Category Archives: Science Fiction and Fantasy

Don’t Make a Sound: A Review of A Quiet Place

Earlier this year, I blogged about my to-watch list of science fiction and fantasy films. Since then, I’ve been periodically reviewing certain films that I enjoyed and thought you all might like, too. Previous instalments in this series include Into the Forest, Annihilation, CocoWinchester, and The Little Stranger.

Content warning: death of a dog and death of a child. I will not be mentioning those portions of the story in my post today, and this will otherwise be a spoiler-free review. 

A Quiet Place is an American post-apocalyptic thriller that was released on March 9, 2018.  It’s set in a near-future version of Earth in which sightless monsters have taken over the entire planet. Where these creatures came from is unknown, and their skin is so thick that it cannot be pierced by bullets. The only way to being detected by them is by remaining perfectly quiet twenty-four hours a day.

The opening scene of this story happens 89 days after this apocalyptic event began, and it follows the Abbott family as they attempt to survive on their own. One of the children in this family has become ill, so they must travel into town to find medicine for him while avoiding all of the monsters who may be wandering nearby.

Interestingly enough, there are very few characters in this film. The vast majority of humans and large animals have been killed by the monsters, so the Abbott family must rely on their own skills and common sense in order to survive without any hope of finding help elsewhere.

I will be writing the character section in the present form. It’s a trick I discovered while working on a previous review, and I do it to avoid giving away any spoilers about the fates of the characters I write about.

*Yes, I know I said I was done watching horror flicks. Let’s round that down to 98% done watching this genre since I keep finding (fairly) non-gory horror movies that tickle my fancy.

The Characters

Emily Blunt as Evelyn Abbott

Evelyn is Lee’s wife and the mother of their children. Her desire to protect her family is strong, and she expresses it in practical ways like making sure they have food, medical supplies, and clean clothing. She struggles with guilt over decisions she’s made in the past and anxiety about what will happen to her loved ones in the future.

John Krasinski as Lee Abbott

Lee is Evelyn’s husband and the father of their children. He is determined to find a way to reach out to other survivors and keep everyone safe, and he spends a great deal of time gathering as much information as he can about the monsters and their whereabouts. Sometimes this urge gets in the way of more urgent and practical needs, but he does always have the best of intentions.

Millicent Simmonds as Regan Abbott

Regan is the oldest Abbot child. She is about twelve years old, quite intelligent, and has begun to question whether she should be listening to everything her parents tell her to do.

Noah Jupe as Marcus Abbott

Marcus, the Abbott’s middle child, is about eight years old. He shares his mother’s anxious personality and is reluctant to do anything that he perceives to be dangerous.

Cade Woodward (bottom right) as Beau Abbott

Beau, the youngest Abbott, is a curious and imaginative four-year-old. As a preschooler, he’s too young to understand the danger everyone is in and relies on his parents and older siblings for guidance and protection.

My Review

There are certain portions of the plot and character development that I have to leave out out of this review in order to avoid sharing spoilers with you. Needless to say, there is a lot more going on in the story than you might originally assume. Since I didn’t know anything about it when I first began watching it, I was pleasantly surprised by these plot twists. I hope you will be, too!

One of the things I found most unusual about this tale was how little dialogue it had. The monsters had ultra-sensitive hearing, so even a quiet conversation would be noisy enough to draw their deadly attention. I was impressed by all of the non-verbal cues the filmmakers included in the script in order to keep the audience clued in to what was happening to the Abbott family. This is definitely something you’ll want to pay close attention to while watching. Multi-tasking is not a good idea here! So much information is shared with the audience through the characters’ body language, events happening in the background, or the strategic placement of certain items in specific scenes.

While there were a small handful of scenes that briefly involved the sight of blood or serious injuries, this was not a gory film. Nearly all of the horror elements involved the characters’ reactions to the unknown and how they’d had to adapt to a world where speaking or any other types of noise was enough to ensure your quick and certain death.

The relationships between all five Abbotts were interesting. There were times when two or more of them had disagreements and had to convey those feelings primarily through any means other than speaking. This lead to some scenes that I thought were particularly well done, especially when it came to Regan’s desire to have more independence now that she was getting older. How do you parent a smart, willful kid who thinks she has everything figured out while living in an apocalypse? It definitely isn’t easy!

I would have liked to see less foreshadowing, especially since not all of the foreshadowing actually turned out to be accurate. It was a little jarring to me as a viewer to get so many hints about how things might end only to find out that they were misleading.  With that being said, this is still something I’d recommend to anyone who likes horror, survival flicks, or science fiction films about scary creatures.

This premise of this story was solid. It would have been just fine with some foreshadowing and more time spent building up the tension as the Abbott family attempted to build a new life for themselves.

By far my favourite part of this film was the ending. There were so many false starts along the way that I didn’t make any assumptions about how everything would turn out until the credits rolled. I loved the fact that the filmmakers kept us all guessing until the end.

A Quiet Place is available on Netflix.

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What I’m Reading Over the Holidays

I was originally planning to write about walking meditation today, but I’ve been dealing with a stubborn headache the past few days that’s kept me from doing the research needed to properly put that post together. It’s such a cool concept that I want to make sure I do it right. So we’ll save the walking meditation discussion for a later date and have a quick chat about winter holiday reads now instead.

