Category Archives: Science Fiction and Fantasy

September 13, 2018 · 1:00 am

How I’m Expanding My SFF Watchlist for 2019

Has anyone else noticed that the time between September and January flies by every year? There’s something about the short and often rainy days in the autumn that makes this season pass quickly for me. (If only winter behaved the same way! Every winter I feel like the cold and snow are going to last forever).
My watchlist for science fiction and fantasy films has dwindled over the course of 2018. The list below contains all of the movies in these genres that I’m currently hoping to watch in the future.  Some of the entries on it aren’t even available in the theatre yet, and others were released so recently that I’m still waiting for them to become legally available to watch online.
  • A Dog’s Purpose
  • Christopher Robin
  • Devil
  • Fantastic Beasts: The Crimes of Grindleward
  • Get Out
  • Gremlins
  • Goodbye Christoper Robin
  • The Good Dinosaur
  • Hereditary
  • The House with a Clock in Its Walls
  • Lights Out
  • The Little Stranger
  • The Lottery (based on Shirley Jackson’s short story)
  • A Monster Calls
  • Monsters University
  • Peter Rabbit
  • A Wrinkle in Time

Before I watch a film, I always check the reviews of it to see what others thought of it and if it includes certain topics that I’m sensitive to. I ended up deleting some of the titles I’ve previously mentioned on this blog due to multiple negative reviews that referenced stuff I try to avoid in the entertainment I consume. 2018 has also been a year when I’ve slowly begun losing interest in the non-paranormal horror genre in general, so that cut way down on my to-watch list as well.

Now that winter is just around the corner, I’ve decided that it would be a good idea to build up my watchlist again. Sometimes it can take a while for a film to show up on Netflix or become available to rent on iTunes. The more options I have, the better. Not only will it be a nice distraction for me during my least favourite season, I’ll be able to continue writing more reviews for all of you as I find stuff that I like and/or have strong opinions about.

My Criteria

  1. It will preferably have been released in the last 20 years, and ideally within the last decade. While I do occasionally enjoy older films and am open to hearing about faster-paced recommendations from back then that have stood the test of time, I generally find the pacing of anything released before the mid-1990s to be too slow for this millennial’s tastes.
  2. There is little to no gore. I can handle a few briefly violent scenes if necessary, but I have no interest in bloodbaths or slasher flicks.
  3. It ideally includes stuff like: the paranormal; cryptozoology; aliens; an exploration of planets, caves, or other remote places where communication devices mysteriously stop working for the sake of a better plot; space ships; the distant past or future; characters who are at least somewhat self-aware and intelligent when something really weird happens in the first scene.
  4. There are clever plot twists in it. I do watch more predictable shows as well, but it always makes me happy to find something whose ending can’t be predicted five minutes into it.
  5.  Also, I’ve watched countless movies about straight, white men having science fiction and fantasy adventures together. If the stories are equally intriguing and I’m given the choice between them and a more diverse cast, though, I’m going to go with the latter every time.

Where I’m Looking for New Films

  1. Netflix. I don’t mean to sound like an advertisement, but I’ve found so many interesting films there over the years. It’s always the first place I try when I’m looking for something new.
  2. iTunes. I’ve combed through everything Netflix has to offer, but I’ve yet to do the same thing for iTunes. Here’s hoping I’ll find hidden treasures there.
  3. Top 10 Lists. While I’ve seen many of the science fiction and fantasy films that were released over the past two decades, I definitely haven’t seen all of them. This is especially true for foreign and indie films that only showed in select theatres.
  4. You! If you have any suggestions for me, please leave a comment on this post or tell me about it on Twitter.

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September 10, 2018 · 1:00 am

Families Are Forever: A Review of Coco

This review is spoiler-free and suitable for all audiences. This was one of the films I talked about wanting to watch in this post. So far, I’ve previously reviewed Into the Forest and Annihilation from that original list. 

Coco is a 2017 film produced by Pixar Animation Studios and released by Walt Disney Pictures. It followed the adventures of a young boy named Miguel who dreamed of becoming a musician one day against the wishes of his parents, grandparents, and other elders.

They wanted him to follow in their footsteps and become a cobbler instead. This conflict between Miguel and his elders not only provided the catalyst for his adventures in the Land of the Dead, it asked a lot of thought-provoking questions about how far someone should go to pursue their dreams and what sorts of things it should be okay for a family to ask one member to give up for the sake of everyone.

(Some of the) Characters

This movie had an incredibly large cast of characters in large part because Miguel was part of a massive extended family that included generations of people who died long before he was even born. Mentioning certain characters would also make it difficult for me to avoid spoilers, so I will only be talking about the most important ones who can be discussed with giving away any plot twists.

The introduction to this film did an excellent job of explaining who everyone was and how they were related to each other, though, so you shouldn’t have any problems catching up on the secondary characters I didn’t include in this post.

Anthony Gonzalez as Miguel Rivera

Miguel, the protagonist, was a 12-year-old boy who was caught between his dreams and what his elders wanted him to do with his life. On Dia de Los Muertos (Day of the Dead), when the dead are allowed to come visit loved ones who remember them during this Mexican celebration of loved ones who have died, Miguel accidentally crossed from our plane of existence to the Land of the Dead. In order for him to return to the Land of the Living, he had to receive the blessing of one of his dead relatives before the sun rose again. If he failed, he’d be trapped there forever.

Dante

Dante, Miguel’s dog, was his mischievous and occasionally silly pet who accompanied him to the Land of the Dead. This character was responsible for almost all of the humorous moments in the plot thanks to the fact that he wasn’t a particularly bright dog and he didn’t always think through his choices ahead of time. I’d love to see a sequel starring him someday.

 

Ana Ofelia Murguía as Coco Rivera (right)

Coco was Miguel’s great-grandmother and the oldest living member of their family. She’d been abandoned by her father, a musician, as a small child, and the pain of that experience was something she’d carried with her for her entire life. It was this story that made the rest of Miguel’s family so opposed to his desire to become a musician.

Renee Victor as Abuelita

Abuelita was Miguel’s grandmother, Coco’s daughter, and the head of the family in the Land of the Living (or what we would think of as our world). No one made any major decisions without getting her blessing first.

 

Alanna Ubach as Mamma Imelda Rivera

Mamma Imelda was Miguel’s great-great grandmother. Coco was the daughter she’d been left to raise on her own after her husband went away and never came home again. She still resented her husband for that decision when Miguel met her in the afterlife and asked for her help to get home again.

Gael García Bernal as Héctor

Héctor was a friend Miguel made in the Land of the Dead. He lived in a section of the afterlife that was reserved for people who were no longer being honoured by the living on Dia de Los Muertos. If he couldn’t find a way to get the living to remember him before the last person who had known him in life died themselves, he would disappear from the Land of the Dead forever. What happened to dead people who were completely forgotten was unknown.

