccoona Sheldon, “The Screwfly Solution” (1977) NEBULA AWARD 
  • Pamela Sargent, “If Ever I Should Leave You” (1974)
  • Joan D. Vinge, “View from a Height” (1978)
  • M. Lucie Chin, “The Best Is Yet to Be” (1978)
  • Lisa Tuttle, “Wives” (1979) 
  • Connie Willis, “Daisy, In the Sun” (1979)

Review:

Content warning: Starvation, dehydration, cancer, attempted murder, murder, zombies, and snakes. I will not discus these topics in my review.

There’s nothing like being introduced to so many fantastic science fiction authors at once.

I’ve never been interested in hunting frogs, but I did like the conversational style of Chelsea Quinn Yarbro’s “Frog Pond.” Althea was such a sweet and innocent person that I wondered why she kept disobeying her parents orders to avoid the creek and the mysterious pink and green patches that sometimes appeared in the water there. Surely there had to be something more than frogs to pique her curiosity. There were several wonderful layers to this story that I don’t want to spoil for everyone. What I can say is that the world building was fantastic and Althea was full of surprises for me. I’d love to visit her and her unusual little town again someday.

Vintage Science Fiction Blog Challenge badge. It shows a rocket ship against a red background. There is a bubble city in the background.  The sudden appearance of old age and impending death in “If Ever I Should Leave You” by Pamela Sargent piqued my curiosity. These things obviously worked different in this world than they do in our own, and it was interesting to slowly figure out what the rules were there. I also appreciated what this tale had to say about aging and grief. There were layers of meaning to it that I slowly unwrapped as I kept reading, although I should leave the details of that for other readers to discover for themselves.

As soon as I realized that the main character of “Hey, Lilith” by Gayle N. Netzer was a middle-aged woman who befriends someone much older than herself, I couldn’t stop reading. So many science fiction books are about teenagers and people in their early 20s that it’s a thrill to see other age groups represented. I appreciated the protagonist’s wry approach to suddenly finding herself in a post-apocalyptic storyline. Honestly, I’d react the same way, and her previous knowledge of how dangerous these settings can be made her refreshingly cautious about her predicament.

This is the second anthology in a series that does not need to be read in order.

The Future Is Female! Volume Two, the 1970s – More Classic Science Fiction Stories by Women was even better than the first volume of The Future Is Female. I’d wholeheartedly recommend it to anyone who loves vintage science fiction.

Vintage Storytellers: A Review of The Future Is Female

Vintage Science Fiction month takes place every January, and has a few guidelines:

 – read, watch, listen to, or experience something science fiction / fantasy that was created in 1979 or earlier

 – talk about it online sometime in January

 – have fun

If any of my readers are interested in participating\ use the hashtag #VintageSciFiMonth or tag @VintageSciFi_ or @redhead5318 on Twitter if you’d like your posts to be included in the official retweets and roundups.  

The Future Is Female by Lisa Yaszek (editor) book cover. Image on cover shows a woman wearing rubber boots, a futuristic white body suit, and a glass bubble around her head standing on a white mound of sand or rocks while looking at up at a dark and mostly cloudless sky. Title: The Future Is Female

Author: Lisa Yaszek (Editor)

Publisher: Library of America

Publication Date: September 25, 2018 for this anthology. All stories in it were originally published between 1928 and 1969.

Genres: Science Fiction

Length: 432 pages

Source: I borrowed it from the library.