Honestly, is there such a thing as having too many posts about books? I vote no! For those of you who haven’t met me in real life, I’m pretty quiet in person…unless we somehow get on the topic of books I’ve read, am reading, or want to read soon. This is one of those things that can make me light up, especially if it happens to be a title I have a strong opinion about.

Luckily, my local library seems to have have endless supply of reading material, and I’ve been reaching the top of the list of some very interesting titles as December speeds by. I should warn you that nothing in today’s post is going to be about Christmas, New Years, or any other winter holidays. They’re simply what I hope to read over this period of time, and this year it’s a beautiful hodge-podge of genres and themes.

These are the books that are currently in my to-read queue. I can’t promise that I’ll finish all of them, but I will be giving them a shot as 2018 comes to an end.

As much as I love science fiction, it’s definitely not the only thing I read. This list is pretty representational of the wide range of fiction and non-fiction that I’m working my way through at just about any point during the year, and everything is listed in order of when I’m hoping to read them. I generally try to read the titles that are due back at the library first unless something really exciting pops up in my queue.

How Long ’til Black Future Month? by N.K. Jemisin

When Humans Nearly Vanished: The Catastrophic Explosion of the Toba Volcano by Donald R. Prothero

In Search of the Canary Tree: The Story of a Scientist, a Cypress, and a Changing World by Lauren E. Oakes.

I Wait for the Moon: 100 Haiku of Momoko Kuroda by Momoko Kuroda. Translated by Abigail Freidman.

The Best American Science and Nature Writing by Sam Kean.

Jell-O Girls by Allie Rowbottom.

Dealing with Dragons The Enchanted Forest Chronicles, Book 1 Patricia C. Wrede.

Happiness: How to Get into the Habit of Being Happy by Gill Hasson.

Happy Times in Norway by Sigrid Undset.

In the beginning of January, I’ll be sharing the list of everything I finished reading over the past year.  (It doesn’t make sense to me to count a book that I only read a chapter or two of before putting it aside for something else). A couple of the bloggers I follow have already published the lists of what they read which is wonderful. Hopefully this trend will grow in the future. It’s so much fun to see what everyone has read and possibly find some new authors or series that you might not have heard of before.

Have you read any of these titles? What will you be reading over the next couple of weeks? Finally, what’s your most effective and/or unusual home remedy for headaches?

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Echoes of the Past: A Review of The Little Stranger

Earlier this year, I blogged about my to-watch list of science fiction and fantasy films. Since then, I’ve been periodically reviewing certain films that I enjoyed and thought you all might like, too. Previous instalments in this series include Into the Forest, Annihilation, Coco, and Winchester

This is a spoiler-free review. 

The Little Stranger is the 2018 film adaptation of a book by the same name written by Sarah Waters, one of my favourite authors. This story was set in 1948, and it followed about a year in the life of Dr. Faraday, a middle-aged man who was one of only two doctors in his rural community. He grew up in a low-income family at a time when the vast majority of children did not move into higher social classes as adults than the ones they were born into, so he was still adjusting to the changes that higher education had brought to his life when this mystery began.

In one of the earliest scenes in the plot, Faraday revisited Hundreds Hall, a mansion that his mother once worked in, after one of the servants who worked at that estate came down with a mysterious illness. The last time he’d visited it had been nearly 30 years ago when he was a young boy and his mother brought him to a public celebration there after the end of World War I.

Hundreds Hall was crumbling by 1948, and the family who lived in it had isolated themselves from the surrounding community to an alarming degree. It was nothing at all like the glamorous, well-kept home that Faraday recalled from his childhood, and the Ayers themselves didn’t seem to be doing well either. After a brief encounter with Roderick, Faraday asked to come back again to see if he can treat some of the pain and muscle stiffness that Roderick had been dealing with since he was wounded in the war. (I’ll give you more details about these characters in a moment).

While he knew that the Ayers have lost much of their wealth over the past few decades, Faraday was still shocked by how much the property has deteriorated since he last saw it. Could their inability to pay for necessary repairs explain what is going on, or was there something else afoot in this once-stunning mansion?

 

The Characters

Domhnall Gleeson as Dr. Faraday

Dr. Faraday, the protagonist, was a middle-aged bachelor whose days are generally spent holding office hours at his clinic and doing home visits for patients who were too contagious, sick, or frail to come see him. Most of his patients were poor, so he didn’t make a great deal of money for someone in his position despite his prestigious title and the long hours he worked.

Charlotte Rampling as Mrs. Ayres

Mrs. Ayers was the matriarch of the Ayers family. Her life had changed dramatically since Dr. Faraday first met her in 1919, from the births of Caroline and Roderick to the steep decline in her fortunes and social standing. She had once hosted grand parties in her home, but she now hid away from the community she’d once embraced. Even her own children didn’t seem to spend a great deal of time with her despite the fact that they all lived in the same home.

Ruth Wilson as Caroline Ayres (right)

Caroline Ayers was Mrs. Ayers daughter. She was by far the most intelligent and resourceful member of the Ayers family, and there were several intriguing references to the things she’d accomplished before her brother’s terrible injuries happened in the war.

Will Poulter as Roderick Ayres

Roderick was Mrs. Ayers son. He was badly injured during World War II. When the events of this book began, he was still dealing with both the physical and psychological effects of his wartime experiences in a time when mental health issues were not well understood and when doctors had far fewer treatments for the serious burns and other injuries he’d survived.