Benjamin Bratt as Ernesto de la Cruz

Ernesto was the man Miguel believed to be his great-great grandfather. He was never honoured, remembered, or even mentioned by the Rivera household due to how poorly he’d treated his wife and child, but the songs he sang while he was alive ensured that other people remembered him on Dia de Los Murtos and kept him going in the Land of the Dead. Ernesto was a talented musician whose songs were still sung decades after his death in our world, The Land of the Living.

My Review

Everything I’m about to say about Coco will be complimentary. I normally try to sandwich my criticisms between compliments, but in this case I wouldn’t have changed a single thing about this film. It was exactly what I was hoping it would be.

The storytelling was beautiful. While this was marketed as a children’s movie, I’d honestly recommend it to adults just as much, and maybe even a little more, as I would to the age group it was actually intended for. Miguel’s family was large, but I felt like I got to know each character in it well due to how much time they spent exploring their complicated relationship with each other and their shared pasts. They dealt with serious issues that many people face.

There were a few emotional scenes about death and regret that would almost certainly fly over the heads of the youngest viewers, but they meant a lot to me as an adult who has faced similar conflicts myself. One of the things I love the most about Pixar films is how well they straddle the line between appealing to adults while also writing something that children will find meaningful. Once again, they did a fantastic job of speaking to both groups without talking down to the kids or simplifying anything for older viewers.

Mama Imelda, Coco, and Coco’s father in a family picture.

I didn’t grow up in a family or a culture that observes Dia de Los Muertos, so I really appreciated the attention to detail when Miguel and his family were preparing for and then later celebrating it. There was something beautiful about seeing the alter Miguel’s elders had set up with photos of their deceased relatives and offerings of food and other things that the dead would have enjoyed. Yes, there were moments of grief, but there was also a lot of love and joy in that tradition. It seemed to me that it was about remembering the good times with people who have passed on and sharing your happy memories of them with the next generation.

Some of the elders in my family have historically been a bit resistant to the idea of telling stories like this as a coping mechanism for grief, so I found it refreshing to see a family speak so openly and fondly of the dead. It struck me as something that could be much more emotionally healthy for people who found themselves missing a parent, grandparent, or other relative who is no longer part of the Land of the Living no matter how many years ago they’d crossed over.

The conflicts in this story were written in such a way that I could sympathize with both sides. Of course Miguel wanted to explore his musical talents and learn how to be a better musician. On the flip side, of course his elders would be horrified at the thought of another family member abandoning them to make music. This was a case when there was no right or wrong answer and I could imagine Miguel and his elders changing their opinions if their places could somehow be reversed.

The best scenes happened after Miguel crossed into the Land of the Dead and finally met the relatives there he’d been honouring his whole life but had never actually known when they were alive. I enjoyed seeing the tension build between this character’s individualism and his ancestors’ collectivistic understanding of how a life should be lived. It was a nice reminder of how a culture can change from one generation to the next, and it also provided a lot of fodder for conflict as Miguel tried to figure out how to get home before sunrise.

I was also impressed with the music. Every single song was something I’d love listen to again, especially when it came to “Remember Me.” For those of you who have seen a lot of animated films, the music in this one reminded me of classic Pixar songs like “You’ve Got a Friend in Me” from Toy Story. Not only were they meaningful for the storyline, they were nice pieces of music in and of themselves. I could see myself adding several of them to the list of songs I listen to every day, and that’s not something I do very often.

Should You Watch It?

Yes, you absolutely should. I’d heartily recommend Coco to audiences of all ages with no caveats.

Coco is avaliable on iTunes and Netflix.

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August 30, 2018 · 1:00 am

18 Science Fiction and Fantasy Shows I Can’t Wait to See in 2018-2019

Last year I blogged about the fourteen science fiction and fantasy series I was looking forward to watching during the 2017-2018 season. Wow, that was a lot of shows! Somehow I managed to continue watching almost all of them, though.

Today I’m talking about the shows I’m currently watching or will be watching during the 2018-2019 TV season. Once again, I’ll be sharing the release dates and a short explanation of why I’m interested in each one. This list looks like a long one, but many of these series will be finished long before the ones at the bottom of the list are aired. I love the fact that shows are staggered like that these days.

Also, I am a few seasons behind some of the items on this list. So expect to see them reappear in future updates on what I’m watching unless I suddenly stop watching a lot of current programs for some reason.

Disenchantment

Season 1 premiered this August. I’m currently watching it.

Calling all fans of Futurama! The creators of that series have something new for you.

Disenchantment was about a princess who befriended an elf and a demon and proceeded to have all kinds of PG-13 related adventures with them. Yes, this is an animated program. No, it’s not suitable for kids. There’s everything from sex to violence to substance abuse in this tale, so send the small, impressionable humans to bed before you watch it.

 

The Good Place 

Season 3 premiere: September 27.

So much of the stuff I want to say about this program would give away major spoilers for anyone who hasn’t watched the first two seasons yet. Needless to say, the characters have continued to explore the afterlife and learn just how complicated things can get when the line between heaven and hell becomes so blurry.

I would not recommend watching this to anyone who is easily offended or who has strong opinions about what, if anything, happens to people after they die. While the tone of it is tongue-in-cheek and friendly, this is something that will work better for viewers who are easygoing on this topic.

The Man in the High Castle

Season 3 premiere: October 5

If history had been a little different, the Axis powers could have won World War II. This series takes a look at what life would be like in the country formerly known as the United States this had happened. Germany and Japan split the U.S. up into sections in this universe, and everyone who wasn’t a Christian Aryan was in terrible danger.

I should warn all of you that this show can get very dark at times. It’s not something that anyone should watch if they’re easily triggered by references to Holocaust-like events.

Black Lightning

Season 2 premiere: October 9

Black Lightning has been changing my opinion of the superhero genre for the better thanks to everything that was going on in the main character’s life. I adored the complexity of his personality and life. He had to deal with everything from chasing down bad guys to repairing his relationship with his wife in the first season. I’m looking forward to seeing what happens to him and his family next.

The Orville

Season 2 premiere: December 30

I adored season one of this program. While it was originally written to be a lighthearted parody of the Star Trek universe, it felt much more like a Star Trek show than Discovery has so far. This isn’t a diss, either. I’m enjoying Discovery, but it doesn’t have the optimism about the future that I’d expect from this universe.

Luckily, The Orville picked up that slack beautifully in its first season. The characters dealt with some serious issues, but there was always a lighthearted undercurrent to their conflicts that reassured me that better days were coming for everyone in that universe. The world needs more material like this, especially now.

Timeless

Movie premiere: late 2018

Technically, the last TV season of this show ended this past spring. There is a two-hour movie about the characters in it coming at the end of this year, though, so I’m including it on this list. I’m glad the fans are going to have a proper goodbye for it. The time travel in this story was really well done. I especially liked the fact that the characters who weren’t white men acknowledged how difficult certain eras would be for them to visit due to the prejudices and laws of those times.  hoping there will be plenty of that in the sendoff.