Rating: 3 Stars

Blurb:

Space-opera heroines, gender-bending aliens, post-apocalyptic pregnancies, changeling children, interplanetary battles of the sexes, and much more: a groundbreaking new collection of classic American science fiction by women from the 1920s to the 1960s

SF-expert Lisa Yaszek presents the biggest and best survey of the female tradition in American science fiction ever published, a thrilling collection of twenty-five classic tales. From Pulp Era pioneers to New Wave experimentalists, here are over two dozen brilliant writers ripe for discovery and rediscovery, including Leslie F. Stone, Judith Merril, Leigh Brackett, Kit Reed, Joanna Russ, James Tiptree Jr., and Ursula K. Le Guin. Imagining strange worlds and unexpected futures, looking into and beyond new technologies and scientific discoveries, in utopian fantasies and tales of cosmic horror, these women created and shaped speculative fiction as surely as their male counterparts. Their provocative, mind-blowing stories combine to form a thrilling multidimensional voyage of literary-feminist exploration and recovery.

Review:

Content warning: War, radiation, pregnancy,  childbirth, pandemics, sex reassignment surgery, kidnapping, and birth defects. I will be discussing pregnancy, radiation, and birth defects in my review.

Buckle up for a wild ride.

I can’t review all of the stories in this collection in my review, so I’ll pick a few of the most interesting ones.

Leslie Perri’s “Space Episode”  began with the terror some astronauts felt at the exact moment they realized that they’d either need to find a way to dislodge the meteor stuck in their engine immediately or crash onto Earth and die. There wasn’t even time to share the characters’ names with the audience in that scene, and yet I immediately sympathized with them and couldn’t stop reading until I’d found out their fates.I can’t say much else about the storyline without giving away spoilers, but I thought was well paced and exciting. While I must continue being vague, the ending also had a nice twist in it that made me wish for a sequel.

Margaret’s fear of having accidentally exposed her fetus to dangerous amounts of radiation was overwhelming in “That Only a Mother” by Judith Merrill. It wasn’t difficult to figure out where the plot was going from there, so I was mostly interested in Margaret’s character development as she went through her pregnancy and began adjusting to being a new mom. I found myself wishing I could sit down with the author to confirm whether this was what she was hoping her audience would do given how easy it was to guess what would happen next. Then again, maybe this sort of storyline was much less used in the 1940s and would have been fresher for readers back then!

I was intrigued by Alice Eleanor Jones’ “Created He Them” immediately. The main character lived in a society where many necessities of life were difficult to get, from eggs to new clothes. She had two young sons to look after and was increasingly having difficulty keeping everyone in her family fed and warm. I’ll leave it up to other readers to discover more about her world, but I thought it was a memorable (if also depressing) place that could have easily been expanded into a full-length novel.

The Future Is Female was a memorable introduction to plenty of vintage science fiction authors I’d never heard of before.

A Review of In a Glass Darkly

Vintage Science Fiction month takes place every January, and has a few guidelines:

 – read, watch, listen to, or experience something science fiction / fantasy that was created in 1979 or earlier

 – talk about it online sometime in January

 – have fun

If any of my readers are interested in participating\ use the hashtag #VintageSciFiMonth or tag @VintageSciFi_ or @redhead5318 on Twitter if you’d like your posts to be included in the official retweets and roundups.  

Thank you to Berthold Gambrel for recommending this book to me


In a Glass Darkly by J. Sheridan Le Fanu book cover. Image on cover shows a ghostly figure reaching out to someone who is sleeping peacefully in a bed. The sketch is done in black and white and looks like it’s from the 1870s based on hairstyles, clothing, bedding, etc. Title
: In a Glass Darkly

Author: Joseph Sheridan Le Fanu

Publisher: Richard Bentley & Son (original publisher) and Duke Classics (the publisher of the reprinted volume I read).

Publication Date: 1872

Genres: Science Fiction, Fantasy, LGBTQ, Historical

Length: 169 pages

Source: I borrowed it from the library.

