The telling or reading of ghost stories during the Christmas season was once a tradition in Victorian England. This series of books seeks to revive this tradition. Beginning this year, I hope to review all of them during the month of December for as many years as it takes to finish this project.
Title: The Red Lodge – A Ghost Story for Christmas (Seth’s Christmas Ghost Stories)
Author: H.R. Wakefield
Publisher: Biblioasis
Publication Date: 1928 and 2018
Genres: Paranormal, Historical
Length: 32 pages
Source: I borrowed it from the library
Rating: 3.5 Stars
Blurb:
Reading a ghost story on Christmas eve was once as much a part of traditional Christmas celebrations as turkey, eggnog, and Santa Claus.
The Red Lodge is a magnificent Queen Anne house, the ideal rental for a young family on a much-needed holiday. But something is wrong at the Red Lodge. What caused the drownings of so many previous occupants? What dark presence lurks in the river? Why has the son grown sullen and afraid?
Review:
Some places are too evil for human occupancy.
One of the most fascinating things about living in or visiting an old house is researching the former owners and what their lives were like. Generally, this sort of search yields pretty mundane results, but as you’ve probably already gathered this isn’t one of those occasions. I won’t go into details about how and why The Red Lodge became such a restless and malevolent place, but that backstory really made the plight of the newest occupants even more poignant.
The narrator of this tale deeply loved wife and his young son, so it struck me as odd to see how quickly he brushed away their anxiety about living at The Red Lodge. Change is hard for everyone, so I would have understood if he hadn’t listened the first couple of times. It did feel weird to have a six-year-old and a cherished wife talk about odd things happening in their home and change their habits as a result of them without the father and husband taking note of that. I sure would have liked to have a clearer explanation for whether this was a common occurrence in their family or if the spirit had already begun to warp the main character’s perspective so early on.
While this wasn’t a gory story, there were definitely some awful things that happened at the lodge. I appreciated the way the author hinted at how folks died there instead of describing it in elaborate detail. This was definitely one of those cases where less was more, especially given how reluctant folks would have been to discuss this sort of thing in the 1920s in general.
If you think a property can be stained beyond all hope of repair from the awful things that happened on it, I’d recommend checking out The Red Lodge.
Title: Richard Rex & the Succubus of Whitechapel
Title: The House on Abigail Lane
I’d like to thank Berthold Gambrel for 
Content warning: mental illness, blood, violence, and trauma.
One of my favourite type of horror is anything that comes embedded with a social message. The preview for this film makes it look like a slasher flick. While there were certainly elements of that horror genre, there was a lot of thought-provoking material that couldn’t be included in that clip for spoiler reasons.
There was one subplot that I wish had been given more attention and development. It involved the inclusion of rabbits of all things. I still haven’t been able to figure out why that particular animal was added to such a dark storyline. It’s a minor criticism of something I really enjoyed, but I do wish they’d either been cut out of the plot altogether or, even better, given more opportunities to get tied in with everything else.
Content warning: deaths of children. I will be discussing this in my review. 
Content warning: Childbirth and dark humour. I will go into detail about the latter in this review. 
Title: A Bit of Pickled Pumpkin and Other Short Horror Stories
Never the Same Again: A Review of The Cured
The Cured is a 2017 Irish horror drama about former zombies being reintegrated into society after being cured of their disease.
While there are some violent scenes in it, this film is much more about how society stitches itself back together after a pandemic has ripped everything apart.
In short, this wasn’t about watching characters get hurt. It was about how everyone dealt with the traumatic aftermath of this sort of event several years after order was restored and everyone went back to work and school.
I’ve never seen a zombie film focus on this part of that story arc before. It was so unique that I had to watch this despite rarely being into zombies or post-apocalyptic fiction these days.
The character list is quite small this time because the vast majority of the scenes centred on this one family and how they coped.
Characters
Sam Keeley (right) as Senan Browne
Senan Browne was a former zombie who was cured. He was deeply traumatized by his experiences and struggled to find any sense of normality even after he was deemed to no longer be a threat to society.
After his release from the treatment centre, he was sent to live with his sister-in-law, Abbie, and young nephew, Cillian, who can be partially seen in Senan’s arms in the above photo.
Senan’s social worker assigned him to work as a porter at the same treatment centre that cured him. He was such a quiet, withdrawn man that I really wondered how he’d respond to this work environment.
Ellen Page as Abbie (Abigail) Reynolds
Abbie was Senan’s sister-in-law. Cillian is her son. Her husband, Luke, died early on in the zombie outbreak, so she raised her son alone in a violent and unpredictable environment.
She was just as traumatized as her brother-in-law, but she expressed it in completely different ways. Abbie was hyper-aware of everything going on around her and insisted on always knowing where her loved ones were for obvious reasons.
My Review
This is one of those rare zombie films that I’d wholeheartedly recommend to people who hate that genre. The zombies could easily have been substituted for real-world issues like pandemics or war and come to almost the same conclusion. It was the characters’ reactions to them that pushed the plot forward in the vast majority of cases.
Actually living through a zombie attack would be traumatizing for anyone, and the plot did an excellent job of showing how the two main characters reacted both in the moment and several years later when they were safe and together again. Both of them showed clear signs of mental illness as a result of these experiences, including flashbacks, panic attacks, guilt, rage, anxiety, mood swings, serious trouble focusing, and avoidance of things that reminded them of those terrible days. All of these scenes were handled sensitively.
Senan’s experiences had been unique ones. Without giving too much information away, life for people in his position was extremely difficult. Not only did he have to deal with prejudice and mistreatment from people who’d survived the initial outbreak without being turned, he also had to come to terms with what he’d done while he was a zombie. The social commentary on how we treat people whose choices have disgusted and terrified us was filled with food for thought. It almost reminded me of how some folks responded to people who had AIDS in the 1980s or to people who abuse drugs in the present day.
It would have been nice to see more time spent on the backstories of Abbie and of the doctor who cured Senan. Both of these women gave small hints about their experiences during the zombiepocalypse, but there was so much more room there for development. Yes, Senan had a unique tale to tell, but so did a woman who kept her baby alive for four years as a single parent in such a harrowing environment as well as a doctor who bravely treated and eventually cured many of the zombies while paying a terrible price for her courage.
I liked the way this film explored how Senan’s life had been forever altered by their pasts. Finally having a cure is by no means the same as an outbreak never occurring at all. While he had found a new sense of normalcy, he’d never be able to forget the events that set his story into motion in the first place.
I’d recommend The Cured to anyone who likes dramas.
(If you decide to watch the trailer below before watching this film, do keep in mind that it gives away some big plot twists. Someday I should write a post about why trailers shouldn’t do that!)
The Cured is available on Netflix.
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Filed under Science Fiction and Fantasy
Tagged as 2010s, Drama, Films, Horror, Irish, Social Commentary, Zombies