 

Star Trek: Discovery

Season 2 premiere: January 2019

Despite my comments above, I actually did enjoy the first season of Discovery. There was a huge plot twist in it that I didn’t see coming ahead of time. I can’t say anything else about that without giving away spoilers, but I am looking forward to seeing where this series goes next and if it begins to feel more friendly and hopeful like other Star Trek tales.  (Although I am hoping that the second season will flesh out the secondary characters. So far, only the main characters have gotten attention from the storyline).

Roswell, New Mexico

Season 1 premiere: April 29, 2019

This is a reboot of Roswell, a science fiction show about aliens living on Earth in the early 2000s that I liked quite a bit back in the day.

Like the reboot for Buffy the Vampire Slayer, I’d prefer to see this universe revisited in its current form. This doesn’t stop me from feeling excited at revisiting this universe in whatever form it will take.

The Handmaid’s Tale

Season 3 premiere: April 2019

Anyone who has followed this blog over the past few years already knows how much I adore The Handmaid’s Tale, so I won’t repeat myself.

Needless to say, I’m already counting down the weeks until season 3 is here.

Castle Rock

Season 2 premiere: 2019. I have yet to begin season 1, but plan to start it soon.

Two words for you: Stephen King. Every time a TV show comes out that is based on something he wrote, my ears perk up. This was no exception to that rule.

Lucifer

Season 4 premiere: 2019

First this show was cancelled, and now it’s somehow coming back for another season.

All I know is that I have a huge crush on Lucifer. Yes, he’s (sort of) the Lucifer you’d expect someone with that name to be. That is, he is the devil in this universe, but he’s not evil. Children love him, and he only harms people who have already hurt innocent folks. Everyone else is pretty safe around him unless they happened to be horribly annoyed by shameless flirting.

The Magicians

Season 4 premiere: 2019

I have four words for you: Harry Potter for adults. While this isn’t set in the Potterverse, the characters in it do attend a school for magic and end up having all sorts of unauthorized adventures when their professors aren’t looking.

It took me a couple of tries to get into the first season, but now I can’t get enough of this series.

Cloak & Dagger

Season 2 premiere: 2019

Not only are there two superheroes in this story, their powers complement each other perfectly.

I’m also watching this one with the hope that when a romance develops between the main characters, their racial differences won’t be a source of conflict for the plot in any way. One of the beautiful things about living in Toronto is seeing interracial couples living their ordinary lives together without it being a big deal. While I know this definitely isn’t true for every community (or even in every single Torontonian household, to be honest), I think it’s high time for screenwriters to stop assuming that every interracial relationship is fraught with conflicts over race and culture.

That is such an old-fashioned and unhelpful way of perceiving the world, especially if you’re on the outside looking in at someone else’s relationship.

Glitch

Season 3 premiere: 2019

Some of the characters in this show were people who came back to life from the dead without being zombies, vampires, or ghosts. One moment they were corpses, and the next they’d come to life.

I can’t say much else about the premise without giving away massive spoilers, but I’ve loved the character and plot development so far. It’s going to be pretty interesting to see what happens now that more and more townsfolk have realized that some of their new neighbours are actually people who lived there decades and even a few centuries ago.

 

Stranger Things

Season 3 premiere: mid-2019

The first two seasons of this show were filled with stuff that happened in the 1980s but would be frowned upon today. For example, smoking was ubiquitous, and children weren’t supervised well back then.

This isn’t the only reason why I’m looking forward to seeing what happens to the town of Hawkins, Indiana, but it is one of them.

Luke Cage

Season 3 premiere: late 2019 (tentatively)

So, it turns out that I might like superhero shows more than I thought I did. When I first began working on this post, I hadn’t fully realized how many different superhero shows I watch.

One of the coolest things about Luke Cage was how close he was to various members of his community. Some of my favourite scenes so far have showed him talking to his neighbours and trying to figure out how to improve all of their lives. The social justice aspect of the storyline is what originally pulled me in and what has kept me coming back for more.

Black Mirror

Season 5 premiere: unknown, but I’m hoping it will show up in 2019.

The only episode I’ve seen so far from this series was 4.1, “USS Callister.” It was about a massive multiplayer online game populated by sentient digital clones who were treated very poorly by the man who created them. When the clones realized that the world they’re living in isn’t real, they had to try to decide how or if to escape their circumstances.

I was so impressed by the storytelling and writing quality that I’ve added Black Mirror to my to-watch list. I’m hoping to catch up on as many of the other episodes during the winter of 2018-2019 as possible.

Buffy the Vampire Slayer (no photo available yet for this one).

Season 1 of the rebooted premiere: unknown, but I’m hoping it will show up in 2019.

To be honest, I don’t know if Buffy the Vampire Slayer will be rebooted in 2019 or come out at some point after that. Either way, I’ll be curious to see how this universe is reimagined for a new generation.

What science fiction and fantasy shows will you be watching between now and next summer?

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August 23, 2018 · 1:00 am

Hopeful Science Fiction: The Lovely Bones

This past June I blogged about my desire to read more hopeful science fiction. Last month I reviewed Woman on the Edge of Time as my first selection for this list. Today I’m back with a review of Alice Sebold’s The Lovely Bones.

If you have recommendations for future instalments of this series, I’d sure like to hear them. Leave a comment below or send me message about it on Twitter.

As I mentioned last month, the books I include in this series don’t have to start off in a hopeful place, and I don’t require them to shy away from difficult topics. I’m including a trigger warning for today’s review because The Lovely Bones does begin with a teenage girl being raped and murdered by someone who lived in her neighbourhood.

The story briefly discussed the end of this character’s life without going into any graphic details about it, and I will be talking about it even less than the narrator did. However, I want everyone who reads the rest of this post or check outs this book for themselves to be fully aware of those potentially upsetting references ahead of time.

The Lovely Bones

Alice Sebold’s The Lovely Bones was first published in 2002. The story it told began in the 1970s with the disappearance and violent death of the protagonist, a fourteen-year-old girl named Susie. Her parents and siblings struggled to move on with their lives without knowing for sure what had happened to her, and the main character found it equally difficult to say goodbye to a life that had only just begun for her.

Interestingly enough, the plot had much less to do with how Susie died than what she decided to do with her time after her death.

The afterlife Susie was welcomed into was everything anyone could hope for. There were no harsh judgements awaiting her or anything like that. She was loved, cared for, and reassured in a safe, happy place as she adjusted to the thought of a future she could have never predicted ahead of time.

Yet she still wanted to return to the life she’d once had. This yearning that Susie felt to reconnect with her loved ones was overwhelming at times, and it made her an incredibly sympathetic character. Anyone would have felt the same way in her shoes. I wanted her to find a way back home more than anything, but I couldn’t imagine how the plot could ever bend in that direction.