Rating: 4 Stars

Blurb:

In a Glass Darkly collects together five short stories from gothic horror and mystery writer Sheridan Le Fanu. The book, published in 1872 a year before Le Fanu’s death, is named from a passage in Corinthians which speaks of humankind perceiving the world “through a glass darkly.” The stories are told from the posthumous writings of an occult detective named Dr Martin Hesselius. In Green Tea a clergyman is being driven mad by an evil demon that takes the ephemeral form of a monkey, but is unseen by others as it burdens the victim’s mind with psychological torment. In The Familiar, revised from Le Fanu’s The Watcher of 1851, a sea captain is stalked by a dwarf, “The Watcher.” Is this strange character from captain’s past? In Mr Justice Harbottle a merciless court judge is attacked by vengeful spirits, dreaming he is sentenced to death by a horrific version of himself. The story was revised from 1853’s An Account of Some Strange Disturbances in Aungier Street. In The Room in the Dragon Volant, a notable mystery which includes a premature burial theme, an innocent young Englishman in France tries to rescue a mysterious countess from her unbearable situation. Lastly, Carmilla tells the tale of a lesbian vampire. It was a huge influence on Bram Stoker’s writing of Dracula and the basis for the films Vampyr in 1932 and The Vampire Lovers in 1970.

Review:

Content warning: demonic possession, stalking, murder, beheading (of a monster), minor drug use, and a few brief references to blood.  I will briefly discuss the demonic possession and stalking in my review.

If you like genre mash-ups that defy the reader’s expectations, keep reading.

The blurb gave a great overview of each of the five stories in this collection, so I’m going to use my review space to share my impressions of them a bit more casually than I would generally do. Somehow that feels right for this book.

I was a preacher’s kid growing up, so “Green Tea” grabbed my attention immediately. Clergymen and their families are exposed to portions of other people’s lives that the general public often knows little to nothing about. No, my family was never haunted by a monkey-shaped demon like the poor Reverend Jennings was, but I was intrigued by the difference between what people want others to think their lives are like versus what’s actually going on behind closed doors. This tale captured the sometimes jarring experience of moving back and forth between the two quite well. I thought it also well at explaining why secrets can be so corrosive for a person’s mental wellbeing, especially when they’ve convinced themselves that they will be rejected, or worse, if anyone finds out the truth about them.

One of the things I mulled about while reading ”The Familiar” was how blurry the lines were between science fiction, fantasy, horror, and other speculative fiction genres in the 1800s. This collection fit into all of those categories simultaneously in ways that are unusual when compared to how a similar story about a dwarf stalking a sea captain would probably be written and marketed today. I like stories that blur these lines, but this particular one was hard to get into because of how much time was spent discussing everything other than the sea captain’s adventures. If only there had been more details about the dwarf and why he was following the captain around.

“Mr. Justice Harbottle” made me think of the people in this world who have purposefully harmed others and never faced the consequences of those actions. Sometimes it can feel like justice will never be served in those cases. That made this an even more satisfying read. It was interesting to me to compare this  storyline to what happened in Charles Dickens’ “A Christmas Carol.” If you haven’t read that particular Dickens’ tale yet, definitely do check it out before reading this book. There’s not much else I can say about this one without giving away spoilers as the plot was pretty quickly paced and straightforward for this era.

Vintage Science Fiction Blog Challenge badge. It shows a rocket ship against a red background. There is a bubble city in the background. Pinning down the genre of ‘The Room in the Dragon Volant” was tricky. It dabbled in the mystery, adventure, horror,  thriller, and science fiction genres without ever fully committing to any of them. This is one of the reasons why I like reading speculative fiction from the 1800s so much. Just about anything could and often did pop up in a “science fiction” story back then. Authors didn’t seem to be as concerned with following the rules of their genre back then as many of them are today. With that being said, I struggled to get into this particular tale because of how much more time it spent jumping around from one idea to the next instead of focusing on character development. I never reached the point where I’d feel comfortable describing the personalities of the main characters in anything but the simplest details like what their professions were.