My Review

One of the things I’ve always loved about Sarah Waters’ writing style is how adept she is at giving evidence that can support multiple interpretations of a scene or plot. Most of her books don’t have the strong mystery elements in them that this one does, so the fact that she was able to pull this off while writing in a genre I haven’t seen her spend much time in before was impressive.

Dr. Faraday was a character I had mixed feelings about from the beginning. In one of the earliest scenes, the audience saw him visiting Hundreds Hall in its heyday and purposefully breaking off an ornamental acorns from one of the walls in this home. The reasons why he did that were explored later in the storyline, but they didn’t give me a good first impression of this character.

Getting to know him as the adult he was a few decades later softened my opinion of him. As I mentioned earlier, he’d grown up in a time and place where it was nearly impossible to escape the social class one was born into. The fact that his family had scrounged up enough money to get him through medical school was amazing, and I did admire the determination and grit he must have needed to get through such an experience when his family had so little money to spare.

As intrigued as I was about the Ayers, I didn’t feel like I got to know them quite as well as I could have. I appreciated the fact that Faraday was given so much time to shine, but I would have liked to know a few more details about who Roderick, Caroline, and Mrs. Ayers were as individuals before they began experiencing so much misfortune. The little pieces of their pasts that were shared were well done. I simply needed a few extra scenes describing how and when things had gone so terribly wrong for them.

With that being said, this was something I also noticed in the novel. Explaining why these characters weren’t quite as open with Faraday or the audience as I would have preferred them to be would be wandering dangerously close to spoiler territory, and I do understand why they were written that way even though I wish they could have been a little more forthcoming in the film.

What I did love about the storyline was the way it encouraged the audience to ask questions. It wasn’t immediately clear what was really going on at Hundreds Hall. The servant that Faraday was called to treat was quite spooked by living in there, but she refused to tell him who or what had frightened her. This pattern of dancing around the question of whether what was happening in this mansion was supernatural in origin or had a purely rational explanation occurred over and over again.

Just like when I read the book, I formed my opinion about what was going on pretty early on. I won’t tell you what it was, but I will say that I really enjoyed the process of weighing the evidence and coming up with the most likely explanation for all of the strange, and sometimes violent, occurrences at Hundreds Hall before the final scene was revealed.

This is something I’d strongly recommend checking out to anyone who likes any of the themes or genres I mentioned in this review. I liked this adaptation and thought it complemented the original story nicely.

Speaking of Violence, Is It Gory?

I definitely wouldn’t call this a gory film, but there were a few scenes in it that involved a little blood. If anyone would like more information about this, know that I’ll have to share some mild spoilers in order to go into detail about it. For what it’s worth, I wasn’t bothered by these scenes even though I strongly dislike gore in general. They were brief and fit the tone of the storyline well.

The Little Stranger is available on iTunes.

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Science Fiction and Fantasy Poetry About Winter Holidays

Readers, we need to talk about the fact that there’s such a thing as science fiction and fantasy poetry that’s written about Christmas and other winter holidays.

Seriously, how cool is that?

I discovered this niche by googling for something I wished might really exist: Christmas poems written for adults that have a science fiction or fantasy twist to them.

I do these searches a few times a month on various topics for the sheer fun of it. The vast majority of the time, they turn up nothing. (They probably amuse the heck out of whomever might have access to my search history, though!)

This time I was in luck, and something amusing turned up on the very first page. That lead me to try different combinations of words to see what else I could find. This list is the sum total of everything I found that I thought was well-written and didn’t fall into the sentimentality that most Christmas and winter holiday poems resort to.

There’s absolutely nothing wrong with enjoying that sort of writing, but I have a strong preference for poems and stories that take other approaches to their subjects: humour, allegories, pragmaticism, and even a little bit of sarcasm at times.

1) 12-Word Christmas Sci-Fi Poem.

Published: December of 2016

Author: syd7t5.

That is all I know about this poet and their poem, but I do love the UFO reference.

2) Sheep, Aliens, and Curry.

Published: 2017

Author: Lee Leon.

Imagine what the nativity scene would be like if it were viewed through the eyes of sheep who neither cared about nor understood human concerns. Now double your expectations of delightful oddness and start reading.

3) bad santa, bad santa.

Published: 2018

Author: Allan Terry

This is a side of santa I don’t think anyone has seen before. That’s all I can say about that without giving away spoilrers.

4) Waking in Winter

Published: 1960s

Author: Sylvia Plath

While this poem doesn’t directly reference any specific winter holidays, it felt like it was written at that time of year to me due to the cold weather and the narrator’s descriptions of ordinary life. I could easily see this being set during a post-nuclear Christmas when everything is terribly uncertain and yet some people still hold onto every shred of hope they can.

5) Lifelong Hermitage Denizen Enjoys Spiritual Freedom

Published: 2018

Author: matthew harris.

I don’t know that the audience was actually supposed to like the speaker of this poem, but I did. His rough exterior seemed to be mostly a facade to me. I’d bet he’d relax pretty quickly if he was told what the rest of us were doing on Christmas and then given complete freedom to participate in all, some, or none of it without any pressure in any direction.

6) Re-Assigned Sugar Plum Elf

Published: 2018

Author: Caren Krutsinger

If only this one could have kept going. Since when are Sugar Plum Elves this small? I don’t remember reading that before, but I’d love to know more.