Grief

One of the things I wish I could change about western culture is the way it reacts to grief. There’s an expectation in many western societies that one should grieve quietly, briefly, and in private. I’d like to make it clear that there’s nothing wrong with this kind of grief, but it’s not the only way to respond to loss.

The Lovely Bones showed characters who grieved in many different ways. Some of them spent years trying to figure out what happened to Susie. Others moved as far away from the town where Susie had lived as they possibly could or buried themselves in various projects as a way to cope with the past. Even Susie herself had to figure out how to say goodbye to the life she expected to have so she could embrace the (after)life she was experiencing instead.

There’s no shortcut through grief. As hard as it was at times to watch the characters mourn everything they’d lost, I appreciated their realistic responses to the days, weeks, months, years, and decades that followed after the heartbreaking opening scene. These were some of the best portions of the book. I’m not embarrassed to admit that they occasionally brought a tear to my eye.

Acceptance

Pain is unfortunately a part of life for every living thing. While some know more of it than others do, no one that I’ve ever met has been able to escape it entirely.

What The Lovely Bones did exceptionally well was to show how someone can accept what has happened to them without anyone making excuses for the perpetrators or calling those experiences good ones by any stretch of the imagination.

It’s been my experience that some well-meaning people will do both of those things in an attempt to help the person who was hurt begin to heal. They almost always have no idea they’re actually making the problem worse, but it was still refreshing to read about characters who tried to find acceptance without downplaying what happened or pretending like it had some mystical or uplifting purpose that Susie needed to discover in order to move on with her (after)life.

One of the few criticisms I have of this tale has to do with Susie’s multiple attempts to accept what had happened to her. The plot went into a lot of detail about her resistance to this idea early on, but it wasn’t quite as thorough in later chapters once her siblings grew up and began to find their own sense of peace. I can’t say much else about this without giving away spoilers, but the ending would have been even better if the audience could have seen more examples of Susie’s later reactions to this topic.

Hope

The hope in this story arrived gradually. Don’t look too hard for it in the first few scenes or chapters. Just like what often happens in real life, it will take time for everyone to adjust to their new reality and for certain parts of the plot to be set into motion before you begin to realize what will await Susie and everyone who loved her.

You see, hope isn’t something you get one dose of and then are set for life. There’s nothing delicate or whimsical about this emotion.  It also won’t magically appear and make every problem in your life disappear in a puff of smoke. (If only life worked that way!)

To see the true effects of hope over a long period of time, one often has to look at the longterm evolution of a person, memory, idea, or wish. What will happen to this individual in ten years? How does someone live with decades of unanswered questions? What might be waiting for you on the other side of unimaginable grief?

The beauty of this tale comes in how it defines and describes this concept for people who aren’t interested in pat answers or ignoring the types of pain that make hope so meaningful for those who seek it.

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August 20, 2018 · 1:00 am

Summer Worlds I’d Like to Visit

Last January I blogged about the winter worlds I wish I could visit. Now that we’re well into the month of August and temperates are soaring, I thought it would be a good time to revisit this topic from a summery perspective.

One of the differences between this list and the one I did for winter is how loosely I’m defining a summer world. Some of the places I’ll be mentioning in this post never get cold or snowy at all. Others have seasonal changes that don’t necessarily match up perfectly with Ontario’s yearly weather cycle. A couple of them are places that aren’t so much “worlds” as they are countries (or parts of countries) that really exist.

It’s the presence of hot, often humid weather and everything that comes along with such a forecast that I’m looking for in these tales regardless of where they are set. I hope you’ll understand why I loosened the definition of this label and have a few ideas of your own of summer or summer-like settings that might be interesting to visit.

The Congo

 

The Poisonwood Bible by Barbara Kingsolver

Caveat: I’d pack plenty of practical items like bug spray and I’d spend very little time with the main characters of this tale.

The setting, though, tickled my imagination. I wish the audience could have seen the Congo’s fight for independence from Belgium from the perspective of someone who was born and raised in the Congo. The parts of this struggle that the main characters witnessed were fascinating. They made me wish it were possible to see the beginning of this movement for myself, and they were the highlight of the storyline for me.

The Deep South

Dead Until Dark by Charlaine Harris

While I’ve only been to Louisiana once, I did spend about a year of my childhood living in a different southern state. It wasn’t enough time for me to think of myself as a southerner by any means, but it was a period of my life when I developed some of my earliest memories that I am pretty certain are accurate and genuine.

The warm, humid evenings down there are something I’ll never forget. There’s no way to escape them. Like getting through snowstorms up north, you simply have to learn to adjust the rhythms of your day to what the weather is like. Assuming I could avoid the vampires running around there in this universe, it would be interesting to see if my memories of southern evenings are as accurate as I hope they are.

Any River That Huck Finn Paddles Down

The Adventures of Huckleberry Finn by Mark Twain

Huck was a character I liked a lot when I was a kid. The thought of a child deciding to leave home and go on an adventure without telling any of the adults in his or her life where they were headed made my heart skip a beat. I didn’t actually catch onto the satirical elements of the plot until I was older, but I do remember being envious of how much freedom this character had to design his own idea of a good time over the summer.

Also, I love bodies of water in almost any form. There are few things more soothing to me than spending time as close to a lake, river, pond, or ocean as possible. The sound of water lapping against the shore (or a seaworthy vessel) can lull me to sleep in minutes.

The House Where Justin’s Dad Lives

Sh*t My Dad Says by Justin Halpern.

How is that for a vague title? About seven or eight years ago there was a popular Twitter account that quoted all of the odd, funny, and sometimes disturbing things the author’s dad said without necessarily realizing that he was embarrassing his son. Eventually those quotes were compiled into a book.

As someone who has my own fair share of relatives who are known for putting their feet in their mouths over and over again without no signs of learning from their pasts, I’d know exactly how to respond to the cringeworthy stuff Justin’s dad said back in the day (and maybe still does).

 

A Summer That Refuses to End

Farewell Summer by Ray Bradbury

Raise your hand if you feel like this summer is going to last until the end of time.

This book is part of a series that is still on my TBR list, so I can’t give out any specific details about it yet. What I can say is that I, too, feel as though autumn is a decade or two away. It’s funny how some parts of the year speed by while others drag on forever, isn’t it?

What summer or summer-like worlds do you wish you could visit?

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August 16, 2018 · 1:00 am

Is Mary Sue a Sexist Concept?

Thank you to my friend Berthold Gambrel for coming up with the idea for today’s post.

For anyone who hasn’t already heard of this term, a Mary Sue is a (female) character who is so idealized that she’s honestly too good to be true. Picture someone who is good-looking, smart, athletic, talented, charming, and good at virtually everything she tries.