My favorite instalment in this book was ”Carmilla,” which, according to Wikipedia, was Bram Stoker’s inspiration for writing “Dracula.” The main character, Laura, was a young woman whose loving father had given her a safe but extremely sheltered life in a rural setting up until this point. She was naive about the outside world and incredibly excited to meet anyone new who crossed her path. When she reacted romantically to another woman, she didn’t have a word to describe her feelings. I thought it was fascinating to see how she handled these moments and what she thought was happening during them. Her father’s reactions to the rumours that were spreading around about various young women in the community who were suddenly dropping dead one after the next also piqued my interest. He blamed the fear surrounding those bizarre deaths on superstition and was far less interested in seeing if there were any specks of truth to the wild stories being passed around than I would have been. It made me wonder if he was in some ways even more sheltered than Laura was given how much faster she was to accept that something odd was happening.

In a Glass Darkly was a thought-provoking read. I’m glad I gave it a try for Vintage Science Fiction Month.

A Review of The Ones Who Walk Away from Omelas

Vintage Science Fiction month takes place every January, and has a few guidelines:

 – read, watch, listen to, or experience something science fiction / fantasy that was created in 1979 or earlier

 – talk about it online sometime in January

 – have fun

If any of my readers are interested in participating\ use the hashtag #VintageSciFiMonth or tag @VintageSciFi_ or @redhead5318 on Twitter if you’d like your posts to be included in the official retweets and roundups.  


The Ones Who Walk Away from Omelas by Ursula K. LeGuin book cover. Image on cover shows three humanoid figures walking away from the viewer into the sunrise on a flat, grassy plain. Title: The Ones Who Walk Away From Omelas

Author: Ursula K. LeGuin

Publisher: Harper Perennial. It was originally published in the anthology New Dimensions, Volume 3.

Publication Date: 1973.

Genres: Science Fiction

Length: 22 pages

Source: I borrowed it from the library.

Rating: 5 Stars

Blurb:

Some inhabitants of a peaceful kingdom cannot tolerate the act of cruelty that underlies its happiness.

Review:

Content warning: Child abuse.

What does it meant to live in the perfect society?

This is one of those stories that works best if you don’t know the twist that’s coming, so I’ll have to be careful about how I word this review.

Vintage Science Fiction Blog Challenge badge. It shows a rocket ship against a red background. There is a bubble city in the background. One of the most interesting things about this tale is how cheerfully it started out.  Omelas was a quiet, safe community where everyone’s needs were met. It wasn’t the most technologically advanced setting for a science fiction story, but that isn’t required for this genre. What mattered was showing the reader the many advantages of living there as those arguments would become important quite soon.

Like a lot of speculative fiction, there is a twist, of course. No, I’m not going to say what it was, only that it shocked my teenage brain the first time I read it as an assignment for a high school literature course. The tone of the storyline changed so abruptly that I went back and reread the first few sections to see if there was something I’d missed. It takes a talented writer to suddenly pull the readers into an entirely new direction like that in a way that feels perfectly natural (if unexpected) in retrospect, and I admired Le Guin’s ability to do just that.

The philosophical questions that popped up at the end were excellent, too. Memorable science fiction should challenge our assumptions about the world and make us question if our first response to a question is necessarily the best one. Yes, I know I’m being quite vague here, but this really is something that new readers should wrestle with themselves without any outside influence. There is no wrong or right answer here, but your reasons for picking the position you do will genuinely matter as the final scene ends and readers are left wondering what happened next and how they’d react in the same situation.

The Ones Who Walk Away From Omelas is a classic. Go read it!

Stay Home, Stay Safe: A Review of The Machine Stops

Vintage Science Fiction Blog Challenge badge. It shows a rocket ship against a red background. There is a bubble city in the background. Vintage Science Fiction month takes place every January, and has a few guidelines:

 – read, watch, listen to, or experience something science fiction / fantasy that was created in 1979 or earlier

 – talk about it online sometime in January

 – have fun

If any of my readers are also interested in participating this month, let Little Red Reviewer know about your posts if you’d like them to be included in her official roundups. 