Did you know that there was such a thing as science fiction and fantasy poems about winter holidays that are meant for adult audiences? Have you run across any other poems that could be added to this list?

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I Love the Fuzzy Edges of Science Fiction

The other day I was having a conversation with someone about the types of science fiction we both like. After explaining to them the novels and TV shows from this genre that I’ve enjoyed the most over the years, they made a comment about how interested I seem to be in hard science fiction.

Well, yes. I do love hard science fiction.

There’s something inside of me that comes alive when an author or screenwriter takes a problem that scientists are currently attempting to solve and tries to guess where they’ll be on that issue twenty, a hundred, or five hundred years from how.

However, that isn’t where my love of this genre ends.

I love the fuzzy edges of science fiction, too.

The line between sci-fi and fantasy exists, but often it’s so wispy that I barely feel the difference at all when I move between them. Neither one of these genres would be the same if it hadn’t been so heavily influenced by the other over the years. While I do tend to stick closer to the sci-fi side of the fence in general, I’m often pleasantly surprised when fantasy tropes wander over to say hello or when I notice a common science fiction plot twist in something I thought was going to be pure fantasy.

I’m pleased with how this cross-pollination works in other genres, too.  While I still don’t believe that every sci-fi story should have a romantic subplot, I appreciate the fact that authors are introducing audiences to things they might have not otherwise thought they’d enjoy. Mysteries aren’t my favourite genre, but I have started reading them on occasion thanks to repeated exposures to these types of storylines in science fiction and fantasy books that I otherwise found to be a perfect fit.

This is also a technique I’ve been using on friends and relatives in a straightforward sort of way. I’d never trick or push anyone into reading something that they’d find objectionable, but I have recommended stories to people that included elements of genres they don’t normally read if I thought they’d enjoy the plot in general.

For example, earlier this year I was discussing Charlotte Brontë’s Jane Eyre with someone who has no interest at all in the romance genre. There were so many other things going on in that tale that I thought they’d really love it. In the end, they read it and thought it was well-worth their time.

The beautiful thing about science fiction is how difficult it can be to draw the line between where this genre ends and another one begins. There is sc-fi that politically motivated, apolitical, humorous, serious, hopeful, dystopian, barely there, the sole reason any of the characters bother to stumble out of their sleeping pods in whatever counts for morning on a planet with three suns, and so much more. It has crossed over with everything from romance to horror to mysteries to stories that are loosely based on real historical events.

It is this wide range of possibilities that keeps me coming back for more. Sometimes I wander into one corner of the genre and set up camp for a few months or years. Right now I have almost no interest at all in the dark, violent, or dystopian sections, for example, but there are so many other places to explore that I don’t think I’ll ever grow tired of seeking out new stories that somehow have sci-fi elements in them no matter how far they roam from home.

What’s your favourite kind of science fiction to read? How do you feel about stories that mix two or more genres together in general?

 

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Science Fiction and Fantasy Shows I’m Thankful For

Happy Thanksgiving to all of my American readers! I hope you all have a table full of delicious things to eat and plenty of kindred spirits to share this meal with. Today’s post will be something short and sweet.

Lately, I’ve been thinking about how happy I am to see the science fiction and fantasy genres doing so well, especially on the small screen. There have been times when these genres haven’t gotten as much attention from mainstream audiences as they’re currently receiving. I’m so glad to see the audiences for them growing.

Today I’m going to be talking about why I am thankful for certain science fiction and fantasy shows that I’ve been watching this year. I’d love to see your lists, too.

The picture on the left reminded me of how I feel when I read these genres. The right storyteller can paint such a vivid picture of the world they’re imagining that I forget it’s fiction.

It somehow feels more like exploring a new planet, timeline, or era then reading about a character having those adventures. Even speaking as an author myself who knows the tricks of the trade, this is a magical process every single time it happens.

The Orville

I love the cheerful, uplifting, and hopeful themes on this program about a group of space adventurers. While they aren’t set in the same universe, it reminds me of Star Trek in the very best way possible. Given certain things that have happened in the world over the last few years, we need this optimism now more than ever.

The Good Place

Death and the afterlife definitely aren’t the first things I think of when I’m in the mood for a comedy, but somehow the writers of this show have figured out a way to make serious and controversial topics fodder for jokes. I especially love the fact that the non-humans characters on this show have found so many ways to surprise the audience and defy almost everyone’s expectations of what happens to someone after they die.

The Handmaid’s Tale

I’ve blogged a lot about this series here already, but I can’t help but to include it in this week’s list. Everyone involved in the serialization of this story has done a very good job so far of translating something that was written in and about the 1980s to the social climate of 2018. When I watch season three next year, I think I’ll follow up each episode with something lighthearted since the subject matter of the first two seasons could get pretty dark at times.

Still, it’s something I hope will continue to air for years to come. There is a lot of ground to cover yet with the characters in this world.

Star Trek: Discovery

How could I possibly leave this show off of the list? I was so excited a few years ago when I first heard that the Star Trek franchise was finally come back to television. While the first season didn’t meet all of my expectations, I was intrigued by the differences between the culture of this ship and, say, how a similar episode would have been written if Captain Picard or Captain Sisko had been in charge instead.

It’s going to be so interesting to see where the writers go from here. I’m grateful to have another opportunity to explore this universe, and I’m hoping that the second season will be fantastic.

What science fiction and fantasy shows are you thankful for?