If she has any flaws at all, those weaknesses are trivial things that don’t make a real difference in her daily life or current quest at all. For example, she might have a terrible singing voice, but her storyline has nothing at all to do with whether or not she can sing.

You’ve probably noticed that I used feminine pronouns in those last two paragraphs. I did this on purpose. In all of the years I’ve been reading various fiction genres – including, and sometimes especially, the science fiction and fantasy genres – I’ve never seen a male character being accused of being a Mary Sue even when he meets all of the criteria for this label. The very thought of a Marty Stu existing is controversial in some circles.

Sometimes I’ve seen people use the term Mary Sue to describe an author’s possibly subconscious desire to be loved and admired by everyone they meet. There have been times when certain critics of various well-known series have insisted that a Mary Sue character was written as a projection of everything the author wished she could be.

Intention Isn’t Everything

While the original Mary Sue character was first written as a lighthearted parody of unrealistic characters in Star Trek fan fiction, she’s since evolved into something else entirely.

If we lived in a world where Marty Stu was thrown around as easily as Mary Sue, I’d say that both of them were intended to shed light on the dangers of writing flat characters. As someone who has written hundreds of reviews over the years, I have seen plenty of books whose characters never felt like real people. It’s not easy to create a character who appears to have all of the same hopes, dreams, fears, and realistic personality flaws that you’d find in any random person walking down the street.

When a term is created to criticize one group of people for doing something while ignoring other groups that do the same thing, the original intentions quickly become less relevant over time.

Double Standards

What bothers me the most about Mary Sue as a concept are the double standards it enforces and the disproportionate amount of hate Mary Sues receive when compared to their male counterparts.

Yes, stories that portray a female main character as someone who has few if any flaws and who is somehow good at everything she tries aren’t an example of good writing.

This applies to every single even vaguely humanoid protagonist who has ever been invented, though, as well as quite a few who were created to be as unlike humans as possible.

Which gender they identify as doesn’t matter at all. I’ve sat through far too many stories about Marty Stus who were just as unbelievable as any Mary Sue has ever been. Yet I can’t remember the last time I saw or heard someone use the phrase Marty Stu in real life or complain about how unrealistic his character development was.

If we lived in a world where this wasn’t the case, I’d be much more willing to use the phrase Mary Sue to describe characters who were poorly developed or seemed to be an idealized version of who the author wishes he or she could be.  These are issues that I occasionally see pop up in the books, movies, and other forms of entertainment I review, but they are in no way limited to one specific gender. They happen everywhere.

Yes, It’s Sexist

It is for all of the reasons listed above that I believe Mary Sue is a sexist concept even though I don’t think that most people who use that phrase are purposefully trying to be sexist.

Sexism – and many other forms of prejudice – are so deeply ingrained into western society that it’s easy to overlook the milder examples of them like this one. Honestly, I know that I’ve occasionally said things that rubbed other people the wrong way because I wasn’t aware of why a certain phrase or topic was a sore spot for a particular group.

I can’t and won’t speak for every woman here, but my reaction to someone using this phrase wouldn’t be an angry one. The first thing I’d assume would be that they’ve never thought about the different ways characters who behave in very similar ways are treated based on their gender or why it’s a problem to hold one gender to a much stricter standard than you’d expect from another gender. This would be a teaching moment, just like I’d hope that someone else would be willing to explain to me why they found something I said to be offensive if I accidentally crossed the line when talking to them.

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July 30, 2018 · 1:00 am

Why Negative Reviews Can be a Positive Thing

Does anyone else find that their taste in movies is constantly evolving? Even when it comes to films I know I’m going to want to watch eventually, I still need to be in the right mood for certain genres. Sometimes I might be more interested in a documentary or comedy. On other days, something dark and serious is right my alley.

Last week I was sorting through my never-ending to-watch list and trying to figure out which film from it to check out next. (That list is even bigger if you include all of the non-scifi entries on it! One of these days I may have to blog about the whole thing).

I’m the sort of person who will add something to my to-watch list in a heartbeat but wait until the last possible minute to decide whether or not I really want to sit down and pay attention to it for two hours.

Before I pay for anything, though, I always check the online reviews of it for a few different reasons that I’ll dig into during the course of this post. Positive reviews are no guarantee that I’ll end up watching something even if every single reviewer loved every single scene of that film. A string of negative reviews won’t necessarily dissuade me from watching something, either.

My reasons for deciding to watch something are more complex than that.

Does One Person Mention Problem X, or Does Everyone?

Once a film, book, or any other piece of pop culture has attracted enough attention, it’s bound to be picked up by at least a few people who don’t connect with it at all for a wide variety of reasons.

Maybe they’re simply not a big fan of that particular genre. (See also: me and 98% of the romance novels out there). They might have been in an awful mood and would have hated anything they watched that day no matter what it was. There could have been a part of the setting, plot, or character development that stirred up difficult memories for them for any number of reasons that almost certainly wouldn’t apply to most other people who read or watched the same thing.

If one reviewer mentions hating something about a film, I’ll tuck that information in the back of my mind. It probably won’t keep me from renting it unless the reviewer mentions something that I strongly prefer to avoid in the media I consume.

If multiple reviewers mention the same issues over and over again, I sit up and take notice even if their complaints all seem to be mild ones when looked at individually. There’s a difference between one person being annoyed by a particular part of the plot and lots of folks noticing it enough to mention it in their review.

Even then, a string of negative reviews aren’t going to necessarily stop me from enjoying a film. So much depends on what their specific complaints were and whether they were things I can look past when deciding what to watch.*

*Not counting godawful storytelling, sexist, racist, or homophobic content, or other major issues of course.

Honesty Is More Important Than Always Being Positive

When I write reviews for my own site, I focus on as many positive aspects of the films and books I talk about as I can think of. I believe in pointing out everything the creator did right, especially if it’s stuff that doesn’t seem to be mentioned too often by many other reviewers. Anything worth reviewing – much less watching in the first place – will have strong points.

As an author, I also know how scary it can feel to release your work into the world. I’m always mindful of the fact that the creators might someday read my review, and I’d want them to feel good about all of the hard work they put into their story regardless of any criticisms I might have had to share about certain parts of it.

With that being said, I also believe in being perfectly honest about the themes, scenes, or sections that didn’t work for me. If I disliked something about a book or movie, I’m going to find a tactful way to talk about what it was and why it rubbed me the wrong way.

I won’t just tell you that the characterization fell flat or the dialogue didn’t sound natural to me. I’ll do my best to give specific examples of when these things happened and why they were such an issue for me. If my complaints were more subjective than that, I’ll talk about why a specific issue is a sensitive one for me and how I wish it would have been broached instead.

Other people might completely disagree with my reactions to those scenes or themes. That’s okay, because…

Not Everyone Has the Same Dealbreakers

There are a small number of things that I really don’t want to be exposed to when I’m watching a film. If I know they’re going to show up in advance, I’ll watch something else instead.