Title
: The Machine Stops

Author: E.M. Forster

Publisher: The Oxford and Cambridge Review

Publication Date: November 1909

Genres: Science Fiction

Length: 25 pages

Source: I read it for free on the UC Davis site 

Rating: 3 Stars

Blurb:

“The Machine Stops”” is a science fiction short story (12,300 words) by E. M. Forster. After initial publication in The Oxford and Cambridge Review (November 1909), the story was republished in Forster’s The Eternal Moment and Other Stories in 1928. After being voted one of the best novellas up to 1965, it was included that same year in the populist anthology Modern Short Stories.[1] In 1973 it was also included in The Science Fiction Hall of Fame, Volume Two.The story, set in a world where humanity lives underground and relies on a giant machine to provide its needs, predicted technologies such as instant messaging and the Internet.”

Review:

Book cover for The Machine Stops Here by E.M. Forster. Image on cover shows a big, red bow on an analogue clock. Who needs in-person contact when you have virtual gatherings?

There were some fascinating parallels between how Vashti had lived her entire life and what the Covid-19 pandemic was like for those of us who were lucky enough to work from home and order many necessities online. Vashti could summon anything with the touch of a button, from food to a warm bath, to an assortment of friends who wanted to hear a lecture on human history. She virtually never had reason to leave her home at all, and neither did the rest of humanity. It was supposed to keep everyone safe and content, and yet not everyone Vashti met was necessarily happy to live this way for reasons I’ll leave up to other readers to explore. What I can say is that staying home to reduce the spread of a pandemic is quite different from spending your entire lifetime in one room no matter how nice that room is. The various human reactions to them are similar, though!

The ending was confusing to me. I needed to google it to make sure that my understanding of what happened in that scene matched what the author was trying to convey. While I did find my answer, I do wish the author had been more forthcoming about what was going on there. He had several thought-provoking ideas he was working with throughout the course of this tale. All he needed to do was develop them a little more fully and I would have given this a much higher rating.

With that being said, I did think the conclusion was much more realistic than what typically happens with dystopian tales published in modern day. I appreciated the fact that the themes and hints embedded in earlier scenes were allowed to play out so naturally. While I did wonder if this twist was coming in advance, that was a good thing. It was nice to have a consistent experience even if it wasn’t something that most contemporary authors would do.

The Machine Stops was ahead of its time. Anyone who likes dystopias should check it out.

Suspicious Town: A Review of The Dunwich Horror

Vintage Science Fiction month takes place every January, and has a few guidelines:  – read, watch, listen to, or experience something science fiction / fantasy that was created in 1979 or earlier  – talk about it online sometime in January  – have fun If any of my readers are also interested in participating this month,… Read More

Following the Old Ways: A Review of The White People

Vintage Science Fiction month takes place every January, and has a few guidelines:  – read, watch, listen to, or experience something science fiction / fantasy that was created in 1979 or earlier  – talk about it online sometime in January  – have fun If any of my readers are also interested in participating this month,… Read More

Making Things Right: A Review of The Canterville Ghost

Vintage Science Fiction month takes place every January, and has a few guidelines:  – read, watch, listen to, or experience something science fiction / fantasy that was created in 1979 or earlier  – talk about it online sometime in January  – have fun If any of my readers are also interested in participating this month,… Read More

Vintage Science Fiction Month: Unusual Food and Drinks

Vintage SciFi Month was created by Little Red Reviewer and is moderated by Red Star Reviews. Any science fiction film, short story, play, or book released before 1979 is eligible for this celebration of classic science fiction. Click on the links above to participate, read other entries, or for more information in general.  One of my favourite things… Read More

Vintage Science Fiction Month: My First Taste of Vintage SciFi

Vintage SciFi Month was created by Little Red Reviewer and is moderated by Red Star Reviews. Any science fiction film, short story, play, or book released before 1979 is eligible for this celebration of classic science fiction.  Let’s take a walk down memory lane today. My family didn’t have cable* for most of my childhood, and there were… Read More