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5 Stories That Need a Prequel

Last week I was scrolling through the list of new ebooks at my local library and stumbled across a title that made me grin. Marilla of Green Gables: A Novel by Sarah McCoy was written to tell the story of Marilla Cuthbert’s life before she and her brother became the permanent guardians of Anne Shirley.

As a lifelong fan of Anne of Green Gables and the many sequels to that tale, I’ve often wondered why Marilla was such a stiff and proper woman when she first met Anne. L.M. Montgomery only gave a few hints about Marilla’s childhood, and most of them were vague.

While I wait for a copy of this prequel to become available at the library, I thought it would be interesting to list some other books that would benefit from a prequel to explain things in them that their original versions never got around to describing in full detail to the audience. Some of them I’ve discussed on this site in the past, while others are brand new these types of posts.

There are mild spoilers to follow in this post for certain titles, so reader beware.

1. Clan of the Cave Bear by Jean M. Auel

This first book in the Earth’s Children series began with a five-year-old child named Ayla getting lost in the woods after an earthquake killed her parents about 30,000 years ago in ice-age Europe. It probably would have been unusual for parents to be travelling alone with such a young child, and it would have been unthinkable for someone so young to survive long at all in the woods by herself.

It bothered me when this series ended without any resolution for who the main character’s original people were or why her parents were travelling alone with her when they died. Based on how many different tribes she met as an adult and how small and interconnected the human population was in general in this universe, I would have expected someone to remember hearing something about a young family disappearing without a trace a decade or two before.

Well, either that or Ayla was actually the daughter of time-travelling scientists who hadn’t made contact with ancient humans at all before their untimely deaths. But if that theory is true, why would they take a child on such a dangerous trip without at least bringing a few more adults along to help look after her and gather data about what life was really like back hen?

2. Miss Peregrine’s Home for Peculiar Children by Ransom Riggs.

Since Ransom Riggs is still writing and publishing new portions of this series, I hope he will eventually dive into the history of what life was like for Miss Peregrine and other Peculiars before they were forced to hide in time loops.

I’d imagine that there is a massive difference between having to relive the same day over and over again for decades to avoid being eaten by Hollowgasts (a violent monster species in this universe) and choosing to do so.

It’s hard to imagine what life was like for the Peculiars before their lives were constantly put into terrible danger. I’d like to think they had peaceful and creative existences at one point in their history.

The development of the current plot line in these books has been fantastic so far. I’d simply like to see the same attention paid to how all of this began in the first place. If that ever happens, this might become my favourite young adult series of this century.

 

3. Only Ever Yours by Louise O’Neill.

There are a lot of things I have to avoid saying about this book in order to avoid giving away any spoilers for it.

Freida, the main character, had spent her entire lifetime being groomed to be the perfect wife for a man she’d never met. She was raised in an environment that was very similar to a boarding school or other institutional setting. Along with her classmates, she lived, studied, exercised, and relaxed within the same four walls.

The audience quickly learned that all women in this society are raised in these school but that none of the men are. While I can’t give you any details about why this society was set up that way, I will say that I really wish we could have a prequel to this tale that explained more clearly when and how men and women were separated this way.

There was so much ground left to cover on that topic by the time I finished this novel. It could more than fill out the pages of a full-length prequel.

4. Never Let Me Go by Kazuo Ishiguro.

Once again, the main character of this book grew up in a boarding school sort of place that had strict

rules about what their students were allowed to do. Unlike Only Ever Yours, these characters had no idea what their fate would be when they grew up.

All they knew was that they were special for reasons their instructors never went into detail about.

Just like in the previous section of this post, I can’t go into many details about what was really happening in this universe other than to say that all of those adults weren’t feeding, educating, and protecting hundreds of children out of a sense of goodwill for our species. There were dark reasons for their actions that eventually began to come to light, but never to the degree I would have liked them to.

This was the sort of social experiment that I really thought should have been fleshed out in greater detail. If it were to actually happen in real life, there were be a lot of people who were vehemently opposed to it every step of the way.

Realistically speaking, how did the folks who created this system deal with the protestors? Did they keep it top secret, or did they find more violent ways to suppress the opposing side?

A prequel would be the perfect place to show how the idea for this school first took root and why it was allowed to continue.

5. The Unit by Ninni Holmqvist. 

Yes, I know I’ve blogged about this one before. It’s been so long since my last mention of it that I simply had to bring it up again since this is the sort of story that haunts me long after I’ve finished the final scene.

For those of you who haven’t read it yet, The Unit is about a futuristic version of America where women over the age of 50 and men over the age of 60 who haven’t met specific milestones like getting married or having children are forced to donate their organs and other tissues to people who need them. Yes, this included organs that one can’t live without like the heart.

What frightened me the most about this world was how realistic it felt. Forced organ donations are already known to be happening in certain parts of the world today. While it still feels unrealistic for it to occur in North America where this tale was set, I would have loved to know how such a system was sold to the population at large in a fictional version of the United States.

Would the general public have believed that these people were dying willingly to save strangers? Had this group of people been so dehumanized that average folks no longer thought of them as fellow human beings? I had so many questions about how this system had been sold to society in general that were never answered. A prequel would be the perfect way to finally know how and when the protagonist, Dorrit Weger, and all of the other people sent to The Unit were marked as dispensable without anyone fighting to save them.

What stories do you wish had a prequel?