Some of the stuff I refuse to watch is too private to share on a platform as public as this one, but I will give you one example. My extended family includes multiple relatives who were adopted at various ages.

Occasionally, films are released that deeply stigmatize people who were adopted. It makes me angry to see adoption being portrayed so negatively because I’ve had multiple conversations with acquaintances who assume that everyone who wasn’t adopted as a newborn is going to fit their harmful stereotypes of other types of adoption.

For example, I’ve met some people who made very negative assumptions about what it would be like to adopt an older child or what sort of person that child would grow up to be. When they said unflattering things about such a large group of people, I winced. Not only were their assumptions untrue, they were unkind.

The last thing I want to do is encourage anyone to perpetuate such damaging myths about adoption and people who were adopted. I’m open to watching a lot of different types of stories, but I draw the line at ones that make it look like my relatives are inherently bad people because they happened to have been adopted.

The nice thing about reviews – including negative ones – is that stuff like this can be discussed in detail. Rather than being blindsided by something that rubs me the wrong way, I can go into the story prepared for what I’m about to see and decide not to watch it if hits something on my dealbreaker list.

It Still Gets the Word Out

Just because I might not personally be interested in a film that spends a great deal of time on a certain theme or topic doesn’t mean that everyone I know feels the same way.

This same rule applies to everyone. There have been multiple times when I’ve read negative reviews of a film or book only to realize that the things that irritated that particular reviewer are either neutral or positive to me.

For example, I’m not usually bothered by movies where the dog dies in the end. It’s something I expect to happen in a lot of different types of stories, so someone who complained about it in their review wouldn’t be discouraging me from watching it at all.

A negative review might turn some people away, but it can also be used to attract even more folks who are actually the right audience for it.

How much attention do you pay to negative reviews? Has a negative review ever convinced you to read or watch something you might not have otherwise tried?

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July 19, 2018 · 1:00 am

A Spoiler-Free Review of Season 2 of The Handmaid’s Tale

Those of you who have been following me on Twitter these past few months have no doubt noticed my occasional tweets about the latest episode of The Handmaid’s Tale. This year I decided to combine all of my thoughts on this show into one long post instead of blogging about each episode individually.

The cast of characters for this show is large. As you scroll through my review, you’ll see photos and names of most of them. I did leave out some minor characters in order to avoid giving away spoilers for later developments in this season, but I included nearly everyone who appeared at least semi-regularly in the plot.

There was only one exception for the spoiler-free rule, and it is something I’ll briefly mention in the section underneath Commander Waterford’s picture. I felt the need to include that sentence because the storyline does involve some common topics that some people find triggering.

 

Elizabeth Moss as June/Offred.

 

When season one of this show ended last year, Offred discovered she was pregnant shortly before being lead out of the Waterford’s home and into one of the vans that was owned by the Eyes, the government-authorized spies in Gilead. Whether the van was meant to deliver her to a life of freedom in Canada or take her someplace else entirely was left to be seen.

The pursuit – and loss – of freedom was one of the major recurring themes in season two of The Handmaid’s Tale. As a member of a totalitarian society who only valued her for her reproductive capabilities, Offred should have been resigned to the loss of her husband, daughter, and freedom by now.

She wasn’t.

 

Yvonne Strahovski as Serena Joy Waterford.

 

Life as a Handmaid in general or with the Waterfords specifically had never been pleasant for Offred.

Since Offred had done it once before, the Waterfords held high hopes that her latest pregnancy would have an equally happy ending. I had strong opinions about the most likely outcome of this pregnancy when season two began.

Offred had something that Serena Joy desperately craved: the ability to conceive and bear a healthy child. The jealousy in this household was palpable, and it only grew stronger as the season progressed. As someone who has never felt the urge to be anyone’s mother, I appreciated the fact that the storyline spent so much time exploring what it means to be a parent and what it feels like when someone is stripped of the ability to decide when, whether, with whom, or how often to reproduce.

While being biologically related to a child can be part of parenthood, this theme was much more complex than who shared DNA with each other. I’d be wandering into spoiler territory if I said much else about this idea, but do pay close attention to how all of the characters on this show react to children and the concept of being a parent in general.

Joseph Fiennes as Commander Waterford.

 

Speaking of Commander Waterford, I liked the fact that this season spent so much time exploring how a man who claimed to be doing God’s work could authorize so many things that no loving deity would ever command anyone to do. He was also one of the least paternal characters I’ve ever known.

If you need a trigger warning for rape or abuse, know that these are two of the many horrible things this character does in the second season. This is all I will say on this topic, but I would be happy to privately go into more detail for anyone who needs to know what to expect ahead of time.

The thought of Commander Waterford possibly raising a baby was a frightening as it was bizarre. He seemed to have no interest in children outside of their ability to elevate his status in society, and that’s never a good reason for anyone to have a child.

The tension between the wholesome image this character wanted to project to his neighbours and who he genuinely was when the doors were closed was as frightening as it was thought-provoking. Anyone might notice slight discrepancies between who they would ideally like to be and who they actually were, but when the gap between the two is this gigantic it becomes impossible to ignore.

Amanda Brugel (left) as Martha.

 

This is even more true for people who interacted with Commander Waterford on a daily basis.

I appreciated the fact that Martha, the cook/housekeeper, was given extra screen time in season two. Her character shared enough tidbits in season one from her previous life  – including the fact that she had a son who died in the civil war – that I was hoping we’d learn more about what sort of person she was.

As is often the case with secondary characters in this series, I didn’t get as many details about Martha as I would have liked to receive. There simply wasn’t enough time to tell me everything I wanted to know about this character, but my appetite has been whetted for more. I hope she gets even more attention in season three.

 

Max Minghella as Nick.

 

Nick, the Waterford’s driver, Guardian (bodyguard), and biological father of June’s baby, did get his fair share of development, however. Based on the way he behaved in season one, I was not at all prepared for what would happen to him in season two. It was really nice to dive into this character’s point of view so deeply, especially once certain things began happening that he hadn’t planned for or desired.

Honestly, he wasn’t someone I liked or trusted all the much in the first season. Throwing Nick into situations he found unnerving was the best possible thing that could have happened to him. I learned so much about his moral code and what  he wanted out of life based on his reactions to all of the life changes that Gilead thrust upon him.

Yes, I know I’m being quite vague in this section. It’s something I’m doing on purpose in order to avoid sharing a major plot twist from one of the early episodes of season two. Just know that Nick’s life is about to be turned upside down in season two if you’ve just begun watching it.

Ann Dowd as Aunt Lydia.

Aunt Lydia was as insufferable as ever.

When I first met her in season one, I couldn’t tell if this character was a true believer in the unbearably strict religious mores of Gilead or if she’d always been a sadist. The things she did to the handmaids she trained and kept in line were disturbing on a good day.