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5 Funny Short Horror Films You Should Watch This Halloween

One of the things I love the most about Halloween is seeing all of the creative things storytellers do with common horror, science fiction, and fantasy tropes at this time of the year. There’s something about the Halloween season that seems to bring out the best in writers, filmmakers, and other creators.

The films in today’s post represent a wide range of subgenres, filming styles, and intended audiences. That was something I did intentionally to increase the chances that all of my visitors would find something that appealed to them. It was also a great deal of fun to find five films that wouldn’t normally be grouped together.

My other major criteria was to find examples of funny horror stories that had as little gore as possible. As I’ve mentioned here before, I don’t enjoy that sort of thing. I’d much rather be frightened by thoughts and feelings than seeing a monster tear someone apart.

I will be sharing mild spoilers about the amount of gore in each film, if any, so you can decide for yourselves which ones you’d like to see if this is also a concern for you.

Happy Halloween

Created byNikhilesh Kumar.

Run Time: 2 minutes, 35 seconds.

Gore Factor: None.

Why You Should Watch It:

It takes years for children to learn the many rules rules of operating in polite society well enough that they can blend in just about anywhere.

I think it’s amusing to observe the process of their minds learning why rules are created in the first place, when it’s okay to bend a rule, why some rules only apply in certain situations, and what happens when someone breaks rules (whether intentionally or unintentionally). The main character in this story is the sort of person who has memorized a specific rule but hasn’t yet figured out why it exists.

Honestly, I have a lot of empathy for that little guy. His predicament was funny, but it also made me wonder how frustrated he might have been getting with the whole process.

 

The Lonely Slasher: Short Halloween Film

Created byTheThreeLancers. Score by Sam Holmes.

Run Time: 5 minutes, 38 seconds.

Gore Factor: A few briefly bloody scenes. I looked away for a few seconds at one point as my tolerance for gore is pretty low these days.

Why You Should Watch It:

I appreciated this film’s take on why people do the things they do. In no way did it make excuses for The Lonely Slasher, but I did come to understand why his body count was so high. While I wouldn’t necessarily call him a protagonist, there were parts of him that I found relatable on a much smaller scale. I mean, who hasn’t occasionally put their foot in their mouth at the worst possible time or accidentally bumped into a stranger?

The Chebo

Created by:  Ryan McDuffie from Crypt TV

Run Time: 9 minutes, 18 seconds

Gore Factor: Two mildly violent scenes, but no real gore.

Why You Should Watch It:

Miscommunications sometimes happen in every long-term relationship. I was fascinated by how the creator took this concept, turned it into a literal member of the household, and then pushed his creativity to the limits to show what can happen when a couple aren’t on the same wavelength.

Boo – A Short Film About Halloween, Ghosts, and Poop 

Created by: Michael J. Goldberg

Run Time:  11 minutes, 52 seconds.

Gore Factor: None.

Why You Should Watch It:

Not every ghost is necessarily scary in the way you expect them to be. I loved the plot twists in this one after the house sitter first encountered the ghost and was thoroughly unimpressed with what she believed to be his or her costume and persona. It was the total opposite of how I thought the first scene would go, so I couldn’t wait to find out what would happen next.

Also, I think I might have been the only kid in the world who liked receiving those little boxes of raisins. So I never would have haunted this house in the first place.

Welcome Back, Mr. Buzzcock

Created by: Liz Anderson from Crypt TV

Run Time: 4 minutes, 43 seconds.

Gore Factor: Minimal. The camera panned away just before every gory scene actually happened, but it was heavily foreshadowed and implied.

Why You Should Watch It:

There’s always room for more stories about the tensions that can exist between one generation and the next, especially when it makes its point as quietly as this one does. This is something I’d happily show to the next person I meet who starts complaining about how people from a particular generation act.

I also enjoyed the way the secondary characters behaved in this film. Without giving away too many spoilers, they were much more intelligent and aware of their surroundings than most characters are in this genre. I really love it when that happens!

Respond

What is your favourite humorous Halloween short film?

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10 Things I Love to Read About

On Monday I blogged about the 10 Things I Won’t Read About. It was surprising to see how many of the people who read my posts have similar aversions to those topics.

Today I’m talking about 10 things that would make me keen to pick up and read a book. I tried to make this list as detailed as possible, so you won’t be seeing vague entries like “science fiction” here.

Instead, I’ll be drilling down to specific topics that I’d be excited to read about with little regard given to which genre they might pop up in.

1.  LGBT+ Historical Novels, Especially Mysteries.

I’m fascinated by how people in the LGBT+ community lived during eras when they had to keep such important parts of themselves hidden away. This is still something that happens with LGBT+ people in many countries and cultures today, of course. Seeing how this has changed or is changing in some parts of the world gives me hope that someday it will improve everywhere.

Watching LGBT+ characters attempt to solve a mystery while also holding tightly onto their own secrets also makes this sort of storyline even more nerve-wracking than it might otherwise be. I want some parts of the plot to be revealed while hoping that other portions are only shared with people who will treat the main character kindly.

Example: The Paying Guests by Sarah Waters. (I’m currently read this book, so please don’t share spoilers for it!)

2. Colonizing Mars (and Other Planets).

To put it mildly, humans made a lot of terrible mistakes when they invaded other countries and continents. While there isn’t any life on Mars* that could be destroyed if or when humans begin living there, there are still plenty of ways for that social experiment to have devastating consequences for everyone who participates in it.

Just think of how many people died due to accidents, violence, disease, and malnutrition when Europeans first began living in Australia, the Americas, and other parts of the world. I hope I’m wrong about this, but I expect the death rate for the first few waves of people who move to Mars to be quite high as our species figures out how to survive on a planet that doesn’t even have a breathable atmosphere for us.

*to the best of our current scientific knowledge.

Example: The Mars Trilogy by Kim Stanley Robinson.

3. Diverse or Unlikely Heroes. 

I love it when writers create protagonists who don’t fit the audience’s expectations of what a hero should look like. There have been so many examples of young, straight, white men saving the world in various fictional universes that I’m always happy to see people from other demographic groups get an equal chance to fight bad guys, too.

Example: Buffy Summers from the 90’s TV show Buffy the Vampire Slayer.

4. How Medical and Scientific Advancements Happened

This is by far the broadest category on this list, but I’m intrigued by how scientists and doctors solved any number of problems in the past that are either unknown in westernized cultures today or no longer exist anywhere in the world. The nice thing about reading about medical and scientific advancements is that the author generally spends most of their time talking about how that invention, cure, or breakthrough happened and how it changed society as a whole.

It’s been my experience that these sorts of books don’t spend much time at all discussing the graphic details of, say, a specific disease or injury. A portion of the first chapter might talk about the typical results for people before the invention of a certain drug or treatment, but generally everything else will be about how the researchers figured out a solution to the problem. I’ll endure a  brief discussion of surgery or gore early on if I’m otherwise interested in the topic and the author soon moves on to how that issue affected society as a whole and how the treatment or solution was eventually found.

Example: Breakthrough: Elizabeth Hughes, the Discovery of Insulin, and the Making of a Medical Miracle by Thea Cooper and Arthur Ainsberg.

5. How Social Justice Movements Actually Change the World.

It wasn’t until I became an adult that I learned that Martin Luther King, Jr. was widely hated by the mainstream culture before his assassination. He was seen by many white Americans as someone who was pushing for too much change too soon. This wasn’t something that was covered in any of my lessons about him in school, although after reading his wife’s memoir about their life together I wish it had been.

Sometimes the people who originally fought for a more just world aren’t around to see how all of those long years of hard work will begin to pay off.

Changing laws and public opinion on an issue takes time. It’s not generally something that will happen overnight, but it can happen. This is a topic I’ve been thinking a lot about over the past year or so, and it’s making me want to read more about what previous generations did to fix the things they saw that were wrong with their societies.

Example: My Life, My Love, My Legacy by Coretta Scott King.

6. Foster Care and Foster-Adoption.

For the past three generations, various relatives of mine have fostered and adopted children. Honestly, this would be my #1 choice for becoming a parent if I had the desire to raise children. There is an urgent need for foster parents here in North America, and I wouldn’t be surprised if the same could be said of many other parts of the world as well.

Having so many extended family members who were foster children makes my ears perk up every time a fiction or non-fiction book is written about this topic.

Example: Three Little Words by Ashley Rhodes-Courter.

7. Rabbits Enjoying Adventures. 

Anyone who has known me longer than ten minutes will have some inkling of how much I love rabbits.

Anytime they show up as a main or secondary character in a story, I’m immediately interested in finding out what will happen to them.

There aren’t a lot of authors out there who write about rabbits going on quests, so I jump into every example of this niche I can find.

Example: Watership Down by Richard Adams.

8. Hopeful Visions of the Future.

As I’ve mentioned here before, I’m thirsty for stories that have a hopeful outlook on what is in store for humanity a few decades or centuries from now. The news is so full of fear and apprehension these days that I look for happier perspectives on what life will be like for future generations wherever I can find them.

Example: All of the Star Trek series.

9. Vengeful Ghosts Who Had a Point.

Many different types of ghost stories appeal to me, but the ones I enjoy the most are about folks who had excellent reasons for being so angry and restless in the afterlife.

There’s something emotionally satisfying about figuring out their backstories and seeing if the protagonists will finally be able to help them find the peace they were denied when they were still alive.

I’m also fascinated by how the actions of a small group of people can continue to negatively affect their descendants and/or community for generations to come. This regularly happens in non-paranormal ways in real life, and there often aren’t any easy answers for how to end those cycles once they begin.

Exploring this topic in a ghost story is a wonderful way to neutrally ask questions about justice, reconciliation, and what the current generation should be morally obligated to do to fix the mistakes of people who lived and died long ago.

Example: The Woman in Black by Susan Hill.

10. The Daily Lives of Prehistoric People.

I sure wouldn’t want to be part of a hunter-gatherer tribe in real life, but I love reading about characters who lived in that kind of society.

There is something fascinating to me about all of the different skills one would need to survive when you need to make, hunt, or gather everything you and your family need to survive.  I’m also drawn to the idea of living in such a tight-knit culture. It’s not something I’d want to do all day every day, but I do see the benefits of forging such strong bonds with others. Having so many adults working together must have made everything from raising children to looking after a sick or injured relative easier than it is in more individualistic cultures.

If there are Neanderthals or other now-extinct human (or human-like) species in the storyline, I’ll be even more interested since there are so many things that a skeleton, stone tool, or cave painting can’t tell you about what a group was actually like.

Example: The Last Neanderthal by Claire Cameron.