When she felt threatened or like her handmaid’s weren’t being obedient, Aunt Lydia was quick to slide past disturbing and into much darker corners of the human mind. I can’t imagine mistreating anyone the way she did, so it was hard to understand where she was coming from.

Other than Martha, Aunt Lydia is the character I’d like to see fleshed out the most in season three. The audience had so little information about what makes this villain tick that her violent choices only lowered my opinion of her more this season.

 

Alexis Bledel as Emily/Ofglen.

 

Offred wasn’t the only Handmaid in this society. Some of the most memorable scenes this year explored the fates of the other Handmaids in Gilead. None of them could be said to be having a positive experience, but certain ones were treated worse than others.

Emily/Ofglen’s fate was of particular interest to me due to how much I could relate to her as a fellow member of the LGBT community and lover of knowledge. In a slightly different set of circumstances, I could have easily walked a mile in her shoes. That’s frightening.

Madeline Brewer as Janine/Ofwarren.

 

Janine was another Handmaid whose storyline was developed nicely in season two. Once again, I can’t say a great deal about her life with giving away spoilers, but I did find it interesting to see how someone as fragile and emotionally unwell as this character has managed to stay alive in a society where either of those “flaws” could so easily lead to a quick death for anyone unlucky enough to develop them.

O.T. Fagbenle as Luke, June’s husband.

One of the things that first pulled me into this book before it became a TV series was June’s relationship with her husband.

The Luke in the book annoyed me in the beginning due to his unwillingness to empathize with June’s fears about living in a society where women were so quickly losing their rights and his stubborn determination to ignore every red flag until it was too late for him to get his family out of the country safely. I didn’t blame him for failing to understand what it’s like to be a woman. However, I did blame him for refusing to take his wife seriously when she opened up to him about how women were really being treated.

Getting to know a little more about the assumptions Luke made about others helped me to understand why he messed up so terribly in the beginning. I still wish he’d listened to his wife the first time she shared her concerns with him, though!

Jordana Blake (left) as Hannah Bankole, daughter of June and Luke.

 

There is very little I can say about Hannah without giving away spoilers, but her emotional bond with both of her parents has been a beautiful part of the plot since the first scene of season one. June’s second pregnancy was made even more poignant because she’d already had years of parenting experience under her belt. She knew exactly what it was she was going to be giving up after her pregnancy ended and she was moved on to the next childless household.

Samira Wiley as Moira.

 

I do wish Moira had been given more opportunities to shine in season two. We got to know her so well in the first season that I would have relished the opportunity to see how she was adjusting to life outside of Gilead after her daring escape at the end of season one.

Only time will tell if season three dig more deeply into the lives of Moira, Martha, and Aunt Lydia.

If you’re a fellow fan of The Handmaid’s Tale, what did you enjoy the most about season two?

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July 16, 2018 · 1:00 am

What to Read When It’s Hot Outside

Last winter I shared a list of books that I’d recommend checking out when it’s cold outside. All of them were set during the winter because sometimes I like to match the settings in the stories I read to what the weather in Ontario is like at that a particular time of the year.

Now it’s the middle of July.  Instead of having a high temperature of -25 C (-13 F) like we did when I published that post last January, it’s supposed to feel like 40 C (104 F) today including the humidex. I’m lucky enough to have air conditioning, but our home air conditioner does have some trouble keeping up when the weather grows that hot and humid.

Luckily, there’s something about leaping into a good book that helps me forget even the strongest heat wave.

My summer reading preferences tend to veer off into two different directions. I either want to read serious classic literature or lighthearted beach reads that don’t require much analyzing at all. (So much depends on exactly how humid it is outside and how well my brain cells are swimming around in my skull. Ha!)

I have no idea why my brain has made the connection between these two types of stories and summer. All I know is that these were the sections of our local public library I’d often visit first after school let out and I needed something to occupy my time for a few months.

Summer Sisters by Judy Blume

Summer Sisters was the first Judy Blume tale I read that wasn’t meant for kids. I stumbled across it a couple of decades before I reached the target age range, but I still loved the idea of making a childhood friend who remained with you throughout your life.

My family moved around a lot when I was growing up. The friends I made once we finally settled down for good turned out not to be people I had anything in common with at all in adulthood. This gives me a soft spot for people who were able to maintain their childhood friendships twenty, forty, or even sixty years later. It must be incredible to have such a long, rich history with someone like that.

Fried Green Tomatoes at the Whistle Stop Cafe by Fannie Flagg

The first thing I’m going to tell you about this book is that you should never try to fry green tomatoes. My one and only attempt at making this dish did not end deliciously. Fried tomatoes have such an odd texture that I don’t ever want to taste them again.

The storyline itself was well done, though. It was about an unlikely friendship between a sad, middle-aged woman named Evelyn and Mrs. Threadgoode, a lonely nursing home resident. As they got to know each other better, Mrs. Threadgoode began telling Evelyn a complicated story about two friends who grew up together and ran a restaurant in Whistle Stop, Alabama that served coffee and occasionally might have been the scene of a violent crime or two.

Summer makes me feel nostalgic, so reading about what life was like from roughly the early 1900s to the1940s tickled my imagination.

 

Tuck Everlasting by Natalie Babbitt

Some middle grade books can be just as appealing to adults as they are to their intended audience. If you ask me, this is one of them.

Winnie, the main character, had to decide whether or not to drink water from a spring that had the power to make someone immortal. I loved the descriptions of the water in that spring, especially since Winnie visited it during an uncomfortably warm portion of the year from what I can recall. There’s nothing as refreshing as a glass of cold water on a hot summer day, although I don’t know that I’d be interested in living forever.

 

My Sister’s Keeper by Jodi Picoult

Okay, so technically My Sister’s Keeper wasn’t set during the summer. I first read it during such a hot and humid portion of this season that it still feels like a summer read to me.

The dilemma the characters dealt with was one that I thought could have been solved much more quickly than it was. Anna was a young girl who had been conceived specifically to be a donor for an older sibling who had leukaemia. She’s endured numerous medical procedures over the years in order to keep her sister alive, and by the time she turned eleven she’d had enough.

I formed my opinion on the ethics of this (fictional) case almost immediately. That didn’t mean I was any less interested in seeing if Anna could become legally emancipated from her family or what would happen to her sister after Anna was no longer forced to give away parts of her body to her sibling.

As I Lay Dying by William Faulkner

To be perfectly honest with you, I am not a huge fan of Faulkner’s writing style. His descriptions remind me of a few people I know who will take ten minutes to recount a story that could have easily been shared in one or two. My patience for that sort of thing is limited to days when I have all the time in the world to read (or listen) and don’t mind getting lost in a long description of what someone’s wagon looked like before the narrator eventually sees fit to tell me who is riding in that wagon and where they’re going.