What topics are you always eager to read about?

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10 Things That I Won’t Read About

This Thursday I’m planning to write a follow-up post to this one to discuss the themes and topics in books that I’m always interested in reading about. Since I’ve made several past references here to the sorts of stuff I dislike, I thought it would be a good idea to share the full list of things I won’t read about before diving into everything I love.

I’m the sort of reader who gleefully jumps from one genre to the next based on everything from the recommendations of certain people in my life to what I stumble across in the new arrivals section of my local library.

This list is going to do the same thing. No one genre can contain it, and any genre I read will occasionally include titles that fit one or more of the points on this list.

1. Sexy, Sparkly Monsters. 

I will happily read all sorts of stories about vampires, zombies, werewolves, and unnamed creatures stitched together by Dr. Frankenstein so long as these characters are not romanticized or de-fanged in any way. While I might feel other emotions ranging from compassion for them to concern for their future, monsters are first and foremost supposed to be frightening. If they don’t give me that initial jolt of fear, I won’t be very interested in them.

I know I’m in the minority here, but I also don’t find monsters sexually appealing in any way. This is even more true for the dead, and therefore possibly rotting, ones.

2. Sympathetic Portrayals of Bigotry.

There’s a massive difference to me between writing about a character who is deeply prejudiced against specific groups and the author or narrator working – consciously or unconsciously –  to make bigoted ideas themselves more palatable to the audience.

I believe that it’s a good thing to create three-dimensional characters, protagonists and villains alike. In no way would I expect every bigoted character to only be represented by their worst flaws. That isn’t how prejudice works in real life. Someone can be perfectly charming to friends or relatives while still doing and saying terrible things to the objects of their hate.

The juxtaposition of these personality traits can make excellent fodder for a story, but I still don’t believe it’s ethical to ever make excuses for the existence of hate or for the people who spread it.

3. Graphic Violence.

Occasional references to rape, torture, murder, and other acts of violence are okay with me, especially if they were integral to the development of the plot. However, my imagination is far too vivid for me to read detailed descriptions of these things without them coming back to haunt me later on.

I prefer types of conflict that don’t do that to me. This photo of a woman who dropped her ice cream cone is only tangentially related to this point, but the distraught expression on her face is about as much despair as I can handle before needing to move onto more cheerful subject matter.

4. Deus Ex Machina.

That is, I don’t like contrived endings or when characters who have been wrestling with a complex problem for hundreds of pages suddenly realize that the solution to their conflict was a simple fix a few sentences before the final scene.

I’d much rather have a sad ending than a happy one that doesn’t fit in with the tone of the rest of the tale.

5. Inspirational Fiction.

After multiple failed attempts to get into this genre, I came to the conclusion that it was never going to be my cup of tea no matter who wrote it. It is the only genre I’ve permanently given up on, and I felt a little sad about that for a long time.

6. Sermonizing. 

This rule definitely isn’t limited to religion in general, and it kicks in even if I happen to completely agree with the author’s point of view. Any topic can be sermonized if it is written by someone who is more interested in pushing a specific agenda than telling a satisfying story.

There’s a huge difference between writing a story that was influenced by your worldview and allowing your worldview to dictate how a story is told. I don’t have much patience for the latter at all.

7. One True Love Personality Transplants.

Okay, so this one might take a little explaining. I have no problem reading books that include romantic elements as a minor or major part of the plot. This isn’t an anti-romance rant at all.

What bothers me about certain characters falling in love, though, is when those experiences erase their personalities and identities.

Years ago I read a series about a character who had decided early in life never to have children. They had excellent reasons for that decision, and they stuck to it until the very end when they fell in love and suddenly changed their mind about having kids despite the fact that none of their reasons for making that choice had or could ever change.

This isn’t a type of storyline that I’m inherently opposed to, by the way. Not everyone knows what they want out of life when they’re a teenager, and I don’t think there’s anything wrong with showing how a character changes their mind about a major life decision like this. It can be a fantastic way to demonstrate genuine character development when done properly.

The thing is, anyone who writes this sort of tale really should show how and why someone would change their mind about something so important to them. When such an important mind-shift is brushed away as a sign of True Love ™ five minutes after someone falls in love, I can’t help but to wonder how soon that character is going to deeply regret having kids (or moving thousands of miles away, or giving up their career, or making any other sort of drastic lifestyle change when there was no foreshadowing of them wanting those things for the vast majority of the plot).

8. Love Triangles.

If this wasn’t such a common trope in the romance genre, I’d probably read way more romance novels.

As someone who is polyamorous, I always hope the main character gets to keep dating both of the people they’ve fallen for. Why make them choose? They can love more than one person at a time and therefore free up the plot for more interesting types of conflict.

9. Needles, Blood, and Surgeries. 

Kudos to those of you who enjoy very detailed descriptions of what goes on in an operating room or doctor’s office, but this is something that makes my stomach turn.

I’d prefer to continue to know as little as possible about how exactly medical professionals fix the human body when it gets injured or sick. The fact that they’re (often) able to help people feel better is all I need or want to know.

10. Very Long Books. 

Other than J.K. Rowling and J.R.R. Tolkien, I generally don’t read a lot of long-winded authors. Two or three hundred pages is more than enough space for me to get into a story in the vast majority of cases, so it would take something really special to convince me to jump into a very long read.

What topics are on your Do Not Read list?

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