Without giving away any spoilers, the journey on said wagon was a deeply emotional one. I simply need to be in the right frame of mind in order to properly enjoy it (and to keep the 15 narrators straight in my mind!)

 

A Midsummer Night’s Dream by William Shakespeare

As someone who had mixed feelings about Romeo and Juliet, I sure wasn’t expecting to enjoy A Midsummer Night’s Dream like I did. There’s something about a warm summer night that makes falling in love – or, in some cases, lust – just a little more appealing than it would be at other times of the year.

If possible, I highly recommend watching this play outdoors on a warm evening. I was lucky enough to do that once, and it made the storyline come alive for me. There was something about feeling the humid air against my skin and hearing crickets chirping in the distance that made me feel like I’d been transported hundreds of years ago to when this story was first performed.

 

To Kill a Mockingbird by Harper Lee

Yes, I know I’ve talked about this book several times before in previous posts. One of the things I liked most about the earliest scenes were their descriptions of what summer was like in the 1930s before air conditioning was invented. This was a very small part of the plot, of course, but people back then came up with all sorts of inexpensive and inventive ways to remain as cool as possible. I enjoyed reading about their solutions, and they made me very grateful to live in a world where air conditioning exists.

 

The Bluest Eye by Toni Morrison

 Not only is The Bluest Eye set during the summer, I first read it over summer vacation as well. The sharp contrast between the warm setting and the cold descriptions of a young girl who had endured terrible abuse made me very curious to see how it ended. This book does include descriptions of the after-effects of rape, so reader be warned.

Do your reading preferences shift from one season to the next? What genres do you like to read during the hottest part of the year where you live?

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July 12, 2018 · 1:00 am

Hopeful Science Fiction: Woman on the Edge of Time

Last month, I blogged about my desire to step back from the dystopian genre and read hopeful science fiction instead.

The rules were simple. I didn’t require a story to start out in a hopeful or happy place, but I did want to read scifi that ended that way.

Since then, I’ve started to compile a list of books that fit this description. I’ll be talking about one of them today and plan to gradually blog about the rest in the future. If you have recommendations for this series, I’d sure like to hear them. Leave a comment below or send me message about it on Twitter.

Woman on the Edge of Time

Marge Piercy’s Woman on the Edge of Time was first published in 1976. It was about Consuelo Ramos, a woman whose life had been forever changed by poverty, mental illness, prejudice, and violence.

Nothing I’m about to say is a spoiler. All of it was mentioned in the blurb for this book, and there are many plots twists and important details from later chapters that I’ll leave up to you to discover for yourselves.

I should warn you that the beginning of this book was filled with a great deal of pain. Consuelo’s life had been incredibly difficult for many years before the audience met her. She’d made choices that seriously harmed other people, and she’d been on the receiving end of other people’s terrible decisions as well. There were times when it read much more like a dystopia than anything else before the plot veered into other directions.

If you press forward through the dark beginning, though, you’ll begin to see what I’m talking about when I refer to this as a piece of hopeful science fiction.

Shortly before involuntarily committed to a psychiatric hospital early on in this story, Consuelo began telepathically communicating with Luciente, a person who was living in an utopian society in 2137.

As their unlikely friendship blossomed, Consuelo eventually travelled through time to visit Luciente and see how people lived in the 2100s. It was like nothing Consuelo had ever seen before.

In Luciente’s world, there was no poverty, racism, sexism, or violence. No one ever went hungry or was denied urgent medical treatment due to their lack of ability to pay for it. Everyone was given the opportunity to chart the course of their own lives regardless of who they were or what they’d previously decided to do with their energy and time. As long as it didn’t harm anyone else, you could do virtually anything you desired with your time, from raising a family to making art to experimenting with new ways of growing crops.

This wasn’t the only future world Consuelo visited, however. She later saw a dystopian society where the bodies and minds of poor people were used as a commodity by the wealthy. It was the opposite of the place Luciente lived in every way you could imagine. Roles were rigidly determined by who your parents were, and there was no way to switch from one part of that society to another. A person’s time was never their own. There was always someone looking over your shoulder and telling you what you must do next.

Which Future Will Be Ours?

One of the things I enjoyed the most about this tale was how much time it spent explaining why Consuelo had been chosen to see and interact with these two very different versions of the future of humanity. She wasn’t a passive player in these trips by any means. Her presence made a difference in ways she couldn’t even begin to imagine so long as she was stuck in the psychiatric facility.

As Luciente would tell her over and over again, the decisions Consuelo made in 1976 were going to play a critical role in which version of the future came to pass. The thought of someone as socially marginalized and powerless as Consuelo actually being the key to changing the fate of the entire world tickled my imagination. I’ve almost never seen anything like it before.

Most science fiction and fantasy heroes that I’ve read about have had at least a few advantages in life, whether it’s through being born with special powers or being apprenticed to someone who could teach them the skills they needed to defeat even their most powerful enemies.

The fact that Consuelo was expected to save the world without any magical abilities, mystical objects, all-knowing mentors, trusty sidekicks, or any other real sources of help in her battle made it impossible for me to stop reading. I had to know which version of the future would come to pass and if Consuelo would be able to improve the circumstances of her own life in the 1970s as well.

Hope Is the Thing with Feathers

With apologies to Emily Dickinson, I loved this story’s approach to the concept of hope.

When I first began researching possibilities for this series, I wondered how easy it would be to find hopeful examples in a genre that has so often assumed the worst case scenario is the one worth writing and thinking about. The dystopian sub-genre has become so popular these days that I knew I’d have to do some digging to find characters who didn’t live in that kind of world.

Since I’m also not the kind of reader who usually seeks out tales that attempt to be hopeful by brushing over – or even simply ignoring-  difficult topics like racism and sexism, my other concern was that I’d be left with stories that were hopeful only for readers who were able to suspend their disbelief and enter an imaginary world where no one ever dealt with serious, real world issues.

The beautiful thing about Woman on the Edge of Time was how it found hope even in the midst of all of the prejudice Consuelo fought against during her life. Her determination to radically improve the future for the sake of every person who had been or will be born was rooted in part in her hope that all forms of bigotry could be vanquished for good if she made the right decisions.

Final Notes

There are so many other things I want to say about this book, but I don’t want to give away spoilers about it for anyone who hasn’t read it before. If you have read it, I’d be happy to discuss it in much greater detail somewhere other than the comment section of this post.

Do keep in mind that this tale has many twists and turns along the way to the final scene. It’s not something I’d recommend to anyone who needs to avoid any references at all to complex topics like abuse or how destructive habits can be passed down from one generation to the next. Consuelo and many of the other characters had many difficult experiences in their lives. This wasn’t the sort of universe where someone swoops in and saves the good guys in the nick of time before anything terrible happened to them.

These characters knew more than their fair share of pain, but all of the hope they found along the way more than made up for it in my mind.

What hopeful science fiction stories have you been reading recently?

 

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